The Beatles 1967 1970

Product Information

The reissues were both double-CD sets, and included expanded booklets with new essays written by Bill Flanagan, and rare photographs of The Beatles. 2023 reissues Solo Exitos 1959–2002 Ano A Ano: Certificados 1991–1995. Solo Exitos 1959–2002 Ano A Ano. ISBN 84-8048-639-2.

New Zealand album certifications – The Beatles – 1967–1970". Recorded Music NZ . Retrieved 20 November 2023. Oricon Top 50 Combined Albums: 2023-11-20" (in Japanese). Oricon. Archived from the original on 17 November 2023 . Retrieved 17 November 2023. Album Search: The Beatles – 1967–1970" (ASP) (in German). Media Control . Retrieved 3 May 2013. [ dead link]Beatles fans are on standby for the announcement of an expanded ‘1962-1966’ (The Red Album) and ‘1967-1970’ (The Blue Album). Listening to the '62-66 set first, specifically the 2023 mixes. As always, the songs are great...now the sound. The speculation for the reissues is that the initial 2LP/CD editions will each be expanded to triple album sets and contain for unreleased song ‘Now and Then’.

The Mad Day Out Photo Session". The Beatles. 10 January 2013. Archived from the original on 14 March 2021 . Retrieved 17 May 2018. RPM – Library and Archives Canada – Top Albums/CDs – Volume 58, No. 16". RPM. 30 October 1993. Archived from the original on 21 March 2014 . Retrieved 13 October 2012.

Paul’s trust in you is something that’s been not handed down exactly, but earned, over the course of everything you’ve done. That has got to be a great, great feeling, when he comes to you repeatedly, and now especially on “Now and Then,” and says, “Work with me on this.” The inner gatefold photo for both LPs has been attributed to both Stephen Goldblatt and Don McCullin, [11] and is from the "Mad Day Out" photo session in London on Sunday 28 July 1968. [12] [13] No, it’s just what feels right, really. You know, I’ve been answering questions recently on ethical choices behind mixing. It’s like, there’s enough ethical problems in the world without really thinking about doing them while you’re mixing, right now! And so, no, honestly, one just does what feels the right thing to do as far as vocal balance goes. It’s not like, “OK, Paul needs to be louder, John needs to be quieter on this bit.” It’s just like, what sounds right for the song, which is exactly how it should be. You know, people shouldn’t listen to technology, and they shouldn’t listen to the thought process. They should listen to the song. It’s the same thing we talk about when we do the (catalog remixes). It’s not like I want someone to go and re-listen to a mix. A lot of people do — but I want people to listen to the song.