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The Man Who Made Things Out of Trees

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No one obsesses like the English. In this book, Penn gets it in his head to find a perfect Ash tree, cut it down, and have as many things possible crafted from it. You get to follow him through the woods of Wales where he resides, looking at stands of Ash trees, none quite right, until he finds his perfect 100 year old tree. So, Penn is less of a romantic figure turning his wood to good use, and more of a miniscule lumber merchant operating at (we can presume) considerable loss to turn an idealised tree into several artefacts, many of which he would seem to have no use for other than as chapters of this book. These trees are the most powerful on the planet for capturing carbon, he says. Unlike other conifers, such as Douglas fir and Sitka spruce, whose growth plateaus at a certain age, giant sequoias continue to grow and accumulate wood beyond maturity. “So their value for carbon capture keeps going for a millennium.” this book is going to be expensive. I am fairly committed now, to learning how to turn bowls. On an electric lathe, though, not a footy.

Beautifully crafted, [ The Man Who Made Things Out of Trees ranges] freely over intellectual territory - masculinity, nostalgia, identity . . . Fascinating . . . Never have the benefits of getting your chopper out appeared more obvious (Robert Crampton, Books of the Year The Times) What a great book! Written with a great insight and a delicate balance between the scientific and biological and the utilitarian dimensions of the life of a tree, it offers the reader a chance to paradoxically (at first sight) experience awe and admiration before the miracle of life that a standing, living tree symbolises, and the intimate knowledge with which mankind has learned to exploit this most valuable natural resource to its full extent. The detailed descriptions of the author's meetings with many diverse craftsmen and artisans emphasizes a truth that we are all aware of, to varying extents, namely that craftmanship indeed does stand for an intimate knowledge of nature and man's full participation in its processes, knowledge and role which are in many cases on the verge of extinction, alas. One of the most common uses for ash is tool handles. The experts are a little hazy about putting absolute date on when ash was first used, but it is safe to say that it has been used for several thousand years. The properties of ash make it the perfect material, it is tough, strong and flexible, not too heavy and the very act of handling the wood adds a patina to it making it nicer to handle. One of the last tool manufacturers in UK offer to turn some of his planks into axe handles, and he pays them a visit. In no time at all they are cut to shape, and sanded to the ideal shape. His first objects from that tree. But he does talk about his passion, ash trees, with encyclopedic depth and you can feel his reverence for this particular brand of tree. It's a bit much at times, in a "we get it, ash is very useful and has been forever" kind of way, but the best bits of this book are the points where he meanders through an unkempt history of the way ash was used in such and such country or region, and it is overall interesting and informative.To learn more, Penn decided to fell one and follow it as it was made into as many different things as possible. “I could get a writer’s desk and a table made,” he writes. “I would turn some of the less valuable timber into panelling for my office and worktops for my kitchen.” There would be plenty more besides, more than 40 different items in total, all from a single tree. Penn takes us through the various uses, with accompanying passages of history and science, sprinkled with trivia. A veteran writer and broadcaster, he has written several books on cycling and one on the weather, and has a keen eye for the interesting tangent. I hadn’t known, for instance, that the first Routemaster buses had ash frames.

It is this well-established ecosystem that makes ancient woodland so effective at carbon capture. The Woodland Trust says woodlands in the UK hold 213m tonnes of carbon, and ancient and long-established woodlands hold 36% of that, even though they make up just 25% of all woodland. “Yet only 7% of our woodlands – ancient and modern – are in good ecological condition,” adds Fox. “We’re calling for ancient woodlands to have buffer zones around them, which could be newly planted woodland, or just land left for natural regeneration, so it’s protected from noise, pollution and buildings hard up against it, which can compact the soil.” Rob Penn felled a single ash tree and set out to make as many things as possible from the wood. He travelled widely to visit master crafters who took parts of his tree and made it into over 40 items including: a desk, kitchen worktops, spoons, a tobbogan and axe handles.

Robert Penn cut down an ash tree to see how many things could be made from it. After all, ash is the tree we have made the greatest and most varied use of over the course of human history. Journeying from Wales across Europe and Ireland to the USA, Robert finds that the ancient skills and knowledge of the properties of ash, developed over millennia making wheels and arrows, furniture and baseball bats, are far from dead. The book chronicles how the urge to understand and appreciate trees still runs through us all like grain through wood. He didn't mention the beauty of some of its grain patterns in different cuts well enough early on, although he did take his log to a sawmill. I found that section far too simplified & he never mentioned staining & finishing of ash compared to other woods. It does have large pores & that can be an issue with fine woodwork & writing surfaces. He mentions the grain patterns at the end, but doesn't get into staining at all, surprising since he wife should know. A wonderful journey and pleasure to read, I learnt a lot. However I feel this book is also a bit of a missed opportunity. Perhaps it helped that this was my second book from this Robert Penn (I read It's all about the bike) and my expectations were firm on the huge amount of passion coming through - on that the author delivered in full.

My favourite part of the book has to be Robin Wood and his bowl making, he uses a pole lathe, no electric lathe with CNC programming or big kilns for drying the wood, this is all done with man power. I've seen a pole lathe in action before and it is mesmerising, the fact that the wood worker can't see what he is doing as the wood turns and yet somehow create something smooth and beautiful is insane, I own a Spurtle (porridge stirrer) that was made on a pole lathe and it is a thing of beauty. A eulogy to the importance of ash throughout human history . . . Fascinating’ – Tobias Jones, GuardianA soothing, somewhat rambling read that floats in the aether between something like travel writing and meditations on woodworking. Broadly inoffensive stylistically, and contains a number of tidbits of trivia about wood, woodworking and other related subjects. Reflections on the honest pleasures of craftsmanship make it all pretty easy to digest. A eulogy to the importance of ash throughout human history . . . Fascinating (Tobias Jones Guardian) Penn's love for trees, ash trees in particular, is wonderful to read about. This book is a series of adventures as he traces the uses of common English ash, Fraxinus ecelsior throughout history & much of the western world. It is similar enough to American white ash, Fraxinus_americana that it is also covered in some detail. That an entire book barely covers the subject is a testament to the wood; its historical & current importance. While Penn gets into some detail at various times, he still only brushes against many subjects. This makes it an easy read both for those both with & without knowledge on the subject. I certainly enjoyed it & I have a fair amount of experience. Actually, his love of the woods & insistence on proper environmental practices mirrored my own. I will admit to some frustration on him not getting into some areas a bit more deeply. Penn is a fine writer, and the mix of research, reportage and personal reflection is persuasive . . . A lovely book (Ed Cumming Observer)

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