The Last Rose of Shanghai: A Novel

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A full-immersion, compulsively readable tale that rivals both Anchee Min’s Empress Orchid (2004), about the dowager empress Cixi, and the multilayered biographical novel Empress (2006) by Shan Sa, which also features Empress Wu.” — Booklist (starred review) Old Shanghai, the city that existed between the two world wars, is a conundrum. Not strictly a colony but rather an International Settlement, a port city forced open by imperialist aggression in 1842 after the first opium war. The part of the city that was sectioned off came under foreign control, its residents subject only to the laws of their home countries. The irony is that as a result of this, Shanghai was to become a refuge during the 1920s and 30s for more than three million Chinese fleeing civil war, warlordism, disease, drought and famine. In the late 30s, it also became a port of last resort for some 30,000 Jewish refugees fleeing fascism in Germany and Austria. Chang recalls her own traumatic and adventurous wartime years in this novella that, because it is so personal and revelatory, took her more than 35 years to write. The long Japanese occupation of the city, the relationships that formed in those desperate times, and the terrible choices the Shanghainese were forced to make are at the heart of a book that became a fantastic movie directed by Ang Lee. Chang remains the pre-eminent bard of Shanghai. This was a beautifully written novel and it was apparent that the author did significant research. The two main characters were so well written that I felt their pain during the war and their happiness at being together. I learned a lot about the war in China and the treatment of the Chinese by the Japanese soldiers. This is a beautiful story about the pain and sorrow of the war but the overall feeling is one of love and redemption. As the Last Rose of Shanghai opens, it is 1990 and an older woman awaits the arrival of her niece and a documentarian. In the case of the latter, the woman, who we soon learn is Aiyi, a Chinese woman who is one of our main protagonists wishes for the documentarian to know the story of Ernest Reismann, a German refugee who arrives in Shanghai during the 1930’s and was a well-known pianist. Ernest will also be our other main protagonist and the chapters alternate between the past and the present. It is a tale of war, heartache, and the willingness of people to survive despite the hardships they endure.

The Last Rose of Shanghai by Weina Dai Randel ~ a Review The Last Rose of Shanghai by Weina Dai Randel ~ a Review

This romance is one of the two main sources of tension throughout the story. Aiyi’s got a boyfriend/fiancé already, but it’s an arranged match, and she’s not exactly in love. But her family is traditional and looks down on foreigners. Ernest, being Jewish, comes from a much different culture and is an outsider in the city.Does all this add up to a good story? In some ways, yes. Certainly, living in an occupied city is awful. Both Aiyi and Ernest experience their share of tragedy. But Randel avoids making the story an atrocity Olympics. The reader finds suffering, but the suffering alone doesn’t take over the story. It felt authentic to me, at least. A must for historical fiction fans, especially those fascinated by China’s glorious past.” — Library Journal (starred review) In fact, I’d say that it’s Aiyi and Ernest’s own story arcs that really make the novel shine, even more than the romance between them. The love story aspect began to feel a bit episodic after a while, when just as things seem headed for a happy resolution, something new happens that keeps them apart again. After a while, the obstacles themselves began to feel a bit convenient, like a TV writer stretching out the story over an entire season’s worth of episodes. The ending to this plot line, with the big reveal in the final few chapters, was satisfying, though I wish there had been more of an emotional payoff.

The Last Rose of Shanghai - Historical Novel Society

The Last Rose of Shanghai" is a beautifully written and engaging novel that combines historical accuracy with a compelling narrative. It is a must-read for anyone interested in Chinese history or anyone who enjoys a good story of love, loss, and redemption. While still a WWII story, the plot offers a perspective not usually seen in this genre: that of the Japanese-occupied Chinese and the refugee Shanghai Jews. It was enlightening to learn about this aspect of WWII.

The Last Rose of Shanghai vividly depicts the clash of East and West as Jewish refugees flee Hitler’s Berlin for faraway Shanghai, where they struggle to survive amid the uneasy coexistence of Chinese magnates and Japanese invaders. Sophisticated heiress Aiyi knows she is taking a risk when she hires Jewish pianist Ernest to play jazz in her nightclub, but she has no idea she will be risking her heart, her family, and everything she holds dear as forbidden love blossoms and Japan’s hold on her beloved home city tightens. Weina Dai Randel’s poignant, sweeping love story paints a vibrant portrait of a little-known slice of World War II history. Not to be missed!” —Kate Quinn, New York Times bestselling author of The Rose Code and The Huntress In contrast, Aiyi and Ernest’s respective story arcs are really strong. I loved watching Aiyi fight to maintain her power and financial independence at a time when women still dealt with bound feet and social expectations about their role being limited to the home. I enjoyed watching her negotiate with the powerful Jewish magnate Sassoon, and seeing her outwit Japanese soldiers and her domineering oldest brother, all to hold on to the business she’d worked so hard to build. I was especially captivated by the tension between how much she was willing to sacrifice for Ernest’s sake, because of her love for him, and how much she’d refuse to give up to ensure her own future. I found Aiyi to be a complex, compelling heroine, and I was totally into seeing her story unfold.