Entre les murs (Collection Folio (Gallimard))

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Elsa Keslassy (27 February 2009). " 'Seraphine' tops Cesar Awards". Variety . Retrieved 19 June 2017. Annual Los Angeles Film Critics Association Awards". Los Angeles Film Critics Association . Retrieved 19 June 2017. Susan King (22 February 2009). " 'The Wrestler' wins at Film Independent's Spirit Awards". The Los Angeles Times . Retrieved 19 June 2017. One potential audience sector who will embrace the film is teachers. It serves to illustrate definitively that teaching is one of society’s toughest professions. Peter Knegt (23 January 2009). " 'Public Enemy' Takes Record 10 Cesar Nods". IndieWire . Retrieved 19 June 2017.

Il s'agit d'une adaptation du roman homonyme de François Bégaudeau, lequel a joué le rôle principal du film et cosigné l'adaptation cinématographique avec Laurent Cantet et Robin Campillo. L'histoire s'inspire du vécu de l'auteur lorsqu'il enseignait au collège Mozart, un établissement parisien situé en ZEP (zone d'éducation prioritaire). Dix ans plus tard, Brigitte Tijou donne la parole aux mêmes jeunes dans son documentaire «Les Marches de Belleville» [24 ]. a et b « Entre les murs - Société de Production / Sociétés de distribution», sur Unifrance.org (consulté le 12 juin 2022). Talking with Cantet about his process for this film, a former teacher himself, it is clear from the start that this is a topic very personal to him. “In France we have a very old debate on schools. The debate is always very ideological. I wanted to try to show what really can happen in a class like that. Just look at what’s happening and then people can think about that then make their own mind on that. The other point was that I think looking at these little microcosms you can describe all the issues where society is now facing without really looking at the issues. We sometimes try to avoid to look at the real issues because it’s easier to have preconceived ideas on things.”

So real and affecting is this story, the characters and the film, that one can’t help but be rapt with attention, soaking up every word, every action, every reaction, just as if you, yourself, were sitting in a classroom with your favorite teacher, not wanting to miss even one scintilla of the educational experience of school and life. This may be a French film, but it speaks a universal language. According to Cantet, “what the film tries to show is that diversity is not a problem like a people want to say, but it can be a richness. Children are much more open to everything because they are confronted with situations very much different from their own life. They are discussing with children who have different cultures, different ways of thinking and to be together like that is very important.” en-US) Manohla Dargis et A. O. Scott, « At Glittery Cannes, a Gritty Palme d’Or» , sur nytimes.com, The New York Times, 26 mai 2008 ( ISSN 0362-4331, consulté le 5 septembre 2023)

Souleymane is supported at his disciplinary hearing by his mother, who speaks no French at all, leaving her son, whose grasp of French is not much better than hers, to translate the proceedings for her. The hearing is a disaster for him and he is expelled from school. a b c d e f g h i j et k «Palmares du film Entre les murs», sur Allociné (consulté le 14 juin 2022). Rebecca Leffler (19 January 2009). "Biopics in Lumiere spotlight; 'Class' best pic". The Hollywood Reporter . Retrieved 19 June 2017.Sociétés de distribution [5 ]: Haut et Court (France); Cinéart (Belgique); Filmcoopi (Suisse romande); Métropole Films Distribution (Québec) Sophie Grassin, « Laurent Cantet: luttes dans la classe», Le Monde.fr,‎ 12 mai 2008 ( ISSN 1950-6244, lire en ligne, consulté le 15 février 2017) Manohla Dargis (26 September 2008). "Laurent Cantet's 'The Class': Learning to be the future of France". The New York Times . Retrieved 19 June 2017. Cantet refuses to judge the behaviour of any of the teachers or students here, presenting the classroom situations objectively with all the ethical and social baggage they entail. The technique is never less than enthralling and The Class is as fluid and thought-provoking as contemporary realist cinema can get. Tournage du film. Accueil [ modifier | modifier le code ] Accueil critique [ modifier | modifier le code ]