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What You Are in the Dark: When Donkey gets taken away by Dragon, Shrek has the perfect opportunity to leave with Fiona and finally be rid of the Small, Annoying Creature who'd been bothering him up to now. Instead, even though the only witness was Fiona (who had no idea Donkey existed), Shrek goes out of his way to rescue Donkey from Dragon out of gratitude for his help and having warmed up to him by then. Eyelash Fluttering: Dragon does this to Donkey when she is flirting with him. Missing the point, Donkey says "What's the matter, you got something in your eye?".
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Humanizing Tears: Possibly the only instance of this trope being applied to a gigantic fire-breathing dragon. A few sobs in front of a lakeshore while pining for Donkey are pretty much all it takes to make the dragon a sympathetic character. Farquaad laughs at Shrek for being in love with the princess, and the fact that an ogre can fall in love at all.
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Spanner in the Works: If it wasn't for Farquaad's actions, nothing in the rest of the franchise would have happened and the plans of the other three villains would have been successful. Over Crank: When Shrek and co. are escaping Dragon, the film briefly goes into slow motion before they reach the bridge, complete with Shrek bellowing a very drawn out "RUN!" Contrived Coincidence: Donkey just happens to feel morose at the same shore Dragon is crying at. It's a Small World, After All! Feeling that her curse remaining undiscovered until the end was unsuitable for a feature-length film, screenwriters Ted Elliott and Terry Rossio introduced the concept of a shapeshifting princess, which was rejected by the other filmmakers for six months because they found it "too complex" for a fairy tale. [7] Elliot and Rossio contested that similar ideas had been used successfully in Disney's The Little Mermaid (1989) and Beauty and the Beast (1991), ultimately convincing the studio by referring to Fiona as an enchanted princess instead. [7] Some writers expressed concerns over whether turning Fiona into an ogre full-time once she professes her love for Shrek suggested "that ugly people belong with ugly people." [7] Rossio explained that since Fiona shape-shifts, the best moral is "'Even princesses who change their shapes can find love too.' And Shrek would love her in all of her varied forms." [7] Elliot elaborated that this prompts audiences to debate if Fiona's "true form" is beautiful or unattractive: "Her true form is beautiful by day, ugly by night.' ... and she was trying to rid herself of part of who she truly was, because society maintained that was wrong." [7] The studio ultimately conceded that Fiona remain an ogre, which Elliot considers to be "a more conventional idea". [7] Obfuscating Stupidity: In the beginning, Donkey attempts to evade being sold by his owner by refusing to talk, with the intention of making his owner look crazy in the eyes of Lord Farquaad's guards and deny her from selling him. It doesn't last.
Shrek Characters - Facts.net List of 35 Iconic Shrek Characters - Facts.net
I Just Want to Be Free: Donkey is implied to be this at the start of the film, when he breaks free from the guards and runs for it, and in his later line to Shrek: "Man, it's good to be free". Shrek and Fiona have two. The first time, it's interrupted by a Moment Killer and Mood Whiplash courtesy of Donkey. The second, Shrek Breaks the Fourth Wall by covering the camera with his hand, so we don't see the kiss. Combat Pragmatist: Fiona complains that Shrek is this when he helps bust her out from the tower before slaying the dragon and tells her to find a safe hiding place while he goes to save Donkey. Shrek points out the other knights who did that got burned to a crisp. His method at least lets them escape with their lives, if a bit singed.The Hermit: Shrek is firmly this for much of the film. He hates that people tend to judge him before they properly know him, which is why he feels he's better off being on his own. Of course, this attitude is dropped by the end of the film when he befriends Donkey and realizes he's in love with Fiona. We also get a brief shot of one of Fiona's eyes at night as she listens to Shrek revealing his Freudian Excuse to Donkey. The scene in which Fiona single-handedly defeats Monsieur Hood and his Merry Men references the slow motion special effects popularized by The Matrix (1999), [10] [77] [94] as well as Diaz's own Charlie's Angels films. [95] [96] [97] In a DVD bonus feature, Fiona explains that she performed her own stunts in the film, claiming that she based her kung fu on Charlie's Angels. [98] Despite concerns that references to The Matrix would eventually date the film, Rossio believes the gag will remain funny because it is a parody instead of merely an imitation. [7] A similar reference is made when Fiona defeats a mob at the beginning of Shrek 2, a complex sequence for which animators used powerful data processors to store and manipulate millions of computer generated images. [99] Modesto created new character models for Fiona and Shrek in Shrek the Third, [100] while new software and servers were implemented to animate individual strands of the princess's hair much faster than had been possible during production of the first film. [44] In Shrek Forever After's alternate reality, the character wears her hair unbraided for the first time, [101] which was inspired by singer Janis Joplin. [102] Due to its costliness, Fiona's new hairstyle first needed to be approved by DreamWorks, with Mitchell likening the process to "prepar[ing] like a lawyer". [103] The re-design was a difficult, expensive process that required 20 animators to animate each strand individually, [101] [103] as Mitchell was particularly determined to render it correctly due to audiences' familiarity with long hair. [103] One group was specifically tasked with setting up Fiona's hair, which head of production technology Darin Grant believes "allowed the process to be optimized and work across many, many shots" as it "flows and cascades throughout" the entire film, [104] reinforcing Fiona's liberated personality. [101] Personality [ edit ] Ascended Meme: A fanon interpretation of Donkey is that waffles are his favorite food. In the Swamp Talk videos on the DreamWorks TV YouTube channel, he does say stuff that allude to that being canon. Not to mention, in Universal Studios Hollywood, he has a Waffle Wagon .
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Farquaad is a Take That! to Michael Eisner, especially considering who the "K" in Dreamworks SKG is. note Jeffrey Katzenberg This conversation is skillfully crafted to become two separate scenes based on whether or not you know the piece of information; the audience is aware of it at the time.Fiona is a more interesting example. In the book, the princess is a hideous, pointy-nosed ogre. Here, she's a beautiful human being who's cursed to become an ugly ogre every night. Regardless, her ogre form is still more attractive than her book counterpart. Does This Remind You of Anything?: Farquaad's "perfect world" of Duloc means getting rid of all fairytale creatures and banishing them to Shrek's swamp. With this mindset, it makes Farquaad all the worse. Fiona has one when she hears she won't see Farquaad until the next day, meaning the sun will set and she'll turn into an ogress. She has another during a Mood Whiplash moment during the second sunset, for exactly the same reason. The Smurfette Principle: Princess Fiona is the only female main character. All the rest - Shrek, Donkey and Farquaad - are male.
Shrek coloring pages - 100 Printable Colorings pages - WONDER DAY Shrek coloring pages - 100 Printable Colorings pages - WONDER DAY
In Name Only: The movie does carry the basics of the original book (a fairytale satire about an ogre who befriends a donkey and marries an ugly princess) but everything else is very different. Mistaken for Flatulence: When Shrek and Donkey are nearing the dragon's keep, Donkey smells brimstone and thinks that Shrek just cut one. Shrek responds "If it was me, you'd be dead."Shrek: Maybe you're right. But we'll let you do the "measuring" yourself when you see him tomorrow. Notice at the end of the movie, only two of the three bears - Papa Bear, and Baby Bear, specifically - are freed with the other fairy tale creatures. If you look closely, Farquaad made a rug out of Mama Bear. Held Gaze: Shrek and Fiona share one by the campfire after Fiona says how she'd like to visit Shrek in his swamp. Shrek attempts to confess his feelings for her but fails and instead asks her for the other rat. They then have an Almost Kiss, which is promptly interrupted by Donkey. Donkey pulls this on Shrek when they first meet. When Shrek turns around to ask if Donkey is talking to him, Donkey has disappeared, then suddenly is in front of Shrek when he turns around again. The mirror tries to warn Farquaad of something that happens to Fiona after the sun goes down, but Farquaad cuts him off. As he discovers later due to his refusal to listen, it is her curse that turns her into an ogre at night. Shrek finds out at the same time, but has quite a different reaction to Farquaad's.
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