All Things Must Pass (50th Anniversary - Deluxe)

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Assisting Harrison with overdubs on the bonus tracks were his son, Dhani Harrison, singer Sam Brown and percussionist Ray Cooper, [93] all of whom contributed to the recording of Brainwashed around this time. Due to the album's big sound and the many participants on the sessions, commentators have traditionally referred to the grand, orchestral nature of this line-up. Jeff Kaliss, "Ravi Shankar Raga: A Film Journey into the Soul of India", Songlines, 26 November 2010, p.

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That same month, Harrison finished his production work on Starr's 1971 single " It Don't Come Easy", the basic track for which they had recorded with Voormann in March at Trident. Keith Badman, The Beatles Diary Volume 2: After the Break-Up 1970–2001, Omnibus Press (London, 2001; ISBN 0-7119-8307-0). a b c Ben Gerson, "George Harrison All Things Must Pass" Archived 28 April 2013 at the Wayback Machine, Rolling Stone, 21 January 1971, p. Mark Cunningham, Good Vibrations: A History of Record Production, Sanctuary (London, 1998; ISBN 978-1860742422).Damian Fanelli, "Interview: Abbey Road Engineer Ken Scott Discusses Recording The Beatles' White Album, Says Sessions Were a 'Blast'", Guitar World, 30 April 2012 (archived version retrieved 14 November 2020). Ken Sharp, "Dave Mason Takes an Alternate Path down Memory Lane with 'Future's Past'", Goldmine, 23 September 2014 (retrieved 23 December 2020). Recorded and released in 1970, the album was Harrison's first solo work since the break-up of The Beatles in April that year. Also writing in 2011, Lennon and Harrison biographer Gary Tillery describes it as "the most successful album ever released by an ex-Beatle".

George Harrison - All Things Must Pass [LP] (Vinyl/LP) George Harrison - All Things Must Pass [LP] (Vinyl/LP)

In their book The Beatles: An Illustrated Record, Roy Carr and Tony Tyler were likewise lukewarm in their assessment, criticising the "homogeneity" of the production and "the lugubrious nature of Harrison's composing". a b c Paul Sinclair, "George Harrison / All Things Must Pass 50th anniversary editions", Super Deluxe Edition, 10 June 2021 (retrieved 14 June 2021). According to Colin Larkin, writing in the 2011 edition of his Encyclopedia of Popular Music, All Things Must Pass is "generally rated" as the best of all the former Beatles' solo albums. Part of this original poster was a painting of a bathing scene featuring naked women (one of whom was blonde, representing Pattie Boyd) and a "mischievous" Lord Krishna, who had hidden the bathers' clothing in the branches of a nearby tree. The title for "I Remember Jeep" originated from the name of Clapton's dog, Jeep, [91] and "Thanks for the Pepperoni" came from a line on a Lenny Bruce comedy album.

Jan Reid, Layla and Other Assorted Love Songs by Derek and the Dominos, Rodale (New York, NY, 2006; ISBN 978-1-59486-369-1). Thomas MacFarlane, The Music of George Harrison, Routledge (Abingdon, UK, 2019; ISBN 978-1-138-59910-9). Lennon was recording his song " Remember" in one of the other studios there, with Starr and Voormann. Billboard 's reviewer hailed All Things Must Pass as "a masterful blend of rock and piety, technical brilliance and mystic mood, and relief from the tedium of everyday rock". So to those that were disappointed by the sound on this new reissue – give it a chance if you still have it.

George Harrison - All Things Must Pass | Releases | Discogs George Harrison - All Things Must Pass | Releases | Discogs

In his 2001 review for Mojo, John Harris said that All Things Must Pass "remains the best Beatles solo album. The reissue coincided with the Harrison estate's similarly low-key [347] release of the Ravi Shankar–George Harrison box set Collaborations [348] and East Meets West Music's reissue of Raga, the long-unavailable documentary on Shankar that Harrison had helped release through Apple Films in 1971. The sound of the car driving away is also much more distinct (another one of those little details I never paid much attention to on the original, though it clearly was always there). Kenneth Womack, "The Hope and Wisdom of George Harrison's 1970 Solo Album 'All Things Must Pass'", Salon, 18 April 2020. The 50th anniversary release also peaked at number 2 in Germany and number 3 in Switzerland, among other top-ten international chart placings.Among Spector's comments were detailed suggestions regarding "Let It Down", [62] the released recording of which Madinger and Easter describe as "the best example of Spector running rampant with the 'Wall of Sound '", and an urging that he and Harrison carry out further work on the songs at Trident because of its 16-track recording desk. Allan Steckler, Apple Records' US manager, was "stunned" by the quality of the material and assured Harrison that he should issue all the songs. Jordan Runtagh, "10 Things You Didn't Know George Harrison Did", Rolling Stone, 29 November 2016 (retrieved 8 May 2019).

George Harrison’s All Things Must Pass 50th Anniversary, Part George Harrison’s All Things Must Pass 50th Anniversary, Part

Badfinger drummer Mike Gibbins' powerful tambourine work led to Spector giving him the nickname "Mr Tambourine Man", after the Dylan song. Joe Marchese, "Give Me Love: George Harrison's 'Apple Years' Are Collected On New Box Set", theseconddisc. Writing in Record Collector, Doggett described this success as "a previously unheard-of achievement for a reissue". Wilkes had designed a more adventurous poster, but according to Beatles author Bruce Spizer, Harrison was uncomfortable with the imagery.Early in July, work on All Things Must Pass was temporarily brought to a halt as Harrison headed north to see his dying mother for the last time. But some initial stand outs which caught my ear include “Wah Wah,” with clearer less muddied vocals, super clear and particularly distinct saxophone parts (especially on the signature hook breaks and the sax solo! In addition, Harrison resequenced the content of Apple Jam so that the album closed with "Out of the Blue", as he had originally intended. Some tracks sound better to me on it (Art of Dying especially comes to mind), but I feel like a lot of them just have a less cohesive natural sound when compared to the original mixes.