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By eliminating gay and lesbian gathering places and presses, the regime effectively dissolved the lesbian communities that had developed during the Weimar Republic. Expanding the Persecution of Men Accused of Homosexuality

Over the course of the 1930s, Nazi actions targeting male homosexuality became more systematically oppressive. In 1935, the Nazi regime reformed Paragraph 175. The statute now criminalized any and all sexual intimacy between men. The Nazis also increased the severity of the punishment for these crimes. They instructed prosecutors to argue for harsh sentences in court. Judges often complied. During the Nazi regime, lesbians could not continue to live and socialize as they had during the Weimar Republic. Much of German society saw lesbians as social outsiders, meaning people who did not fit into the mainstream. As such, they had a higher risk of being denounced and then targeted by the Nazi regime. There's a slow and persistent burn in Mona Fastvold's The World to Come. The gorgeously spare period piece stars Katherine Waterston ( Alien: Covenant) as Abigail and Vanessa Kirby ( The Crown) as Tallie, two women battling the harsh elements in 19th-century New York State who find solace and a whole lot more in one another. Distinct lesbian communities developed around this time. Lesbians founded social clubs and associations to foster networks and connections. The most famous lesbian associations were the Violetta and Monbijou women’s clubs ( Damenklub Violetta and Damenklub Monbijou) in Berlin. These associations held informal gatherings in lesbian bars and nightclubs, such as the dance club Monokel-Diele. Lesbians also gathered at the famous Eldorado nightclub.But even in cases when lesbians were arrested and sent to concentration camps, the records can be hard to find. One of the greatest challenges is that lesbians were rarely identified as such in official records from the Nazi era.

Her husband reacted surprisingly well too, suggesting that they enrol in therapy to help both of them exit their long-standing relationship. I took this as my cue to make a commitment and said I would move to the suburbs to be with her and her three children, once her husband had moved out. The Nazis classified prisoners in concentration camps into groups according to the reason for their imprisonment. By 1938, these groups were identified with various colored badges worn on camp uniforms. Men imprisoned for allegedly violating Paragraph 175 had to wear a pink triangle. The badge identified them as “homosexual” ( homosexuell ) according to the classification system.

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The Nazis did not systematically prosecute or persecute lesbians solely because of their sexuality. Under the Nazi regime, there was no official law or policy prohibiting sexual relations between women. This is unlike the case of gay men.

The Nazis did not create any separate policies that singled out lesbians as a problem for Aryan procreation. Their reasoning drew on widespread attitudes about the differences between male and female sexuality. The Nazis concluded that Aryan lesbians could easily be persuaded or forced to bear children. Lesbian Responses to the Nazi Regime

Dyketactics (1974)

The short answer is that when lesbians were arrested, they were arrested as members of other groups: I’d come out when I was 17 and been disowned by my parents. I’d moved to London and been in and out relationships and casual flings. She was 40 and had been married for 10 years, with three children under the age of 10. The agency we worked for also represented her husband, an esteemed writer, so I knew I absolutely couldn’t go there. Sitting in meetings with her at the prominent literary agency where we both worked left me feeling weak. Usually never short of things to say, in her presence, I’d marvel at her ability to drain all quips from my mind, leaving my mouth bone-dry. But I knew the cliché and I refused to succumb to the stereotype of being the young, ambitious 25-year-old who screws the boss. Colette, about the trailblazing writer Sidonie-Gabrielle Colette, who engaged in relationships with men, women, and trans-masculine-identifying people circa the Belle Epoque, is queer to its core. In the film directed by Wash Westmoreland, who is gay, Keira Knightley embodies the pansexual bohemian feminist who stepped out of her husband's shadow to become the most famous female French author in the world.