The No. 1 Hip Hop & R'N'B Album

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Gray, Geordie (2021-03-25). "Pop Smoke beats Eminem for most weeks spent a #1 on the hip-hop chart". Tone Deaf . Retrieved 2022-02-07. Contains features we've discontinued: Classic Pop Album of the Week and Now That's What I Call /r/Popheads! This was one problem with political hip-hop: rappers did not always make great politicians. Ice Cube, the leading voice of gangsta rap, was transformed by the 1992 protests and riots in Los Angeles into a kind of spokesperson – suddenly, his furious rhymes seemed entirely in step with the nightly news. But his 1991 album, Death Certificate, included threats aimed at “Oriental” shop owners, and other lines that were all but impossible to defend as political rallying cries. The most persuasive defence of Ice Cube was essentially the aesthetic, not the political: that he was a spellbinding rapper whose music made it easier for listeners to understand why he felt the way he did, and perhaps why others did, too.

Eminem Scores Historic 10th No. 1 Album on Billboard 200 Chart With 'Music to Be Murdered By' ". Billboard. 26 January 2020 . Retrieved 2021-05-20. Singers can hide their words – no matter how formulaic or spurious – beneath a tune. But rappers are more exposed than singers, because their form of expression is more similar to speech. And so rappers spend lots of time explaining who they are, what they’re doing and why they deserve your attention. For similar reasons, rappers are eager to engage with their detractors – more than singers, they must worry about social standing, because that standing is what gives them the right, and the credibility, to speak and to be believed.Anderson, Trevor (2022-09-29). "Lil Baby's 'My Turn' Hits 100 Weeks in Top 10 of Top R&B/Hip-Hop Albums Chart". Billboard . Retrieved 2023-03-25. Philthy Rich - King of Oakland (w Sauce Walka, Babyface Ray, CEO Trayle, Doe Boy, Peezy, Icewear Vezzo + more) [West Coast Trap, FOD ] One thing to keep in mind: this is where rap and hip hop exist right now. But things are constantly evolving. Rap styles are always evolving, and hip hop’s nuances are in a state of constant flux.

Apollo Brown & Joell Ortiz - Mona Lisa: 5 Year Anniversary Edition (w Royce Da 5'9"& KXNG CROOKED) [Boom Bap, Mello ] In the late 1990s some new school artists like the Roots and Guru began reincorporating live instruments into their recordings and during live performances, such as “Loungin’,” Guru’s collaboration with jazz great Donald Byrd on trumpet and piano. Others, like Dr. Dre, controlled the production tightly by utilizing the basics of classic funk songs, but slowing down the tempo for riding in a car (not dancing), adding menacing, bass-driven grooves (stripping funk’s bright sounds from the brass section), highlighted by integrating high-pitched synthesizer and chopped samples as in “Nothin’ But a ‘G’ Thang” (explicit). In the second millennium, the southern rap styles explode. Although there is no one southern style, they do share in common some characteristics: rhythmically and melodically minimalistic with coarse accents on the high and low ends leaving a lot of space for vocals.

Ol’ Dirty Bastard, “Brooklyn Zoo”

The Game Chart History - Billboard". Billboard. Archived from the original on 2023-10-16 . Retrieved 2023-10-23.

Review:God bless XL Recordings. The UK label has been at the forefront of boundary pushing music since its inception, and almost 35 years remains a seal of quality. A constant source of inspiring surprises and new sonic experiences. The kind of organisation that will take a punt on British polymath Jai Paul's demo album, which, by all accounts, is pretty hard to describe, let alone define. More so, the type of team that would, eight years earlier, support and release one of the artist's earliest songs, 'BTSTU'. Coming full circle, that tune closes this collection of stuff produced around the same time, all of which was going to form the debut album, Bait Ones. One low-quality CD-R of the work stolen and then leaked online later, and the artist stepped away from music until the end of the last decade, when this "perfectly imperfect" LP was finally allowed to see the light of day. A lo fi, glitchy, trippy, granular, sexy sound that owes as much to hip hop, pop and r&b as experimental noise, ambient dub, and electronic soul. a b Hamilton, Xavier (Mar 24, 2021). "Pop Smoke's Debut Album Breaks Eminem's Record for Most Weeks at No. 1 on Top Rap Albums Billboard Chart". Complex . Retrieved 2022-02-07. Every weekday we used to host parties in our plug.dj room where we all play each other songs that follow a certain theme. Follow the link for an archive of our past themes from our room. Misc. Features a b Anderson, Trevor (2020-11-20). "Pop Smoke's 'Shoot for the Stars' Has Most Weeks at No. 1 on Top R&B/Hip-Hop Albums Since 2012". Billboard . Retrieved 2022-02-07.

Kendrick Lamar, "N95"

Billboard began the Top Rap Albums chart on the weekend of June 26, 2004, [7] although its first publication on print commenced on the week of November 20, 2004. [8] Pop Smoke's posthumous debut, Shoot for the Stars, Aim for the Moon holds the record of most weeks at number one on the chart with twenty non-consecutive weeks. [9] Albums with the most weeks at number one [ edit ] Weeks Memphis newcomer GloRilla dropping one of the biggest hits of the year was probably not on most music fans’ bingo cards. Nevertheless, the CMG signee came, saw and conquered thanks to her hair-swinging hit record, “FNF.” The Hitkidd-produced beat is immediately enjoyable, inciting mischievous excitement by way of its simple dark piano melody and a drum pattern to get even the most reluctant partygoer out of their seat and onto the dance floor. But it’s GloRilla’s husky, snarling delivery that makes “FNF” best-of-year material. It’s clear that the 23-year-old rapper is just being herself, flapping her arms around a vast parking lot with a squad of girlfriends, one of which flashes a 42-ounce bottle of malt liquor, all of which shout the infectious chorus at the top of their lungs.

Billboard R&B Charts Get Updated Names". Billboard. December 11, 1999. p.8 . Retrieved May 26, 2020– via Google Books. In 2008, Tricia Rose published another book, The Hip Hop Wars: What We Talk About When We Talk About Hip Hop – and Why It Matters. Hip-hop, she wrote, was “gravely ill”, because it had spent too much time and energy “pandering to America’s racist and sexist lowest common denominator”. But throughout the book, she was careful to specify that she was only talking about commercial hip-hop – the dominant form, but not the only one. She wanted readers to be aware of a second tradition, less popular but more substantive, which she called “socially conscious” or “progressive” hip-hop. In the underground, Rose wrote, out of reach of the “powerful corporate interests” that controlled the media and the music industry, a cohort of rappers had emerged as the genre’s best and maybe last hope; they were making thoughtful and politically minded music, leaving behind what she called “the gangsta-pimp-ho trinity”. Even as she praised “socially conscious” hip-hop, Rose expressed some reluctance about the term, because it was reductive, and because it divided the hip-hop world in a way that many rappers found unhelpful. “Being called ‘socially conscious’ is almost a commercial death sentence” for a rapper, she wrote, because the label led listeners to expect lyrics that were explicitly political, and possibly rather humourless. “From this sober perspective on consciousness, gangstas appear to be the only ones having fun.” Hill made her solo debut in 1998 with The Miseducation of Lauryn Hill, the high-water mark of the conscious hip-hop movement. With her half-raspy rapping and singing voice, Hill eased between tough rhymes and balladry, creating a hip-hop album with the spirit and sweetness of 70s soul. A weekly thread where users give their top ten songs for a particular artist. Follow the link for a list of the artists we've covered and our democratically decided top ten lists. Quality Posts You could be a rapper, and you could be a musician, and you could be a pop star,” said Murs, “but it doesn’t make you hip hop. Hip hop is definitely – it’s a culture. There’s elements to it, there’s all types of things that go along with it.”Mayfield, Geoff (November 20, 2004). "Over the Counter". Billboard. Vol.116, no.47. Nielsen Business Media, Inc. p.81. Trust, Gary (November 17, 2009). "Billboard 200 Undergoes Makeover". Billboard . Retrieved May 1, 2020.