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Posted 20 hours ago

ELITEPRINT 3 STEVE CLASSIC STRANGER THINGS SERIES A4 POSTER ON 250GSM PRINT MATERIAL

£1.995£3.99Clearance
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It’s hard to decide what to focus on career-wise straight out of high school. You don’t necessarily know what your contribution is yet, or you don’t know what you’re good at because you haven’t tried enough things. How do you determine what to focus on? I figured it out through experience. What do you find yourself doing or wanting to physically do? I’m not talking about something you wistfully daydream about. There’s a big difference between what you actually enjoy doing and the daydream of what you want your identity to encapsulate.

HYPEBEAST: Can you tell us about the inspiration behind your ASUS Vivobook and the process behind your design? What was the first big gig National Forest did that made you and Justin realize you were making it happen? Right after we graduated, we got a pretty big illustration job for Rolling Stone. It wasn’t the cover, but it might as well have been. It was like, “Holy shit!” Steven Harrington: The ASUS Vivobook is kind of my first time applying artwork or my illustrative imagery to a digital device of this kind. So I thought it would be really interesting to play around with my world, almost meeting this visual representation of the future and tech. On the product itself, you’ll see this really playful world kind of meeting this space-like scene. It’s my way of playing around and being inspired by the possibilities of technology. Being a visual artist, it’s something that I use quite frequently within the production of my own paintings, drawings and products. So I thought it would be really cool to reflect the dreamlike qualities of being able to create a tech device. Your artwork is known for capturing a Californian-infused pop aesthetic. Being based in LA, how has the city informed your work?Did you always want to be an artist and designer? Like most kids, I grew up drawing and painting. My parents really embraced that and pushed me further into it. When I hit high school, I realized that I liked drawing and painting so much that I didn’t want to stop. In those moments where you need to decompress from the studio, how do you connect with natural environments? In the past, you were constantly crumpling stuff up if you’re embarrassed by it. Now the process is like a stream of thought, and I think there’s something that’s really liberating to the mind when it comes to developing ideas and creating. It’s more about the ideas and that stream of consciousness rather than the aesthetics of what you’re placing. I’ve found that to be really inspiring and helpful when it comes to the act of creating.

No, but it has a lot of feeling. Exactly. That’s what I’ve tried to create. I always thought there was something wrong with me because I grew up hearing interviews with people who said, “Oh, I love telling stories.” Films are all about stories, and it’s about great storytelling. Don’t get me wrong—I love stories—but what about when you don’t want a story? What if you just want to feel something? What about the artist who believes there’s another language and grouping of emotions that you can’t express through words? Have you found inspiration in being able to create on the go and having a customizable experience to your workflow? I once heard a really cool interview with Tom Hanks. The interviewer asked him, “What makes a piece of art good to you, whether it’s film or music?” He said, “Every great piece of art asks the eternal question that we all have, which has to do with existence.” As generic as that sounds, it has to do with asking the eternal question: Why? Why are we here? What are we doing? What is this place?Especially within the last several years online and digitally, I’ve found it extremely important and inspiring to get my mind out of that space. It’s this big shift that I think we all [experience] — almost like dimensional, physical things around us have taken on a lot more meaning. Recently, I feel like you kind of get down into nature, you get out on a walk — it can be a simple fleeting [moment] that you can find meaning in.

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