Les Samourais: A38472 (Folio)

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Combat de samouraïs (estampe japonaise du XIXe siècle, Paris, Bibliothèque des Arts décoratifs). Licence Story-telling at its finest, "Seven Samurai" is a terrific film not because of a handful of memorable scenes or lines, but rather because scene-by-scene, frame-by-frame, it tells an interesting story as well as it is possible to tell it. The story and characters are developed carefully, and everything about the movie, from the settings and props to the musical score, is done carefully and expertly. When someone dies the seventh day is believed to be when the person crosses over into the other side life (...presumably, BETTER, like "Paradise" or "Heaven"--may it be TRUE!)... Not to mention that there's...

Si l' ère Heian est pour la cour impériale une période de paix et de prospérité, les provinces, en revanche, étaient secouées de révoltes paysannes dues aux lourds impôts, réprimées par les kokushi (gouverneurs de provinces nommés par le gouvernement impérial). Les petits fermiers se placèrent sous la protection de puissantes familles de propriétaires terriens, qui de ce fait s'enrichirent et furent bientôt en mesure de recruter des armées privées, constituées de guerriers professionnels, mais aussi de simples civils (paysans, artisans, citadins). While it is without question that its 206 minute running time can be daunting to some viewers, it just goes to show that the attention span for cinema has dwindled over the years. Upon its initial release, films featured intermissions approximately halfway through, thus giving the audience a bit of time to let everything sink in. Today's films have to rush everything into a maximum of two hours or its audience will begin to lose interest. It is sad but true, with the exception of a few greats. Giving just enough screen time to each and every one of the main characters, this film balances its cast perfectly. Utilizing its action sequences just as things may start getting a little boring, Kurosawa knows exactly where and when to place every scene. I admire this film for every risk it takes, and every one that it doesn't. Yukio Mishima, Le Japon moderne et l'éthique samouraï (1967). Cet ouvrage théorique comporte en annexe des extraits du Hagakure. Tenga (2011), Genre: strictement historique, lieu: japon, période: vers 1585, pendant l' époque Azuchi Momoyama.

Louis Frédéric, Le Japon, dictionnaire et civilisation, français, Éditions Robert Laffont, collection «Bouquins», Paris, 1996 ( ISBN 978-2-221-06764-2). les kugutsu, des nomades qui parcouraient le Japon en vivant de spectacles de marionnettes et d'acrobaties, eux aussi réputés grands cavaliers archers. Il est toutefois impossible de dire s'ils utilisaient des grands arcs; Yamakasi – Les Samouraïs des temps modernes is a 2001 French film featuring the Yamakasi. The 2004 film Les fils du vent is a semi-sequel playing in Bangkok. Scène de bataille entre les deux clans ennemis (Peinture du XIVe siècle, Gêne, musée d'Art oriental). (Domaine public)

Sengoku Jidai: Shadow of the Shogun, Équipe de développement: Byzantine Games, Editeur: Slitherine Ltd. (2016) Genre: Stratégie militaire / wargame tour par tour. The Yamakasi then celebrate Djamel's successful recovery from surgery along with Asmine who has retired from police work and start talking to the camera recording them about their joy over his recovery and how they intend to train him to become one of them once he is fully recovered and out of the hospital.Kurosawa is smart in so many ways here, one of which is to orient the viewer to the village and its surroundings by showing the leader of the group plan its defense. In addition to Mifune's character, he also lightens the mood with the forbidden love between the young samurai apprentice (Isao Kimura) and a young woman masquerading as a boy (Keiko Tsushima). Their scene in the woodland flowers is gorgeous.