4 x 'Stonehenge' Temporary Tattoos (TO00051125)

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Stonehenge is one of the most impressive prehistoric megalithic monuments in the world on account of the sheer size of its megaliths, the sophistication of its concentric plan and architectural design, the shaping of the stones - uniquely using both Wiltshire Sarsen sandstone and Pembroke Bluestone - and the precision with which it was built. At Avebury the boundary was extended in 2008 to include East Kennet Long Barrow and Fyfield Down with its extensive Bronze Age field system and naturally occurring Sarsen Stones. At Stonehenge the boundary will be reviewed to consider the possible inclusion of related, significant monuments nearby such as Robin Hood’s Ball, a Neolithic causewayed enclosure. The setting of some key monuments extends beyond the boundary. Provision of buffer zones or planning guidance based on a comprehensive setting study should be considered to protect the setting of both individual monuments and the overall setting of the property. Several hundred years later, it is thought, Stonehenge’s builders hoisted an estimated 80 non-indigenous bluestones, 43 of which remain today, into standing positions and placed them in either a horseshoe or circular formation.

The stone settings at Stonehenge were built at a time of great change in prehistory, just as new styles of ‘Beaker’ pottery and the knowledge of metalworking, together with a transition to the burial of individuals with grave goods, were arriving from the Continent. From about 2400 BC, well-furnished Beaker graves such as that of the Amesbury Archer [9] are found nearby. Within and around the Aubrey Holes, and also in the ditch, people buried cremations. About 64 cremations have been found, and perhaps as many as 150 individuals were originally buried at Stonehenge, making it the largest late Neolithic cemetery in the British Isles. [6]We can only speculate as to what Stonehenge’s purpose was. But the fact that the sun rises over the Heel Stone on the longest day of the year (summer solstice) and sets over it on the shortest day (winter solstice) suggests that it was a prehistoric temple aligned with the sun’s movements. Four of the sarsens at Stonehenge were adorned with hundreds of carvings depicting axe-heads and a few daggers. They appear to be bronze axes of the Arreton Down type, dating from about 1750–1500 BC. Perhaps these axes were a symbol of power or status within early Bronze Age society, or were related in some way to nearby round barrow burials. [10] In 1877, naturalist Charles Darwin traveled to Stonehenge to conduct research on a subject that had long fascinated him: earthworms. During his visit, Darwin, who was interested in the impact that worms had on objects in the soil over time, observed how a fallen stone at the ancient monument had sunk deeper into the ground as a result of the activities of the lowly creatures, who continually churn through the soil. Darwin’s research was included in what would be his final book, “The Formation of Vegetable Mould Through the Action of Worms,” published in 1881. 7. Stonehenge is just one of several prehistoric stone circles in Great Britain. The survival of the Neolithic and Bronze Age monuments at both Stonehenge and Avebury is exceptional and remarkable given their age – they were built and used between around 3700 and 1600 BC. Stone and earth monuments retain their original design and materials. The timber structures have disappeared but postholes indicate their location. Monuments have been regularly maintained and repaired as necessary.

Within the bank and ditch were possibly some timber structures and set just inside the bank were 56 pits, known as the Aubrey Holes. There has been much debate about what stood in these holes: the consensus for many years has been that they held upright timber posts, but recently the idea has re-emerged that some of them may have held stones. [5] Glenn did an amazing job. He has a very good reputation and that gave me the confidence to see it through on the day. Those long-distance connections are being demonstrated through science, and that’s really helpful to understand that Stonehenge wasn’t an isolated culture, they were actually really interconnected,” Wilkin said.From AC/DC’s Rosie to Motorhead’s bomber, the overblown stage prop has long been a metal mainstay. The Stonehenge scene in Spinal Tap turns this concept on its head, when a careless set of measurements for the band’s new stage set written down by Nigel Tufnel results in the band playing alongside a stone ‘monument’ that stands just 18 inches high (a failing accentuated by the dwarves who dance around it).