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Blackmagic Design Pocket Cinema Camera 6K G2 Compact film camera 35 mm Black

£9.9£99Clearance
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The world’s smallest 12G-SDI live production camera with upgraded 4Kdigital film sensor in atiny rugged body you can place virtuallyanywhere! Most advanced digital film camera features 6K sensor with EFlens mount, built in motorized NDfilters at 0, 2, 4 and 6stops, tilt adjustable 1500 nit LCD and alarger battery. Supports optionalEVF. Infamously, the Achilles heel of this camera series is poor battery life. The battery grip allows three batteries to be loaded which is a big help, although still not likely enough to get through a day of shooting. You are therefore faced with purchasing an ample supply of the petite standard batteries and chargers or adding something big and chunky like a battery base or v-mount solution. Clifton Cameras is a credit broker, not a lender and is authorised and regulated by the Financial Conduct Authority (FRN728300). We do not charge you for credit broking services. We will introduce you to Finance available from a number of our partner lenders. Submit a valuation request and we'll provide guide prices with no delay. Plus, we'll collect your gear from your home or work for FREE.

Blackmagic Pocket Cinema Camera 6K G2 (Body Only) - Scan

Next generation digital film camera with 6K full frame sensor, OLPF, versatile L‑Mount and CFexpressrecording! x CFast 2.0 card slots, 2 x SD UHS-II card slots, 1 x USB-C 3.1 Gen 2 expansion port with power delivery for recording to externalmedia. Alternative Media

IBC 2023 Update!

Please complete the form below for a quote - Please be as accurate as possible to help us give an accurate quote. Features a customisable HDR touchscreen, built-in ND filters and a larger battery for longer battery life The 82mm lens cap easily snaps on to protect your camera’s lens from scratches, dust, moisture, and fingerprints when the camera isnot inuse. Optional side hand controller for URSA MiniPro with record start/stop, irisand focus buttons built in. Standardrosette and LANC for attaching to the side of the camera or relocating it to the front of the camera with the URSA Mini ShoulderKit.

Blackmagic Pocket Cinema Camera – Accessories | Blackmagic Design Blackmagic Pocket Cinema Camera – Accessories | Blackmagic Design

You can record video for longer while improving the composition of your shots, to put it simply.” – Engadget What’s Different with the BMPCC 6K Pro? And if you’re coming to the camera from a mirrorless or DSLR model, you’re going to have to sacrifice a few home comforts. There’s no continuous AF, so although the 6K G2 can focus for you ahead of recording, you’ll have to do your own manual pull-focusing after that – maybe set up a rig with a follow focus unit. The world’s smallest 12G-SDI live production camera with upgraded 4Kdigital film sensor in a tiny rugged body you can place virtuallyanywhere! Two of the biggest differences still in place between the 6K G2 and the 6K Pro are that the BMPCC 6K Pro has built-in ND filters and a brighter display – both of which can be quite meaningful to those who do a lot of shooting outdoors. Of course, you can always add ND filters to your lenses or get a brighter external monitor if these are issues for you – but they’ll add additional cost and bulk to your kit. The camera also features an adjustable tilt 5” touchscreen LCD with 1500 nits of brightness, as well as a mini XLR audio input so that you can record with a professional microphone for the best audio possible.Looking to upgrade your equipment? Get competitive prices on major brands with our part-exchange service.

Blackmagic Pocket Six things you need to know about the Blackmagic Pocket

We could debate the merits of buying a mirrorless and adding an Atomos for RAW recording (which also requires batteries and rigging). Ultimately, the BMPCC with battery grip (or base battery) might be a more compact, all-in-one solution for affordable RAW capture.
As mentioned, the issues with the autofocus are known, and therefore manual-focus lenses and traditional focus-pulling are the likely the best routes.
Between the focus on internal-RAW recording and cine-style menu systems, the design philosophy feels classically cinema compared to its image-stabilized, auto-focusing, hybrid video/still competition. Two new 20 and 30 button models with 2system control LCDs, control of 4upstream keyers, 4downstream keyers and 4 M/Erows. Automatically populated lens data from electronic EF, B4 and i/Technology compatible PL lenses. Automatic recording of camera settings and slate data such as project, scene number, take and specialnotes. ControlsThe optional EVF has three additional eyecups of varying sizes and left/right eye configurations, which is excellent. broadcast connector for compatible lenses and electronic control via EF mount pins on optional EF lensmount. Dynamic Range

Blackmagic Pocket Cinema Camera 6K G2 Review - PetaPixel

x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3840 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080 Every mirrorless camera on the market offers continual autofocus in video mode. While some systems are more successful than others at pulling off fast video focus, they all do surprisingly well, especially with human subjects. The BMPCC is still in the manual-focus-pull era of cinematography. A lot of video and cinema content is still created using manual focusing lenses, but having autofocus you rarely use is better than having none. Iris wheel and touchscreen slider for manual aperture adjustments of electronically controllable lenses / Iris button for instant automatic aperture adjustments of compatible lenses Get high end digital film camera controls and image processing on your iPhone. Then share cinematic recordings with DaVinci editorsworldwide! While the in-software stabilization of footage from the BMPCC is excellent, as with many of the top-end software-stabilized options out there, it’s impossible to know what the crop will look like until stabilization is complete.The 58mm lens cap easily snaps on to protect your camera’s lens from scratches, dust, moisture, and fingerprints when the camera isnot inuse. The updates to the 6K G2 are pretty modest. At the core of the camera is the same 6,144×4,456 Super35 sensor and EF lens mount found on the original Cinema Camera 6K and the 6K Pro, but doesn’t bring the motorized ND filters found on the latter.” There is no hot or cold shoe built into the camera, which is a bit unfortunate as that’s a common rigging point for mics and external monitors (although the rear LCD is wonderfully large and mitigates the need for an external monitor in many cases). The ND filters in the 6K Pro are motorized, although not variable. That’s not uncommon, and the ND filters in the Sony FX series of cameras function similarly. But the fact they exist is really nice, as the mechanized ND filter makes on-the-fly adjustments easy and having the filter in the body means you can adjust incoming light for any lens mounted to the camera. The 77mm lens cap easily snaps on to protect your camera’s lens from scratches, dust, moisture, and fingerprints when the camera isnot inuse.

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