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The Hungry Tide

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Also, there is a subplot or an underlying narrative which takes readers into the past, centring around the 1978-79 Morichjhanpi Massacre in the Sundarbans. The subplot unfolds as Kanai finds the diary of his uncle. The role of Kanai’s uncle and his diary hold significant importance in “The Hungry Tide” by Amitav Ghosh. Kanai Dutt’s uncle, Nirmal, plays a pivotal posthumous role in the narrative, and his diary becomes a powerful link to the past, unveiling the region’s history and shedding light on the intertwined destinies of the characters. The Hungry Tide, initially, could garner general responses from critics and readers. However, once the novel’s ecological aspects became popular among academia, the novel caught momentum. It has been popular thereafter. At the centre of many research papers on ecocriticism and contemporary literature, The Hungry Tide by Amitav Ghosh may be a slow-burner for casual fiction readers, but it does harbour the interests of English literature students and research scholars (read this review – The Hungry Tide Book Review). About 20 years young, the novel has found its place in the syllabus of many prestigious Indian universities with other books in the post-colonial studies unit. The Hungry Tide is the fifth novel by Ghosh, followed by Sea of Puppies in 2008 and preceded by The Glass Palace in 2000. If you want to know more about Ghosh, his writing style, philosophy, vision and biographical details, please follow this link to The Indian Authors – Amitav Ghosh.

Roy, Anjali Gera. “Ordinary People on the Move: Subaltern Cosmopolitanisms in Amitav Ghosh’s Writings.” Asiatic 6.1 (June 2012): 32-46. This story takes the reader on a trip to the long chain of the archipelago of the Bay of Bengal. It talks about the ways of boatmen in the region. It’s an adventure read for lovers of the sea and riverine adventures, loaded with some interesting real facts and some interesting myth prevailed in a specified area of Bengal. When Kanai meets his aunt, Nilima, he finds that she is still deeply impacted by his uncle's death decades ago and that the natural landscape of the Sundarbans has already changed since his visit as a child. Furthermore, he learns that his childhood friend Kusum was killed in a 1979 massacre. Her son, Fokir, is now a fisherman with a wife, Moyna, and son of his own, Tutul.

Amitav Ghosh is such a fascinating and seductive writer… I cannot think of another contemporary writer with whom it would be this thrilling to go so far, so fast' The Times In summary, what most impressed me in this book were first the dramatic pictures of raw and violent nature in the Sundarbans and second the nuanced discussion of issues that people face involving the priorities of love and work, as these issues continue to unfold and evolve in all parts of the world. On a train to the Indian city of Canning, Kanai Dutt, a wealthy middle-aged translator from New Delhi, meets Piya Roy, a young Indian-American marine biologist. Both are traveling to the Sundarbans: Kanai, who's been there once before, is going to visit his aunt and read his late uncle's notebook, while Piya is carrying out a survey of the region's dolphins. Kanai invites Piya to visit him in Lusibari.

Cf. ‘Who was he? This representative of all those lost voices. To give him a name would name the rest.’ [56]: B urton , Antoinette. ‘Archive of Bones: Anil’s Ghost and the Ends of History’, Journal of Commonwealth Literature , 38, 1 (2003), 39-56. The true tragedy of routinely spent life is that its wastefulness does not become apparent till it is too late.” For example, by the time Piya, Fokir, and Tutul return to Lusibari, Piya knows that she has developed a crush on Fokir. Though Fokir seems unaware of her interest, his wife, Moyna, is not; as a result, she is not as friendly toward Piya as she would ordinarily be toward a guest on the island. Piya, in turn, is unaware of Kanai’s interest in her. Although, as Kanai admits, he has never been without women, he takes more than a casual interest in Piya. Evidently she is the first woman since Kusum who has touched his heart.In the first few chapters Ghosh takes ample time with his two main characters. Their histories and inner lives intermingle well. The plot too advances with a decent pace. But then two things overpower his novel Coincidentally, Piya in The Hungry Tide comes from Seattle and, although her situation in the novel has little in common with the scene described here, perhaps it is not far-fetched, given her androgynous appearance, to say that disparate ideas on what is and is not in place where external markers of sexuality and gender are concerned provide a common denominator. In Anil’s Ghost , Anil is a similarly androgynous figure. The Hungry Tide” serves as a mirror to Amitav Ghosh’s literary brilliance, captivating readers with its lyrical prose and masterful storytelling. The novel transcends the boundaries of geography and time, inviting readers to embark on a poignant and thought-provoking journey of self-discovery, cultural exploration, and ecological awareness within the embrace of the Sundarbans.

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