Sexus (Harper Perennial Modern Classics)

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Mary V. Dearborn, The Happiest Man Alive: A Biography of Henry Miller, New York: Simon & Schuster, 1991, p 12. Arthur Hoyle, The Unknown Henry Miller: A Seeker in Big Sur, New York: Arcade Publishing, 2014, pp. 246, 253. Henry Miller (ed. Antony Fine), Henry Miller: Stories, Essays, Travel Sketches, New York: MJF Books, 1992, p. 5. Jong, Erica. The Devil at Large: Erica Jong on Henry Miller, New York: Turtle Bay Books, 1993. ISBN 0-394-58498-8 Miller, Henry (1972). On turning eighty; Journey to an antique land; foreword to The angel is my watermark. Capra Press. ISBN 978-0-912264-43-1.

Sexus: The Rosy Crucifixion I - Henry Miller - Google Books

Anderson Canyon:: Big Sur, California". Archived from the original on March 19, 2009 . Retrieved January 6, 2020.When Henry Miller left America for Paris in the 1930s to lead the life of a literary bohemian, he called this death of his former existence and his resurrection as a writer a 'rosy crucifixion'. This dramatic transformation provided the leitmotif for some of Miller's finest writing, embodying everything he felt about self-liberation and the true life of the spirit. Young, Noel, editor. The Paintings of Henry Miller: Paint as You Like and Die Happy, Santa Barbara, CA: Capra Press, 1982. ISBN 0-87701-280-6

Henry Miller - Wikipedia

Kraft, Barbara. A Conversation with Henry Miller, Michigan: Michigan Quarterly Review, Published at The University of Michigan, 1981. Grove Press Records: an inventory of its records at Syracuse University" . Retrieved September 29, 2011. In 1948, Miller wrote a novella which he called his "most singular story," a work of fiction entitled "The Smile at the Foot of the Ladder".Here in my opinion is the only imaginative prose-writer of the slightest value who has appeared among the English-speaking races for some years past. Even if that is objected to as an overstatement, it will probably be admitted that Miller is a writer out of the ordinary, worth more than a single glance; and after all, he is a completely negative, unconstructive, amoral writer, a mere Jonah, a passive acceptor of evil, a sort of Whitman among the corpses. [37] California, 1942–1980 [ edit ] A 1957 watercolor by Miller. UbuWeb Sound: Henry Miller (1891–1980), with links to MP3 files of "An Interview with Henry Miller" (1964), "Life As I See It" (1956/1961), and "Henry Miller Recalls and Reflects" (1957) Sipper, Ralph B. (January 6, 1991). "Miller's Tale: Henry Hits 100". Los Angeles Times . Retrieved September 26, 2011. In Nexus (1959), the final installment, Miller finds himself an outsider in his own marriage, as Mona's relationship with Anastasia (Jean Kronski) grows, with the pair finally abandoning Miller to travel to Paris. After Mona's return on her own, the trilogy ends with Miller and his wife departing for Paris. Ibarguen, Raoul R. Narrative Detours: Henry Miller and the Rise of New Critical Modernism, excerpts from Ph.D. thesis, 1989.