Women's Sarah Labyrinth Gown Custom Cosplay Costume Masquerade Movie Gown Dress

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a b c d Webb, Katherine (12 June 2017). "The Babe With the Power". Bright Wall/Dark Room. No.48: The Hero's Journey. Archived from the original on 28 October 2017 . Retrieved 13 January 2020. Sarah]'s on that cusp between being an adult and a big sister ... and [the film is] her struggle to kind of compete with these two things. But of course, in the end, she enters adulthood on her own terms, not on the terms of society or what her peer group says she should be doing or what the temptations are; she moves into it as her own woman ... And love is, ultimately, the source of her strength." Henson, Jim (9 September 1984). "9/24/1984 "In San Francisco–meeting with George Lucas, Laura Phillips–Larry Mirkin and Mira V." ". Jim Henson's Red Book. Henson.com. Archived from the original on 26 March 2014 . Retrieved 5 January 2020. Melis, Matt; Caffrey, Dan (26 June 2016). "What's Better? The Dark Crystal vs. Labyrinth". Consequence. Archived from the original on 23 April 2021 . Retrieved 16 June 2021.

Cabin, Chris (27 June 2016). " 'Labyrinth' 30 Years Later: Returning to Jim Henson & David Bowie's Fantasy World". Collider. Archived from the original on 10 June 2019 . Retrieved 8 May 2020. Vaux, Robert (7 December 2022). "Labyrinth Wouldn't Be a Classic Without Jennifer Connelly". Comic Book Resources. Archived from the original on 7 December 2022 . Retrieved 10 January 2023. Rose, Rita (2 July 1986). "Labyrinth". Indianapolis Star. Indianapolis, Indiana. p.35. Archived from the original on 15 August 2020 . Retrieved 15 August 2020– via Newspapers.com. I wish I could go to the Labyrinth exhibit in Atlanta at the Center for Puppetry Arts, especially for the Labyrinth Masquerade Ball before DragonCon weekend, but it’d be too pricey after hotel, plane fare etc.:Jareth seemed to be unperturbed, but she turned her face sharply away from his, horrified. He held her more tightly, and insistently sought her lips with his. Suffused with disgust, she wrenched herself free of him.” Daly, Susan (8 November 2011). "Fame Evader". Irish Independent. Dublin. pp.6–7 . Retrieved 24 July 2020– via The British Newspaper Archive. a b c Holste, Tom. (2012). Finding Your Way Through Labyrinth. In Carlen & Graham (2012), pp.119–130 McCabe, Taryn (27 June 2016). "The spellbinding legacy of Jim Henson's Labyrinth". Little White Lies. Archived from the original on 8 December 2019 . Retrieved 19 April 2019. Urquhart-White, Alaina (9 March 2016). "Why I'll Watch 'Labyrinth' Over & Over Again". Bustle. Archived from the original on 9 June 2021 . Retrieved 8 June 2021.

Covington, Brooke. Jim Hensons's Epicurean Compass: Navigating the Labyrinth, Road Tripping to Hollywood, and Finding Our Way to Sesame Street. In Dale & Foy (2015), pp.109–117 Oleksinski, Johnny (26 April 2018). "Behind-the-scenes secrets from Bowie's cult classic 'Labyrinth' ". New York Post. Archived from the original on 27 April 2018 . Retrieved 23 July 2020. Some of Sarah's books and posters were those that had been childhood favourites of Henson's, [15] [31] as well as reflecting his children's interests. [16] Henson said that by "plant[ing] all those things in Sarah's room as what she would dream about" they made the film "a homage to all the things we love." [32] Casting and filming [ edit ] American actress Jennifer Connelly (pictured 2005) portrayed Sarah.

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Phalin, Mike (2023). "Labyrinth's Jareth, Sarah, and Hoggle Action Figures Are Here!". Clownfish TV. WebReef Media . Retrieved 20 February 2023. Henson, Jim (5 May 1985). "5/5/1985 – 'To Amsterdam – (Filming Labyrinth) – Forest – Wild Things, Shaft of Hands.' ". Jim Henson's Red Book. Henson.com. Archived from the original on 16 August 2014 . Retrieved 20 December 2020. Telling a children’s story about a girl’s veiled sexualised fantasies of her mother’s boyfriend is getting away with a fair bit. There’s more to the film of course, and ultimately, Sarah vanquishes Jareth by rejecting his sinister allure and asserting her own power. Her attraction to him though, especially in the novelisation, is undeniable. What makes this uncomfortable isn’t the fact that Labyrinth is in part a story about adolescent female sexual awakening, but that its vision of that awakening was dreamt up by grown men and shows an underage girl drawn to a man of their age. Thought of that way and it’s less sure that Sarah’s is the fantasy we’re watching. Wright, Andrea (2005). "Selling the Fantastic: The Marketing and Merchandising of the British Fairytale Film in the 1980s". Journal of British Cinema and Television. Edinburgh University Press. 2 (2): 256–274. doi: 10.3366/JBCTV.2005.2.2.256. Retrieved 30 October 2022.

Eddy, Cheryl (29 August 2019). "8 Fantasy Films From The 1980s To Fuel Your Dark Crystal: Age Of Resistance Obsession". Gizmodo. Archived from the original on 31 August 2019 . Retrieved 18 April 2020. Benson, Sheila (26 June 1986). "MOVIE REVIEW: GOING TO GREAT LENGTHS IN A TRYING 'LABYRINTH' ". Los Angeles Times . Retrieved 6 September 2019.a b Monique (2 May 2014). "Labyrinth (1986): Power, Sex, and Coming of Age". The Artifice. Archived from the original on 29 November 2016 . Retrieved 29 December 2019. Jordan, Rene (1 July 1986). "Un laberinto repleto de buen humor"[A labyrinth full of good humor]. El Miami Herald (in Spanish). p.7. Archived from the original on 15 August 2020 . Retrieved 15 August 2020– via Newspapers.com. Arnold, Sharon (29 May 2017). "Jim Henson was more than a puppetmaster". Crosscut.com. Archived from the original on 6 June 2017 . Retrieved 16 August 2020.