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Daisuke Tajima - Beyond the Lines

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Kobayashi H., Yoshida T. (2014). Do self-controlled objects ‘pop out’? A study of attention. J. Vis. 14:1069 Farrer C., Valentin G., Hupé J. M. (2013). The time windows of the sense of agency. Conscious. Cogn. 22, 1431–1441. 10.1016/j.concog.2013.09.010 [ PubMed] [ CrossRef] [ Google Scholar] Another world that Tajima frequently inhabits is the digital one, where we meet for the interview. He had graciously invited me to visit him in Nara, but he expected that I wouldn’t be able to go. Nakamura S., Shimojo S. (2000). A slowly moving foreground can capture an observer's self-motion–a report of a new motion illusion: inverted vection. Vision Res. 40, 2915–2923. 10.1016/S0042-6989(00)00149-8 [ PubMed] [ CrossRef] [ Google Scholar]

Beyond the Lines | 青幻舎 SEIGENSHA Art Publishing, Inc.

Tsakiris M., Carpenter L., James D., Fotopoulou A. (2010). Hands only illusion: multisensory integration elicits sense of ownership for body parts but not for non-corporeal objects. Exp. Brain Res. 204, 343–352. 10.1007/s00221-009-2039-3 [ PubMed] [ CrossRef] [ Google Scholar] Banks G., Short P., Martinez J., Latchaw R., Ratcliff G., Boller F. (1989). The alien hand syndrome. Clinical and postmortem findings. Arch. Neurol. 46, 456–459. 10.1001/archneur.1989.00520400116030 [ PubMed] [ CrossRef] [ Google Scholar]Bishop C. M. (2006). Pattern Recognition and Machine Learning. New York, NY: Springer. [ Google Scholar] Daisuke Tajima conjures imagined cityscapes out of lines that drive and proliferate infinitely outward, guided by his prodigious imagination and talent. The high-rises cramming his massive pen-and-ink canvases spring from two inspirational sources: the American sci-fi movies and Japanese anime he saw as a child, and his memories of his journeys to Taiwan, Hong Kong, and mainland China.

DAISUKE TAJIMA BEYOND THE LINES | paddysbooks 超越界限 DAISUKE TAJIMA BEYOND THE LINES | paddysbooks

van Beers R. J., Sittig A. C., Gon J. J. (1999). Integration of proprioceptive and visual position-information: an experimentally supported model. J. Neurophys. 81, 1355–1364. [ PubMed] [ Google Scholar] This land of millennia-old wooden temples and hundreds of tame bowing deer will sound like a Ghibli-esque fairytale to many, beautiful and unreal, but it’s the ordinary world where Tajima grew up. For him, conversely, the land of fantasy was a concrete maze of skyscrapers reaching for the heavens like those shown in his favorite animated works, namely Akira and Ghost in the Shell. “That was a different world I could not experience,” Tajima explains. “And only when I was a bit older did I realize these urban spaces are real and exist elsewhere.” Seno T., Yamada Y., Palmisano S. (2012). Directionless vection: a new illusory self-motion perception. Iperception 3, 775–777. 10.1068/i0518sas [ PMC free article] [ PubMed] [ CrossRef] [ Google Scholar] The artwork he is currently working on measures 5 meters by 4 meters, a size Tajima considers small, wishing he could go bigger. “If you think about it, cities are much, much bigger than these panels, so I am actually making them small,” he points out.Gallagher S. (2000). Philosophical conceptions of the self: implications for cognitive science. Trends Cogn. Sci. 4, 14–21. 10.1016/S1364-6613(99)01417-5 [ PubMed] [ CrossRef] [ Google Scholar]

Daisuke Tajima Has Big Dreams Made of Ink | Tokyo Artist Daisuke Tajima Has Big Dreams Made of Ink | Tokyo

Ramachandran V. S., Rogers-Ramachandran D., Cobb S. (1995). Touching the phantom limb. Nature 377, 489–490. 10.1038/377489a0 [ PubMed] [ CrossRef] [ Google Scholar]

Tajima Daisuke’s work depicts urban landscapes that radiate an overwhelming power, with a hint of the ephemeral. Aggressive lines infused with the artist’s impulses criss-cross freely on the screen, and the accumulation of these lines creates a unique worldview. Tajima creates giant hand-drawn megalopolises all from his remote studio in the Nara countryside By He seems at peace with the fact that he rarely meets new people in person. Even when setting up his exhibitions, he’s only there for a few days. This was the case for his latest exhibition, “Beyond the Lines,” at the Roppongi Hills A/D Gallery in September 2022, which doubled as the launch of his art book of the same title.

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