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Malabimba (Uncensored) [Blu-ray/DVD Combo]

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Villo discusses the filming of the movie, working with the cast, and his incredulous discovery of the spliced-in hardcore sex scenes. Writing horror books and movies can mess with your mind almost as much as watching them, apparently, and writer Steven Lessey knows all about it. Stressed by his latest deadline — one that eludes him as he tries to shift away from genre efforts — he begins hallucinating until the line between what’s real and what’s not blurs past the point of no return. Go Premium– Get One (1) month of HorrorPlex for free!! Details provided in file premium.txt (requires a free PLEX account) This movie works for two reasons. The first is the director Andreas Bianchi who, though far less prolific, was a lot like Spanish auteur Jesus Franco in his ability to take irredeemably sleazy material like this and make it somehow oddly watchable. Bianchi's work includes "What the Peeper Saw" which offered the unusual pairing of Swedish sex kitten Britt Ekland and the kid from "Oliver", scuzzy giallo favorite "Strip Nude for Your Killer" where the usually classy Edwige Fenech simulated both oral and anal sex (not surprisingly, it's the only recent DVD release she hasn't provided any commentary for), and his follow-up to this film "Burial Ground" again with Giordano who this time gets her latex nipple bitten off by a strange-looking dwarf who is supposed to be her zombified son. Which brings me to the second reason:the infamous Mariangela Giordano. Although she is sometimes labeled a "scream queen" this label doesn't really fit Giordano as she was an actress for twenty-five years in Italian genre films before she ever started doing nude sex scenes in sleazy horror movies like this in her early 40's (during her marriage to producer Crisanti). She proved so good at it though that even years later when she appeared in Michael Soavi's "The Sect" she has a scene as the world's sexiest 53-year-old naked corpse! But besides having a virtually un-aging body, she was a pretty decent actress. It is a testament to her thespian abilities that this sultana of sleaze is even remotely believable as a nun. (And if her initial seduction by the possessed teenager seems amazing just wait around for the "exorcism"). Aldo Sambrelli plays Antonio Aguilar, the recently widowed owner of the creepy castle whose hot teenage daughter Miria (the gorgeous Jacqueline Dupré) has been acting rather strange since her mother's death. Also living in the castle are sexy nun Sol (Mariangela Giordano), who is employed to take care of Antonio's paraplegic brother Ignazio (she gives very thorough bed bath), and a strange manservant named Isidro who conducts satanic rituals in the crypt.

To that end, there are some horror threads here too, but it’s clear they’re playing second fiddle to the sex. It’s an odd choice, albeit one that probably garnered the film more press, but those horror beats are only brought into play briefly early on and then once more for the big The Exorcist-inspired ending. An even smaller effort is made towards humanizing the characters here with Sister Sofia coming closest and therefore earning the film’s only real empathy. Worth a watch, but I’d recommend you do so with the blinds and curtains closed. classic, the unspeakably great Planes, Trains & Automobiles. So grab a glass of wine or even some premature eggnog, and join us as we dive into an unmissable Thanksgiving/holiday favorite on this episode of NO NOTES. The Exorcist" references are obvious but were taken into a disturbing direction. I won't say this is a rip-off of Friedklin's masterpiece but it's obviously inspired by. Un urlo nelle tenebre" released in English under many different titles ("Cries and Shadows", "Naked Exorcism""The Possessor" etc..). The film is a hopeless mess. It's very uneven. Sometimes it's visually stylish and atmospheric (good use of scenery – small village on the top of the hill, narrow and gloomy streets, the house and its interiors etc..), but the film seems like a collage of different scenes, losing some steam in consequence. It was directed by two directors: Angelo Pannaccio and Franco Lo Cascio. Malabimba – The Malicious Whore in Italian, so you have to watch subtitles to follow what’s going on. This isn’t my issue, however. What bugged me was that the audio did not match up to the video. Mouths were moving to words I heard a second before, which is distracting to say the least.The release features a new 4K restoration, a trailer, a reversible cover, a sleeve with additional artwork (limited only), and the following extras: The rest of the family carries on as though everything is normal, despite Bimba’s outbursts. Andreas is having money troubles and plans to sell the castle for something more modest. His mother objects and callously suggests he marry his wealthy invalid brother’s wife, Nais, to assume control of his finances. Nais is a nymphomaniac who enjoys teasing Andreas with sexual advances, which he consistently rebuffs. A sexual tension spreads through the castle as Bimba spies on her family’s exploits and secret hook-ups. She works out her frustrations “playing” with her stuffed animals in a more mature manner. When her teddy bear is no longer enough to satisfy her, Bimba turns her possessed body towards those around her. Can Sister Sophia rein her in and reclaim her soul from evil or will she become its next target? Malabimba, for a movie that is clearly influenced by the Oscar-winning film The Exorcist, manages to stay away from the stereotypes that would bring direct comparisons. If you’re expecting vomit spewing or the decaying flesh of the possessed, you won’t find it in this film. When you break it down, Malabimba is, for most of its running time, a family soap opera. It’s the story of a matriarch trying to push her son to marry his brother’s wife (and the brother isn’t even dead yet) to ensure that the partial ownership of the state doesn’t go to her daughter-in-law. Little more than well made soft-core erotica with a slight bend towards horror. Superb camera work(..two cinematographers contributed)and an ideal setting(..a wonderfully atmospheric isolated castle monastery on a hill)provide this film with some class despite the trashy premise and characters.

Giordano masturbates herself explicitly and fondles for real Gaita's penis when her character washes Ignazio's pubic area with a damp cloth. Vinegar Syndrome brings genre fans the definitive home video release of Malabimba with a 2K restoration of the fully uncut and uncensored version of the film. THE MOVIE I've been, I've seen a million Hallmark Christmas movies that don't understand what this movie comprehends at a bone-deep genetic level. Every action is more compelling and more moving when it's anchored in fully realized and developed characters. John Hughes wrote a beautiful movie. One that has moments that make me laugh incredibly hard while also reducing me to tears every time I watch it. Each component is astonishing on its own, but combined, they create something transcendent.” The Antichrist" (cinematographically speaking is the more traditional of the lot and therefore the easiest to please the majority, but being an Italian film (even if tame for Italian standards) it crosses boundaries that Hollywood would never dare to trespass (the goat scene). It's a film that in spite of being exploitative follows the "Exorcist" recipe more closely and with more seriousness.This special limited edition embossed slipcover (designed by Earl Kessler Jr.) is limited to 2,000 units and is only available here at VinegarSyndrome.com!

Bimba is a young woman of sixteen who has been sheltered all of her life; at one point, her father mentions that she has never even left the yard. She lives in her family’s castle, along with her grandmother (Pupita Lea Scuderoni) and Sister Sofia (Mariangela Giordano, who, for at least a short time, appeared to be attracted to this type of film: see also The Devil’s Daughter and La Bimba di Satana). The possessed Bimba (Laennec) goes from a naive, protected young girl to a sex-starved sadist who kills her Uncle Adolfo (Giuseppe Marracco) with a blowjob. Nothing is safe from her wandering fingers. Even though Laennec was only 19 at time time, she performed all of her own “stunts,” even those starring her favorite teddy bear, a Christmas elf with quite a large, bulbous nose or her uncle’s penis. The initial version submitted to the Italian Board of Censors had a running time of 84 minutes and 45 seconds, while a longer version of the film was actually distributed with explicit sex inserts. [5] Franco Villa denied having shot hardcore footage for the film, stating the footage shown theatrically was not his footage. [5] Curti noted that there are no stand-in for the scenes where Laennec perform fellatio to the Uncle Adolfo character. [5] Malabimba – The Malicious Whore was distributed theatrically in Italy on 22 September 1979 by Stefano Film. [1]Brizio-Skov stated that films such as Malabimba - The Malicious Whore were inspired by The Exorcist but also stood in the tradition of Italian gothic films, in that they depicted sexually active women as being deadly and dangerous. [3] Italian film historian Roberto Curti noted the film's emphasis on eroticism, stating that by 1979, gothic films were infused with erotic themes that generally took over the narrative. [1] Production [ edit ]

For example, during the séance the ghostly presence makes a male guest erect and then unzips his pants before ripping the top off a female guest. It wouldn’t be out of place in a sex-comedy romp, like Scary Movie. I would also be remiss, as a fan of such things, if I didn’t mention that a theatrical trailer is included on the disc. It seems like a small thing, perhaps, but I love watching trailers and getting some insight into how movies are marketed. Let’s face it, trailers for these older movies are sometimes as good as or better than the movie. A still gallery (1 minute) plays a collection of German promotional pictures as a slideshow set to music from the film. Directed by Andrea Bianchi, the man who also gave us the hilariously trashy Italian zombie classic Burial Ground and the magnificently sleazy giallo Strip Nude for Your Killer, Malabimba is a fairly humdrum tale of possession, clearly inspired by The Exorcist but given a massive shot in the arm by the presence of some serious Euro-babeage and the inclusion of several very steamy scenes, some of which even enter XXX territory thanks to the use of hardcore insert shots. Lots of shots of luscious Laennec in the altogether indulging in all manner of perversion; Giordano whipping off her wimple and habit to get saucy; and busty blonde Patrizia Webley (as Bimba's nympho aunt Nais) making a couple of the men in the castle very happy chappies indeed: despite the rather mediocre plot, Bianchi's film has more than enough quality sleaze to ensure a good time, with the added explicit footage only making matters even more seedy.

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This release includes a new 2K restoration, a reversible cover, a trailer, a sleeve with additional artwork (limited only), and the following extras: Bimba, a sixteen year old daughter of a wealthy family, is starting to show disturbing signs of demonic possession. Bimba (Katell Laennec) lives in a gothic castle with her parents. However, when her mother dies under mysterious circumstances while involved in a seance, Bimba begins acting in increasingly strange and perverted ways. With her father at a loss for what to do, he invites a beautiful nun into the castle to try and get her under control. However the sister soon suspects that Bimba has become possessed by an insatiable, sex starved demon which will stop at nothing, including murder, to fulfill its depraved and unholy desires.

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