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BOSS MT-2 –Metal Zone Effects Pedal for Guitar and Bass. Legendary High-Gain Distortion Pedal with over 1 Million Sold. BOSS 5-Year Warranty.

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Since the beginning, the engineers at BOSS have been committed to achieving the finest guitar tones using any technology necessary, from old-school analog circuits to high-tech DSP. This enthusiastic spirit continues on with the Waza Craft series, which brings you exceptional tone and touch response through carefully selected analog components, refined circuitry, and meticulous attention to detail. In Japan, “Waza” is the term for art and technique, and these special edition pedals proudly carry the Waza symbol to represent the pinnacle of BOSS design and craftsmanship. Specifications Nominal Input Level -20 dBu Input Impedance 1 M ohm Nominal Output Level -20 dBu Output Impedance 1 k ohm Recommended Load Impedance 10 k ohms or greater Bypass Buffered bypass Controls Pedal switch No matter where you stand, with BOSS recently introducing a celebratory 30th-anniversary iteration, it’s the perfect time to reset the MT-2’s polarizing impact and formidable legacy. 1991: The Metal Zone Makes Its Debut Even then it’s far from transparent,” he explained to Boss. “There’s some pre-emphasis EQ that’s always present which adds clarity and harmonics even at low gain.”

Ibanez build lots of different Tube Screamer overdrive pedals, but there are loads of pedal companies out there that have cloned the circuit and offer tweaked versions of it — from affordable to high-end. Trust us, a Tube Screamer style overdrive pedal is a must for a metal guitar pedalboard! Engaging the MT-2W’s Custom mode voices the pedal for a huge, wide-ranging sound, making it ideal for nearly any current heavy style. The tone is natural and open, with increased dynamics and rounder lower mids than Standard mode. Even at the highest gain settings, the low end remains full yet tight, focused, and well-defined, perfect for chugging out low-tuned riffs. The sound also cleans up very nicely when reducing your guitar’s volume, putting an extremely balanced range of tones under your fingers. Waza Craft: The Art of Superior Tone Max Bowman of Olympia, Washington death metal band Mortiferum was another. He might have graduated to going straight through a dimed Orange amp to find the appropriate texture of gain for Mortiferum’s über-doomy riffs, but the Metal Zone helped open the gates to that world.The famously “mean and green” Tube Screamer possesses unique EQ characteristics; shelving flabby low-end and boosting mid-range to increase clarity. Because of these qualities, Tube Screamer pedals interact incredibly well with distorted high-gain guitar amplifiers and also help to produce extra saturation by adding a touch more gain. Most metal players will typically set a Tube Screamer’s ‘Drive’ knob low, and use the ‘Volume’ control to adjust the gain to taste — with ‘Tone’ acting like a presence control. This number makes the Metal Zone one of Boss’ best-selling pedals of all time. This is generally attributed to one of three things: Ikegami believes that this flurry of YouTube content, not to mention the endless online chatter, has cemented the MT-2’s standing. So often, when we have new ideas and we put them in front of an audience, you can really tell right away if the song is the right tempo, [and] the riffs are where they need to be... It's a testing ground,” he said.

This is why using the mids control to tame problem frequencies makes sense. Although it's listed as 'Mid freq' on the front panel, it has a very wide range, going from 200Hz all the way to 5kHz. As a result, it's better to think of it simply as a single active EQ control, and disregard the idea it's only for shaping mids. Treat it carefully, as it dictates the entire sound of the distortion. Custom mode delivers full-throttle gain tones with wider range, increased dynamics, and tighter low end Even at the highest gain settings, the low end remains full yet tight, focused, and well-defined, perfect for chugging out low-tuned riffs,” says Ikegami of the MT-2W’s Custom mode. “The sound also cleans up very nicely when reducing your guitar’s volume, putting an extremely balanced range of tones under your fingers.” One of the big secrets with using an MT-2 is using it as a booster pedal. If you plug the Metal Zone into the Effects Loop of your amplifier, lower the gain, increase the level and adjust the mids to taste, the MT-2 becomes one of the warmest boost pedals you’ll ever hear. Clutch are currently working on their yet-to-be-revealed 13th studio album, the followup to 2018's Book of Bad Decisions.At Guitar World, our team of experts comprises seasoned musicians, many of whom have played in metal bands of varying genres and questionable quality over the years. We have played and tested numerous guitar products, including an unimaginable amount of guitar pedals. In fact, many killer metal tones use a mid gain setting, whether from a pedal or amplifier. The key is usually gain staging. Many of those who have built their sound on it – the Simon Neils and Nathan Weavers and the jazz and blues cats – have used it in so many different ways. It was clever marketing to call the pedal the Metal Zone, but perhaps that sold the pedal short.

Distortion pedals can be wild beasts. Understanding how to tailor them to your setup is integral to getting the most out of the effect. Read more… Pedal Partners: Combining Distortion with Other Effects The MT-2 is more than a million-selling mainstay of bedroom players. Learn how Biffy Clyro, Kurt Ballou, and others harness its extreme tone. Read more… What’s the Difference Between Overdrive and Distortion? The Boss MT-2 Metal Zone is one of the most famous guitar pedals ever to be released. Since its original release in 1991, Boss has sold over a million units - and counting. For over 30 years, the MT-2 is the undisputed king of high gain distortion. The Boss MT-2 is famously used by a wide array of artists, including Biffy Clyro, Korn, Prince, Dave Mustaine, Daft Punk, Tom DeLonge, Jared Dines and many more.

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From the ‘80s to early ‘90s, high-gain guitar sounds were getting more popular and influential. Most musicians used distinctive high-gain sounds such as mid-scooped or boosted distortion,” recalls Yoshi Ikegami, president of Boss. “Unlike now, there were not many amps that could provide high-gain distortion sounds easily, so it was difficult for most non-professional guitarists to make these sounds.” The MT-2 is perfect for beginner guitarists looking for their first pedal, intermediate guitar players wanting to push their playing further and advanced players wanting a legendary guitar tone. We’d even say the MT-2 is for anyone wanting to push their sound to the dark side. Choose between the original gain circuitand a brand new modern setting in the MT-2W. The first has been overhauled to widen its range. By updating the first circuit with discrete components, Waza Craft have increased the expression and tone density. You can trust Guitar World Our expert reviewers spend hours testing and comparing guitar products so you can choose the best for you. Find out more about how we test. The Metal Zone has been used on Prince’s The Undertaker. Many believe that this is what Guy-Manuel de Homem-Christo and Thomas Bangalter used on Daft Punk’s debut to make their Juno synth sound like it does on Rollin' and Scratchin’.

As early as 1978, Boss added the iconic DS-1 Distortion to its compact series. In 1983, it launched the HM-2 Heavy Metal. David Gilmour used one for a while, but the HM-2 was not a triumph in the traditional sense, and certainly not a triumph at the first time of asking. Using an Overdrive pedal, like the Ibanez Tube Screamer, can help bring magic to an average guitar sound, but only if you know how to use one. The Metal Zone is almost always a key ingredient to the mix,” says Weaver. “The reason we’ve used the Metal Zone so often in the studio is because it just sounds so evil. And it’s very flexible. One might call the Metal Zone sound ‘cheap’, but I’d describe its brutal, necro soundas ‘perfect.’For me, its sound evokes Barrow-wights in a graveyard, and dusty old bones in an ancient crypt. Also of note Tim Sult's use of a Firebird-style electric guitar in the music video, despite being more commonly associated with Gibson Les Pauls and SGs.You also might be surprised to learn that none other than Prince got crazy with the MT-2 as it found its way onto his pedalboard in the mid-’90s. Additionally, Warren Haynes of Allman Brothers Band fame is purported to have used the Metal Zone in his live rig. Dan Donegan, Disturbed – another example of great use of the Metal Zone’s powerful EQ. Donegan rolls off the low end and tweaks the mids for a lo-fi radio sound, perfect for song intros and instrumental breaks. In Japanese, ‘Waza’ means art or technique. That’s exactly why Boss assigned their best designers and engineers to the Waza Craft project. Their goal is to reach the pinnacle of guitar amp and effect design. Ultimately, the best advice we can give is to forget the memes and experiment: the Metal Zone is a hugely powerful pedal, and taking the time to carefully tweak the EQ can – with a bit of patience – yield formidable results with just about any guitar rig. Since its debut 30 years ago, the MT-2 has added its patented layer of dense, saturated distortion to the rigs of bedroom beginners, professional-level guitarists, and modern-day YouTube sensations alike. Along the way, it weathered numerous musical-genre sea changes, made the jump from effects pedal to meme and Halloween costume, and even claimed the distinction of being bizarrely (and falsely) lin ked to the COVID-19 pandemic.

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