Harry Potter Boxed Set: The Complete Collection (Adult Paperback): Adult Edition

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a b c d e f Arden, Heather; Lorenz, Kathryn (June 2003). "The Harry Potter Stories and French Arthurian Romance". Arthuriana. 13 (12): 54–68. doi: 10.1353/art.2003.0005. JSTOR 27870516. S2CID 161603742.

JK Rowling: From rags to riches". BBC News. 20 September 2008. Archived from the original on 13 July 2012 . Retrieved 28 September 2008.

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Liddle, Rod (21 July 2007). "Hogwarts is a winner because boys will be sexist neocon boys". The Times. London. Archived from the original on 4 June 2010 . Retrieved 17 August 2008. Potter sparks pet owl demand". 18 December 2001. Archived from the original on 15 August 2017 . Retrieved 12 April 2018.

Greig, Geordie (11 January 2006). "There would be so much to tell her..." The Telegraph. London. Archived from the original on 11 March 2007 . Retrieved 4 April 2007. Harry Potter tour accused of cruelty for use of live 'Hedwigs' ". The Independent. 23 March 2015. Archived from the original on 12 April 2018 . Retrieved 12 April 2018. In an 8 November 2002 Slate article, Chris Suellentrop likened Potter to a "trust-fund kid whose success at school is largely attributable to the gifts his friends and relatives lavish upon him". [123] In a 12 August 2007, review of Deathly Hallows in The New York Times, however, Christopher Hitchens praised Rowling for "unmooring" her "English school story" from literary precedents "bound up with dreams of wealth and class and snobbery", arguing that she had instead created "a world of youthful democracy and diversity". [124] The final book in the series, Harry Potter and the Deathly Hallows became the fastest selling book in history, moving 11million units in the first twenty-four hours of release. [105] The book sold 2.7million copies in the UK and 8.3million in the US. [73] The series has also gathered adult fans, leading to the release of two editions of each Harry Potter book, identical in text but with one edition's cover artwork aimed at children and the other aimed at adults. [106] Book Fisher, Douglas; etal. (2004). "Interactive Read-Alouds: Is There a Common Set of Implementation Practices?" (PDF). The Reading Teacher. 58 (1): 8–17. doi: 10.1598/RT.58.1.1. Archived from the original (PDF) on 7 December 2013 . Retrieved 19 August 2012.American Library Association (26 March 2013). "Top 10 Most Challenged Books Lists". Advocacy, Legislation & Issues. Archived from the original on 24 July 2017 . Retrieved 5 March 2021. While Harry Potter can be viewed as a story about good vs. evil, its moral divisions are not absolute. [44] [45] First impressions of characters are often misleading. Harry assumes in the first book that Quirrell is on the side of good because he opposes Snape, who appears to be malicious; in reality, Quirrell is an agent of Voldemort, while Snape is loyal to Dumbledore. This pattern later recurs with Moody and Snape. [44] In Rowling's world, good and evil are choices rather than inherent attributes: second chances and the possibility of redemption are key themes of the series. [46] [47] This is reflected in Harry's self-doubts after learning his connections to Voldemort, such as Parseltongue; [46] and prominently in Snape's characterisation, which has been described as complex and multifaceted. [48] In some scholars' view, while Rowling's narrative appears on the surface to be about Harry, her focus may actually be on Snape's morality and character arc. [49] [50]

Garcia, Jason (17 June 2010). "Big day is here: Universal hopes Harry Potter's magic will last". Orlando Sentinel. Archived from the original on 5 September 2012 . Retrieved 19 June 2010. Gunelius, Susan (2008). Harry Potter: The Story of a Global Business Phenomenon. Palgrave Macmillan. doi: 10.1057/9780230594104. ISBN 978-0-230-59410-4. Güler, Emrah (2005). "Not lost in translation: Harry Potter in Turkish". The Turkish Daily News. Archived from the original on 30 September 2007 . Retrieved 9 May 2007. Butler, Catherine (2012). "Modern children's fantasy". In James, Edward; Mendlesohn, Farah (eds.). The Cambridge Companion to Fantasy Literature. Cambridge University Press. doi: 10.1017/CCOL9780521429597. ISBN 978-0-521-42959-7.

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Many fan fiction and fan art works about Harry Potter have been made. In March 2007, "Harry Potter" was the most commonly searched fan fiction subject on the internet. [193] Rowling had creative control on the film series, observing the filmmaking process of Philosopher's Stone and serving as producer on the two-part Deathly Hallows, alongside David Heyman and David Barron. [220] Rowling demanded the principal cast be kept strictly British and Irish, nonetheless allowing for the inclusion or French and Eastern European actors where characters from the book are specified as such. [221] Mendlesohn, Farah; James, Edward (2012). A Short History of Fantasy. Libri Publishing. ISBN 978-1-907471-66-7. OCLC 857653620. Rowling, JK (2006). "Biography". JKRowling.com. Archived from the original on 21 April 2006 . Retrieved 21 May 2006.

Linder, Bran (28 March 2000). "Chris Columbus to Direct Harry Potter". IGN. Archived from the original on 13 January 2008 . Retrieved 8 July 2007. Harry Potter and the Cursed Child". Harry Potter The Play. harrypottertheplaylondon.com. 2016. Archived from the original on 26 September 2016 . Retrieved 26 July 2016.Rahim, Sameer (13 April 2012). "The Casual Vacancy: why I'm dreading JK Rowling's adult novel". The Telegraph. London. Archived from the original on 2 January 2018 . Retrieved 28 March 2017. Pottermore". Pottermore. Archived from the original on 26 September 2015 . Retrieved 8 October 2015. Berndt, Katrin; Steveker, Lena, eds. (22 April 2016). Heroism in the Harry Potter Series. Routledge. doi: 10.4324/9781315586748. ISBN 978-1-317-12211-1. Griesinger, E. (2002). "Harry Potter and the "deeper magic": narrating hope in children's literature". Christianity and Literature. 51 (3): 455–480. doi: 10.1177/014833310205100308. Main article: Harry Potter in translation The Russian translation of The Deathly Hallows goes on sale in Moscow, 2007.