Zombie Sex

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A drug dealer tries to get out of the life and start anew with his girlfriend, but the transition is tragically difficult. No reason to fear that. The director, who spoke at the end of the movie, along with a couple of the actors, said he wanted to make this one exactly as he wanted. He had made a couple of other movies in which the content had been constrained by others. He decided to take this one over the top and throw everything into it. He mentioned some other effects that they couldn't get right, so they didn't get in.

Two bumbling press agents must search for a zombie to fulfill a commitment to their ex-gangster boss's new nightclub or face the consequences. Ojeda-Sagué, Gabriel (2 January 2021). "The whiteness of François Sagat". Porn Studies. 8 (1): 107–120. doi: 10.1080/23268743.2020.1744476. S2CID 219902719. The acting in the movie was actually quite adequate, taking into consideration the budget of the movie and the type of movie that it is. So the acting talents actually did good jobs with the limitations imposed on them.Lauro, Sarah Juliet (2016). " Zombies and Sexuality: Essays on Desire and the Living Dead". Science Fiction Film and Television. 9 (1): 137–142. McGlotten, Shaka; Vangundy, Sarah (2013). "Zombie porn 1.0: Or, some queer things zombie sex can teach us". Qui Parle. 21 (2): 101–125. doi: 10.5250/quiparle.21.2.0101. ISSN 1041-8385. JSTOR 10.5250/quiparle.21.2.0101. S2CID 142877483.

James J. Ward, a professor at Cedar Crest College, suggests that zombie porn's transgressions of the taboos against necrophilia and male viewers' fear of castration may be appealing for some. [19] At the same time, he argues that because zombie sex "raises the likelihood of" participants being literally destroyed, because zombies carry filth and disease, and because the zombie is ontologically blank—they have "no awareness and affect" and are driven by "the most primitive and carnal of all desires" (to eat)—zombie porn remains largely unappealing. [20] He concludes that zombie porn is neither new nor alluring. [21] Feminist philosopher Kelly Oliver writes that zombie porn, like snuff pornography, is a kind of "pseudo-necrophilia"—altogether similar to rape—that reflects some men's aggressive sexual attitudes. [22] The film Deadgirl (2008; sometimes labeled a kind of torture pornography), where a zombie woman is turned into a sex slave and repeatedly raped, is one example given by Oliver and horror researcher Steve Jones. [23] Elliott-Smith, Darren (2014). "Gay zombies: Consuming masculinity and community in Bruce LaBruce's Otto; or, Up with Dead People and L.A. Zombie". In McGlotten, Shaka; Jones, Steve (eds.). Zombies and sexuality: Essays on desire and the living dead. McFarland.An elite anti-Zombie team is assembled by the Government to cope with an ever-growing undead infection and the religious cult zealots who fanatically protect the festering foes. Let me just say that this movie stops being entertaining very early on. It is a chore to watch this to write a review.

McGowan, Jasmine (2012). "The thinking queer's pornographer: Bruce LaBruce, art/porn and the politics of cooptation". CineAction. 88: 66–69. Just watched "Night of Something Strange (2016)", and it is one of the best, without a doubt, gorehound delights I have seen.

Following the arrival of a strange corpse, a deadly STD is transmitted through a small rural community turning the afflicted into the living dead and trapping a group of friends at a secluded motel forcing them to crazed and intense means to stop the relentless beings. Björnberg, Alf (2013). " Earogenous Zones: Sound, Sexuality and Cinema". Review. Popular Music. 32 (1): 135–137. doi: 10.1017/S0261143012000669. ISSN 0261-1430. JSTOR 23359891. S2CID 162314710. Jones, Steve (2011). "Porn of the dead: Necrophilia, feminism, and gendering the undead". In Moreman, Christopher M.; Rushton, Cory James (eds.). Zombies are us: Essays on the humanity of the walking dead. McFarland. ISBN 9780786459124. The storyline in "Night of Something Strange" turned out to be rather ridiculous, and it was really difficult to get into the groove of the movie and get immersed into the storyline. Fix, Michael P. (2018). "Understanding the mechanisms driving the evolution of obscenity law in five common law countries". Journal of Comparative Law. 13 (2): 147–163.

The trash "Night of Something Strange" is a brainless B-movie film so bad, nasty and gory that becomes funny. The film is a big joke of bad taste beginning with the names of the characters (Christine, Freddy, Carrie, Jason). The lead actor that performs Cornelius physically recalls the unforgettable Richard "Jaws" Kiel from the 007 franchise and does not have any line along 1h 34 min. The jokes are gross and most of them are related to sex and the scenes have lots and lots of gore. The make-up is amazing and if the viewer is fan of the Troma Entertainment B-movies, he or she will certainly like "Night of Something Strange". My vote is four. With that being said, 'Night of Something Strange' is a terrible movie on all fronts. It isn't a good horror movie, it's a terrible comedy movie, there's no redeeming qualities for this film. It's poorly written, the acting and cinematography are garbage, it's all over the place with it's dialog and writing.Thrill to the mayhem that ensues when ever-lovable serial killer Red Toole sets off on a globe-trotting quest in search of his missing wife, the lovely Violet, caught in the clutches of the... See full summary» Directed and co-written by Jonathan Straiton, this is not a movie that I'd recommend for the squeamish. Or the easily offended. Beyond the rampant gore and general mayhem, there's also a lot that is ready to upset nearly everyone: vaginas with teeth, masturbating zombies, zombie bukkake and more. So much more. I'd compare this movie to Night of the Creeps, if that movie had more sex. Normally I am a big zombie aficionado, but "Night of Something Strange" just was way too far out there, even for my liking. Oliver, Kelly (2016). Hunting girls: Sexual violence from The Hunger Games to campus rape. Columbia University Press. ISBN 9780231541763.