The Gold: The real story behind Brink’s-Mat: Britain’s biggest heist

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Murder victim's family 'disgusted' by BBC portrayal of The Gold killer". The Independent. 15 February 2023 . Retrieved 13 March 2023.

Gold book | Local Government Association Gold book | Local Government Association

and it isnt until that last paragraph, you know the one im talking about, the last sentence that just bleeds love and loneliness and beauty and sorrow, that you can close the book and finally say, ‘reading this may have been long, and not always easy, but i am all the better for it.’ The talented screenwriter put the drama together after conducting extensive research and interviews with some of those involved in the events. Characters in the book find meaning and purpose in their life through art and the creative process: Hobie through furniture restoration, Pippa through her music, Fabritius through his painting, Donna Tartt through prose. Donna Tartt is a master of language, but she really excels when she is composing people. This description of Theo’s mother manifested her before me as if she were flesh and blood in the room with me. The Gold (6x60’) is the first commission from Tannadice Pictures, the joint venture set up by Neil Forsyth and Objective Fiction. Tommy Bulfin will executive produce for the BBC; Neil Forsyth and Ben Farrell for Tannadice Pictures; and Kate Laffey, Vice President, VIS, and Jill Offman, Managing Director at 66 Media for VIS.Forsyth said there was a lot from the real-life robbery he wanted to include but couldn’t due to the time constraints. This is more than a beautifully written novel. It is a life philosophy and a love letter to great art. Life is full of struggle and hardship but the beauty we encounter along the way can make it worth living.

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I don't care what anyone says or how often or winningly they say it: no one will ever, ever be able to persuade me that life is some awesome, rewarding treat. Because, here's the truth: life is catastrophe. The basic fact of existence -- of walking around trying to feed ourselves and find friends and whatever else we do -- is catastrophe. Forget all this ridiculous 'Our Town' nonsense everyone talks: the miracle of a newborn babe, the joy of one simple blossom, Life You Are Too Wonderful To Grasp, &c. For me -- and I'll keep repeating it doggedly till I die, till I fall over on my ungrateful nihilistic face and am too weak to say it: better never born, than born into this cesspool."There are a few other nits a good editor could have fixed, e.g. the internet makes cameo appearances but it's inconsistent - characters will make use of it in the way people do in 2013 but then later in the same scene they seem to forget it exists (and there's much more of the latter than the former-- Tartt recently did an interview with the New York Times where she admits to only using the web "to look up phone numbers" and her unfamiliarity is pretty evident, which is a problem in a novel whose main protagonists are 20somethings), a number of key plot points are telegraphed way in advance in a manner that feels more heavy-handed than than skillful, there are minor-but-critical unexplained plot points (e.g. why Theo's mother never considered leaving his father) whose omission seems curious in a novel that goes into such minute detail about everything else. And then of course there are the adult Theo's relationships with women, all of which seem overly chaste and prim and bloodless (especially compared to his relationship with Boris)-- even when he professes otherwise. The criminals in the drama are directly based on real people, as is the detective in charge of the case, but some of the other characters are fictional. Theo’s adventure continues at his new home as one of close friends of the family took him to Park Avenue apartment. Takes you to the journey to take a closer look to the Upper West high class elites and the elites with gambling addiction problem! Then you’re moving to Lower East Side drug circles, darkest dens and accidentally found yourself at Vegas suburbs. Then suddenly you open your eyes Amsterdam streets at Christmas. Victoria Tyson is a director and a specialist international construction lawyer qualified to practise in England and Wales and Hong Kong. She has dealt almost exclusively with international construction law disputes since 1998 and has extensive experience in all forms of construction and engineering dispute avoidance and resolution. She has particular expertise in complex international arbitration and specialist knowledge of the FIDIC forms of contract.