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Dude

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The figure of "The Dude" featured in the album cover was created by Zambian sculptor Fanizani Akuda. [26] a b Kent, David (1993). Australian Chart Book 1970–1992 (illustrateded.). St Ives, N.S.W.: Australian Chart Book. p.161. ISBN 0-646-11917-6. Three singles were released from the album in the US, all of which charted on the US Top 40. " Just Once" and " One Hundred Ways" both feature vocalist James Ingram's debut and reached No. 17 and 14, respectively, on the Billboard Hot 100. The album gained moreover heavy dance airplay for lead single " Ai No Corrida", which reached No. 28 on the Top 40 and 14 in the UK Singles Chart. The album also contains "Razzamatazz" (with vocals by Patti Austin) which reached No. 11 in the United Kingdom, Jones's biggest solo hit in that country. Your computer may be infected with malware or spyware that makes automated requests to our server and causes problems.

Offiziellecharts.de – Quincy Jones – The Dude" (in German). GfK Entertainment Charts. Retrieved January 29, 2023.Betcha' Wouldn't Hurt Me Arranged By [Rhythm] – Quincy Jones, Stevie Wonder Arranged By [Synthesizer] – Jerry Hey, Quincy Jones Arranged By [Vocals] – Quincy Jones Bass – Louis Johnson Drums – John Robinson (2) Electric Piano, Synthesizer – Greg Phillinganes Guitar – Steve Lukather Handclaps – Greg Phillinganes, John Robinson (2), Louis Johnson Lead Vocals – Patti Austin Percussion – Paulinho Da Costa Programmed By [Synthesizer] – Ian Underwood Synthesizer [Yamaha Cs-80] – Stevie Wonder German Chart - Quncy Jones". charts.de. Archived from the original on August 19, 2014 . Retrieved August 8, 2014.

Ernie Watts – saxophone (1–3, 5–7), flute (2, 3, 5–7), tenor saxophone solo (1, 2, 9), alto saxophone solo (5), tenor saxophone solo fills (7) David J. "Hawk" Wolinski – Clavinet (1, 9), mini-Moog synthesizer (5), Yamaha CS-80 synthesizer bass (6), synthesizer programming (5, 9)Jerry Hey – trumpet (1–3, 5–7, 9), horn arrangements (1–3, 5–7, 9), string arrangements (6, 9), synthesizer arrangements (1, 4, 6, 9) Velas Arranged By [Rhythm] – Quincy Jones Arranged By [Strings] – Johnny Mandel Arranged By [Synthesizer] – Johnny Mandel Bass – Louis Johnson Concertmaster – Gerald Vinci Drums – John Robinson (2) Electric Piano, Synthesizer – Greg Phillinganes Guitar, Harmonica, Whistling – Jean "Toots" Thielemans* Percussion – Paulinho Da Costa Programmed By [Synthesizer] – Ian Underwood Synthesizer – Ian Underwood

Oricon Album Chart Book: Complete Edition 1970-2005. Roppongi, Tokyo: Oricon Entertainment. 2006. ISBN 4-87131-077-9. Greg Phillinganes – synthesizer (1, 3–6, 8, 9), electric piano (2–4, 7–9), handclaps (1, 4), synthesizer solo (7) American album certifications – Quincy Jones – The Dude". Recording Industry Association of America. The vibe switches dramatically as Ingram steers the session into quiet storm territory with the sentimental “Just Once,” before Stevie’s synth wizardry and Austin’s vocals amp up the moody funk of “Betcha’ Wouldn’t Hurt Me.” Elsewhere, “Razzamatazz” is a pulsing dancefloor outing spiked with rousing horns, and “Velas” brings the album into a gentler, jazz-influenced zone complete with Toots Thielemans’ harmonica lines. Stevie Wonder – Yamaha CS-80 synthesizer (4), rhythm arrangements (4), Yamaha CS-80 synthesizer solo (2, 4), Yamaha CS-80 synthesizer solo fills (4)

Gonzales, Michael A. 'The Dude': Remembering Quincy Jones’ Most Important Album Ever Ebony. April 5, 2016 One Hundred Ways” originally appeared on Jones’ 1981 album The Dude, which has now been given the Super Audio CD reissue treatment. The voice you hear when Doom lets the sample spill over belongs to James Ingram, who was making his debut on the LP. And while the moment conjures up the entertaining image of Doom in a metal mask casually rapping along to the radio, it also raises the deeper suggestion that the music of bandleaders like Jones—along with James Brown, Roy Ayers, and Isaac Hayes—has proved to be so fertile for hip-hop producers because it’s made with the spirit of collaboration in mind. Records like these sketch out funky templates and trust guest musicians to stamp the tune with their own identity, much in the manner of a producer repurposing a sample into something fresh but also evocative of its original source. The Dude is a 1981 studio album by the American musician and producer Quincy Jones. Jones used many studio musicians.

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