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RØDE NT5 Premium Half InchSmall-diaphragm Condenser Microphone (Matched Pair) for Music Production and Instrument Recording

£158£316.00Clearance
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Another benefit of the Rode NT5 is that you do not have to bother about the consistency of the mics as there are always inconsistency in the mics of the same model so therefore, when you buy a pair of mic like the NT5, both of the microphones can be adjusted at the same time using the same values. Also, you should not move too much while you record with a condenser mic. A few movements are alright but when it starts to get much, the volume will start to fluctuate as well as the sound quality. If possible, you should set your gain at a moderate level, by setting it too high you may ruin your recording because of your loud voice and vice versa.

A condenser microphone is a microphone with excellent detail and accuracy. It also weighs less and the SP it creates against the diaphragm makes it move and produce an electrical output. The M5 microphones are made to sound over the entire frequency spectrum, giving you a little bit of emphasis on the treble. This means that the sound should be nice and clean. Specifications The Rode NT5 Studio Condenser Microphone, Matched Pair are premium-quality condenser mics with a wide frequency response and low self-noise - resulting in exceptional sonic accuracy. This acoustically matched pair are perfect for capturing studio-grade stereo recordings. The 0.5-inch gold-sputtered diaphragm offers a wide frequency response, so you can record every single detail.Rode’s NT5 sounds really poised on an acoustic guitar, but with a slight longing for a little more meat on its bone up in the upper-mids. There are no over-the-top frequency exaggerations, just a moderate resolution snapshot of your strumming. If money is absolutely not an issue then yes, go with the Rode NT5 and be done with it, since you’ll never, EVER, have to upgrade your stereo pair microphones again. Conclusion Well, it’s true that the Rode M5 is indeed lighter by around 20 grams, so it’s not really significantly lighter. But if you’re lugging it around, you might just notice a difference. It’s also a little bit smaller, which means better portability.

I recommend you not to mod this mic because you'll loose the Rode warranty. If you are so concerned about its sound, you can search for other alternatives such the recording mic positioning, room treatment, plugins or even your guitar/whatever. You may also notice that these mics can be sibilant at times as well, and that they’re a little difficult to put into the mount when you’re setting them up. Which One is Better for Traveling? While both are small diaphragm condenser microphones, the Rode M5 comes with fixed non-removable capsules while the Rode NT5 lets you swap them out for omnidirectional ones. Soundwise, the NT5 has a more open and airy high-end while also having a more present low-end than the M5. It has a place for extra storage that is essential for an additional mic capsule you choose to buy separately.For clear left and right stereo imaging, you want a matched pair of microphones as opposed to buying two single microphones of the same model if you want to get the best sound recording and reproduction.

The Rode NT5 does not have a pop filter but it does have a windscreen you can use to prevent some sort of unnecessary side noise. To make things less shaky, using a mic stand is a plus in making your condenser mic sound better. Finally, let your studio or wherever you are recording be a good place for you to record, from the atmosphere to how calm it is everything should be in place.

An Incredible Deal on a Matched Pair of Condenser Mics!

It depends on what you want or what you value and it matters the most to you. The NT5 will be a good choice for you if you do more interior dialogue as it can allow your audio to appear faint. I also used one of them to record acoustic guitar, a cheap squire one, and it sounded amazing as well - it was also just thrown in front of it with not much thought going into placement. The NT5’s lower-mids have a mild controlled bounce from 100Hz to 200Hz, then from 400Hz to 1kHz a nice little sweet spot of neutrality arrives. Further up again, its upper-mids have a somewhat hollow and punitive reaction. There are significant differences between the two, not just in price but also features and sound quality, and I will go over all of them in this article as well as give you my honest opinion on which one you should end up going with depending on your needs. It’s mainly designed for acoustic instruments and overheads, but a lot of low-budget filmmakers have taken a shine to using it as an indoor boom mic.

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