Love Me Fierce In Danger: The Life of James Ellroy

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The truly revelatory stuff is found in the examination of Ellroy's years of fame. Though often staying sober after his hellish youth, his addictive personality manifests throughout his life in virtually every other aspect of it: spending, womanizing, chasing the trappings of fame in the media and at public appearances, and constantly aiming to portray himself as more.vulgar, caustic, right-wing and hypermasculine than he actually is (and he is in fact all of those things, but more nuanced underneath the bluster). Powell vows in the intro not to psychoanalyze Ellroy, but he doesn't have to: the behavior, whether it be acts of immense generosity and human kindness or cutthroat cruelty and verbal abuse, tells you all you need to know. Ellroy is an absolute mess in many ways, and it is inextricable from the power of his writing. (Ellroy is fairly honest to his biographer about most of his worst qualities; Powell presents the rest by amassing evidence from other parties.) Steven Powell, a British academic, has spoken to dozens of whiplashed witnesses to the Ellroy story, as well as securing many hours’ worth of interviews with the demon dog himself. Powell convinced Ellroy he was the man to take on his biography after unearthing the hitherto unknown identity of the first husband of Ellroy’s mother Jean – a possible suspect

A highly enjoyable read … shrewd in its critiques of the work and jargon-free – an academic biography in the best sense. I suspect it will spoil the genre of literary biography for me for a while: can the life of any other living writer be anywhere near as horribly gripping? he sees as inimical to Ellroy’s work: “The more friction and unresolvable conflict that existed in his personal life, the more visceral his art became.” James Ellroy had a different name at birth, one that sounded like a political assassin, or a hayseed. Ellroy's parents divorced early, with a lot of enmity, and Ellroy spent time between both parents, a mom that tried to raise him, and a father who spent more time railing on the shrew that he married. Ellroy's mother was murdered, suspect unknown, and Ellroy went to live with his father, a minor Hollywood flunkie, who had seen better days, and spent more time on his couch then providing or caring for his son. Young James loved to read, stealing books when he had to to keep up with his voracious habit. Crime and crime stories were his favorite, books that later helped him when he started breaking into houses for thrills. After the death of his father, drinking nearly killed Ellroy, but golf, AA, books and a need to write gave him something to live for. Starting slow he wrote what he knew, crime, men failing and Los Angeles. Slowly he found his groove, removing words, mining history and people, real and not-so-real, to tell his tales, and success, and madness soon followed.

Steven Powell’s in-depth biography of the crime fiction writer James Ellroy which is very well constructed and extremely meaty. He is able to dive down deep into Ellroy’s life from birth to where he is today, which includes the death of his mother, life with his father afterwards and the questionable living life in the streets and his trouble with crime before settling down to become the writer he is today. Dr. Powell reminds us on several occasions that Mr. Ellroy never finished high school. Mr. Ellroy did not apparently, based on Dr. Powell's information, attend any college classes. How then does an effectively uneducated person become the predominant male genius of American letters of his era? I don't know and neither will you when you finish reading Dr. Powell's extensive work.

Unflinching in detailing the life of one of the living greats of crime fiction … As biographies go, this one is quite a ride.”—Ayo Onatade, Shots magazine One can imagine that, in the future, somebody will draw on the material Powell has accumulated to produce a crazier, more poetic, more Ellroy-esque portrait, but this book is a highly enjoyable read in its own right, shrewd in its critiques of the work and jargon-free – an academic biography in the best sense. I suspect it will spoil the genre of literary biography for me for a while: can the life of any other living writer be anywhere near as horribly gripping? For Ellroy fans and scholars both old and new, Love Me Fierce in Danger has plenty to spark and—more importantly—maintain your intrigue, even if you were certain you already knew all about James Ellroy’s exhaustively documented life… This was a very interesting, although also somewhat off-putting, biography. It is incredibly detailed, not only about Ellroy's life, but also about each of his major books, with quite lengthy descriptions of the plots of each. It was a difficult read in the sense that Ellroy is a difficult personality (both to capture in words and to like or warm to), as opposed to difficult because of the writing style, which is quite engaging, particularly given some of the subject matter.

Powell introduced his favorite Ellroy novels and book series offering detailed accounts related to his writing styles of combining fictional characterization with real life events, and his technique of limiting dialogue to reduce the manuscript content. If a name was dropped, a credible story followed—also included were easy to follow timelines, cultural events, trips abroad, literary agents, famous editors, celebrities and other insiders in the publishing and film industries. Ellroy generously donated his papers to the University of South Carolina (1999) he visits on occasion to lecture and update the archive. The beginning is very harrowing and very frank and honest which I truly applaud it for. This is warts and all and does not shy away from some very difficult subject matter that is his life but as we move forward to his writing career we are probably getting the most in-depth character study about the man and his gift to the world. The problem with writing about writers is that the book can so easily become "First he wrote this novel, and then he wrote that novel, and next he wrote that novel." Steven Powell's brilliant, unflinching biography reveals how the novelist's obsessions have their roots in the extraordinary experiences of his childhood and early years … Powell scrupulously chronicles Ellroy's hectic career: his compulsive womanising; lapses in sobriety; near nervous breakdowns; and attention grabbing performances as the self-styled 'Demon Dog of American Crime Fiction'… According to his ex-wife, Helen Knode: 'James lives life like he was shot out of a cannon.' This gripping, illuminating biography not only throws light on just what she meant by that. It also reveals why he does so. This is a terrific book for James Ellroy lovers. It relies heavily on Ellroy’s memoir, My Dark Places, but Steven Powell has managed to find additional primary sources in writing this biography.

James Ellroy learned his craft somehow and his biography ought to give at least some hint on this actually important aspect of his art. He certainly didn't learn it in bed. Love Me Fierce in Danger is a volume that will be scrutinized and studied for decades to come, and as such is a perfect omniscient companion to Ellroy’s 1996 autobiography… and while in that book, Ellroy gave us a relentless Virgil-like tour of his dark places, Steven Powell’s Love Me Fierce in Danger is thus a welcoming and warming torch to illuminate the walls of the underworld with introspective shadows… I have to say that this was quite the ride. At times I just had to set it aside because of some of the stuff that was described. I can say there are definitely a couple of his books I would like to read now.Steven Powell obviously has a great understanding of this author and insight into his public and private life. Ellroy is quite an egmatic character and quite the womanizer. He wants to be heard and thinks that everyone is drawn to him. Powell touches on the subject of Ellroy's mothers murder and the turbulent life that seemed to follow Ellroy's childhood.. Whatever we thought we knew about the Demon Dog of American Literature, we were wrong; Love Me Fierce in Danger is as revelatory as it is compelling, and a masterpiece of literary biography: James Ellroy deserves no less." My thanks to both NetGalley and the publisher Bloomsbury Academic for an advanced copy of this biography on one of the outstanding and outlandish crime writers of the 20th Century. Away from the books, well, where do you begin? Powell avoids praise or blame but makes clear there is no shortage of grounds for the latter. Ellroy broke into the homes of girls in his class at high school to steal their underwear. Fame was no corrective. A woman he dated in 1986 disliked his jokes about using ‘the names of his ex-girlfriends as dead hookers in his novels … These were often the same women he had dedicated novels to when the relationship was going well.’ A few years after she and Ellroy had gone their separate ways, she duly found her name given to a murdered prostitute in LA Confidential (1990). living a few doors away from her, so as to avoid the constrictions of co-habitation. But contentment may explain why, as Powell tactfully puts it, his most recent novels are “beginning to lose a sense of emotional power”.

T he American crime writer James Ellroy, born Lee Earle Ellroy, chose his pen name because it was ‘simple, concise and dignified – things I am not’, a statement perhaps underscored by another name he likes being called, ‘Demon Dog’. We learn from Steven Powell’s sober new biography that an overseas publisher who wanted to translate Ellroy’s work (‘an almost unendurable wordstorm of perversity and gore,’ according to one critic) found that translators, deterred by his difficult language and right-wing sympathies, refused to do it. Steven Powell also gives us candid and insightful analysis into the origins and progression of both Ellroy’s well-hashed outrageous public persona, and the Demon Dog’s monastically Beethovian private life, with all the idiosyncrasies, private insecurities, coping mechanisms, and solitary circumspection that bind these two extreme polarities for James Ellroy just like everyone else. Ugaz’s case is all too familiar in Peru, where powerful groups regularly use the courts to silence journalists by fabricating criminal allegations against them.’ As I said in my review of Ellroy's latest novel (the disappointing, overcooked but compulsively readable WIDESPREAD PANIC), I'm a huge fan of his work. His fiction reveals more of who he is than almost any of his public statements. Powell understands this, and the time he spends critically examining Ellroy's major books is some of the biography's best material. (The look into the UNDERWORLD USA books is particularly insightful.) Weirdly, there is one whom Powell very carefully avoids naming, even while providing more than enough information to identify her, so I'm not sure what's going on there.

You can also see the painful reverberations—far into adulthood—of Ellroy’s childhood traumas, which certainly include, but also go far beyond the well-tread territory of his mother’s brutal 1958 murder. While you might expect some degree of this from any biography, with James Ellroy, it’s even more prescient, because the generational ramifications of past misdeeds is a deliberately haunting, discomforting, and necessary motif in all the Demon Dog’s novels.