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Interaction of Color: 50th Anniversary Edition

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Interaction of Color’ offers delight and insight through mind-bending exercises, examples, and experiments, leading readers to a direct and visceral experience of color’s infinite subtlety and contextual dependence.

McGilchrist would say that one part of the mind senses and 'sees' everything in one big burst and the other scans and sequentialises, so maybe sight, vision, has the most complex experience of time within the mind. a b "The Graphic Constructions of Josef Albers | MoMA". The Museum of Modern Art . Retrieved January 19, 2022. Albers and Morandi: Never Finished: works by Josef Albers and Giorgio Morandi (2021) David Zwirner Gallery, New York [44] This book, written almost 60 years ago, does not touch on how colors are viewed, used and manipulated in this digital age. An absence that will only grow more pronounced as "colored papers", the principal material used in the book for practice, become more and more scarce.Interaction of Color, the landmark 1963 book by Josef Albers, . . . isn’t just for aspiring artists. Its mesmerizing illustrations are a revelation for anyone interested in color theory and human perception.”—Pilar Viladas, New York Times David W. Dunlap (June 17, 2002), Press 'L' for Landmark; Time & Life Lobby, a 50's Gem, Awaits Recognition The New York Times. The publication of the book allowed for the methodology of teaching color in this way to be transported to all these different schools, across the country, across the world,” said Faruqee, who directed a 2016 film about Albers. “And it’s unusual in an art context to have that kind of template.” The MoMA online collection directory of Josef Albers’ works, including installation shots of recent exhibitions featuring his work.

Josef Albers and Heirs exhibit on view at The Elliott Museum in Florida" . Retrieved April 7, 2014.

50th Anniversary Edition

Elephant and Artsy have come together to present This Artwork Changed My Life, a creative collaboration that shares the stories of life-changing encounters with art. A new piece will be published every two weeks on both Elephant and Artsy . Together, our publications want to celebrate the personal and transformative power of art. First, it should be learned that one and the same color evokes innumerable readings. Instead of mechanically applying or merely implying laws and rules of color harmony, distinct color effects are produced-through recognition of the interaction of color-by making, for instance, two very different colors look alike, or nearly alike. THE RELATIVITY OF COLOR What I find most intriguing about Interaction of Color is Albers’ discussion of the practice of teaching art and design.

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