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As with the smaller EVO products, EVO 16 comes with the Smartgain feature, which automatically sets the gain with the touch of a button. “The added bonus with EVO 16, is that it can automatically set the gain for all 8 channels at once, ideal for drummers who have multiple mic inputs and synth players needing lots of line inputs,” explains Andy. “Smartgain has been designed to take the guesswork out of setting gain. Not only does it save time for the user, but it eliminates the hassle for those working on their own, which means users can spend less time figuring out the tech and more time recording.” If I were looking for this many inputs in an easy to use, high-quality interface on a budget, there’s quite a few options these days. And I would throw the EVO 16 right in amongst them to audition. I’m a big fan of Audient gear. I own a Gen 1 iD14 and I used to teach at a college that had both an ASP8024 and an ASP4816. They all work and sound great. Take that as a brand endorsement before we even start. The main reason to pause is that sometimes you’ll often find the Audient ID4 selling for only slightly more online. While I have few major complaints about the Eve 4’s raw sound quality, that step-up model has more highly regarded pre-amps. It’s not actually clear which part is meant to face upwards at first glance. The top pane holds that big volume dial, so when you put the Audient Evo 4 on a desk, the headphone and guitar inputs face you.
EVO by Audient Home
The market for budget, entry‑level interfaces is mostly made up of newcomers to recording. These customers, on the one hand, benefit from designs that present the easiest possible learning curve; but on the other, they’re also unburdened by preconceptions as to how an audio interface should work. Consequently, Audient have put a lot of work into the usability and ergonomics of the EVO series, and they’ve not been afraid to depart from established convention. The EVO 4 and EVO 8 look nothing like any other audio interface I’ve ever seen, and present a refreshingly minimal and friendly user interface. Another solution might be to utilise the EVO 16’s digital I/O. The unit features two pairs of optical connectors that let it handle up to an additional 16 channels of I/O, albeit via suitable preamps and/or converters. Each optical connector can be switched between ADAT or SPDIF formats, and so the actual number of digital ins and outs varies depending on how the interface is configured. Nevertheless, including the analogue I/O, maxing out at 24 channels of I/O at up to 48kHz and 16 channels at up to 96kHz is impressive for any audio interface, let alone one this affordable. Audient’s space-saving style does mean the volume knob has to take on a whole bunch of duties, though. It’s a free-turning dial with 19 white LEDs around its perimeter. Those LEDs might tell you the global volume level, the level of inputs 1 or 2, headphone output volume or the monitor mix for one of the inputs. Or act as a VU meter for your inputs, to show you when you might be getting close to clipping. British audio company, EVO by Audient is delighted to announce the launch of the latest product in its range, EVO 16. A 24 in / 24 out Audio Interface, this newest release features eight award-winning EVO Preamps, advanced converter technology as well as the ingenious Smartgain feature which can be used on all 8 channels simultaneously, and continues to deliver on the EVO promise to ‘make recording easy’. In its default state, EVO seems designed to present the simplest and least intimidating array of controls possible, presumably so as not to put off newcomers. Delve a little deeper, however, and you’ll find that it offers a surprisingly comprehensive level of control, including a number of features that are more typical of expensive ‘professional’ interfaces. I’ve already mentioned the ability to apply a level offset to the Alt Speaker mix, for level‑matched speaker switching. That and all the other possible function button settings are all available simultaneously from the right‑hand side of the EVO panel, and many are further configurable from the Settings window. A particularly great feature is that you can choose whether you want the mono fold‑down to be routed to the left, right, or both speakers — single‑speaker mono is incredibly useful, and I can’t think of many other interfaces that make it easily accessible at a single button press. Routing is as flexible as you’re ever likely to need it to be, and unless you wanted to use the EVO 16 to drive a surround speaker setup, I can’t imagine feeling limited by its capabilities.We test every amplifier we review thoroughly over an extended period of time. We use industry standard tests to compare features properly. We’ll always tell you what we find. We never, ever, accept money to review a product. The much touted Smartgain feature has not previously interested me on their smaller interfaces for a simple guitar or vocal, but on an 8-channel device, for setting multiple levels like with a drum kit or small ensemble, it makes more sense. I am yet to test it but I assume/hope it leaves enough headroom on super-fast HF sources like ride cymbals and tambourines. For musicians who don’t want to faff around doing boring tech stuff, this can get you sorted in seconds, and you always have the option to manually tweak anything if you choose. All that stuff shown on one set of LEDs has the potential to confuse, and some may prefer the dedicated dials of the Audient ID4. However, that’s not how I felt using the Evo 4. Once you get your head around a few basics, it’s always pretty obvious what the LEDs signify, making this interface seem uncluttered rather than confusing. Features This is a highly beginner-friendly interface, and Smartgain is the best example of why. It’s represented by the larger green button. All of EVO 4’s monitoring functions are controlled by a single control knob, including volume control, monitor mix, and monitor pan. They can also be adjusted from the EVO 4 Control app, letting you make adjustments on the fly.
Audient EVO 8 4-in 4-out Audio Interface - Andertons Music Co. Audient EVO 8 4-in 4-out Audio Interface - Andertons Music Co.
There is also room for expansion with plenty of optical inputs and outputs, making it possible to record anything from just drums to a full band. Ensuring the studio can grow with time, there are both ADAT and SPDIF options to add up to 16 extra channels of mic preamps.A new benchmark in audio interfaces has arrived: EVO. Created by renowned British audio brand Audient, EVO delivers a new level of user experience with one focus: to make recording easy. EVO launches at NAMM 2020 where visitors to the Audient booth #10102 can get their hands on the 2in / 2out audio interface EVO 4 – and find out more about EVO 8 which will be available soon after. Powered by Audient's lightning fast Smartgain algorithm, Smartgain uses advanced peak analysis to automatically analyse and set your gain to the perfect level in under 20 seconds! All you need to do is set up your mics, engage Smartgain and the EVO 16 will take it from there.Set the gain for all 8 Mic preamps with the touch of a button! Future-proof your Setup Combi XLR/line inputs As both of the primary inputs will take 6.35mm plugs or XLR cables, the EVO 4 is just as home with microphones as guitars
EVO 4 - Which Audio Interface is right for you? - Audient iD4 vs EVO 4 - Which Audio Interface is right for you? - Audient
Most of the EVO 16’s I/O is on the rear panel, along with the USB‑C port and mains IEC inlet. Digital By Design The core of the EVO range’s ease of use is Smartgain, a system that analyses the incoming signal and sets the ideal input gain for it. With the EVO 16, Smartgain can set the gain for all eight analogue inputs simultaneously, a massive time-saver especially if you’re a self-recording band or drummer. Just get connected, activate Smartgain, play for 20 seconds and you’re ready to record. Want to grow your studio business? Invest in Audient. – Audient on Audient keeps Lito’s Place on Top of Film Work However, it’s actually a lot less restrictive than some other models you might buy at the price. This is a 2in/2out interface, better than the capable but single-input Focusrite Scarlett Solo. These inputs can be mics, line ins, and there’s a dedicated “instrument” input, for greater flexibility than is offered by the recent Focusrite Vocaster line. And it’s more portable-friendly than the Audient ID4 Mark II. Featuring 8 award winning EVO preamps alongside Audient's advanced converter technology ensures your recordings sound the best they possibly can. Intelligent mic preamps set their own levels with Smartgain and make use of the new, ground-breaking Motion UI control system. Key FeaturesAudient started out as manufacturers of large‑ and medium‑format analogue mixing consoles, drawing on the immense experience of designer Dave Dearden. When they moved into making audio interfaces, one of the key selling points was their ability to apply this analogue design expertise in the new sector. Audient’s ID range thus combines ergonomic desktop form factors with mic preamps and other circuit designs closely related to those used in their flagship ASP consoles. The mixer settings can be stored in the hardware as a standalone setup. You can then use the EVO 16 as a multi-channel preamp, router and rudimentary mixer without connecting it to a computer, which is ideal for location filming work. Audient’s recently announced EVO 16 promises a glimpse of things to come for the interface market, but how well does it actually perform? See it and hear it as three Experts give their verdict… Evolving The Interface At first, it seems simplicity is the sole hook. The Audient Evo 4 is light on dials and knobs, is small, and has a neat feature that sets you levels automatically to avoid clipping – brilliant for beginners.
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