Blackmagic Design Pocket Cinema Camera 6K G2 Compact film camera 35 mm Black

Product Information

The 6K G2 produces stunning image quality, accurate skin tones and faithful colour reproduction. This is thanks to the same generation, 5 colour science that is featured in the URSA Mini Pro 12K. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better-looking images. Despite looking like a handheld camera, this is one that’s going to be most at home on a tripod, on a meaty gimbal or on a rig with other accessories like mics, storage and a monitor.

Blackmagic Pocket Cinema Camera | Blackmagic Design

Separately, if you’re looking for a camera with autofocus, you’d be better off with something like the Panasonic S5 II or S5 IIX, the Fujifilm X-H2, or X-H2S. ProRes at 4096x2160, 3840x2160 and 1920x1080 with film, extended video or video dynamic range or custom 3DLUT. The other big change is the addition of a second mini XLR port, which is something we personally have been wishing for as it allows for multiple camera placements (or stereo recording) without having to limit yourself to only using a 3.5mm mic if you want more than one audio source. The BMPCC 6K G2 does record internal gyroscope data that the Resolve editing suite can use for post-processing stabilization, but that comes with a caveat. Unlike modern autofocus systems, the BMPCC only focuses on the center of the frame, and there are no points to move around to select a subject elsewhere. The result is a system better used in manual focus, with autofocus only to help jump to a starting point.Shooting Resolutions: 6144 x 3456 (6K) up to 50 fps, 6144 x 2560 (6K 2.4:1) up to 60 fps, 5744 x 3024 (5.7K 17:9) up to 60 fps, 4096 x 2160 (4K DCI) up to 60 fps, 3840 x 2160 (Ultra HD) up to 60 fps, 3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps, 2868 x 1512 (2.8K 17:9) up to 120 fps, 1920 x 1080 (HD) up to 120 fps Automatically populated lens data from electronic Micro Four Thirds lenses. Automatic recording of camera settings and slate data such as project, scene number, take and specialnotes. Controls There is no hot or cold shoe built into the camera, which is a bit unfortunate as that’s a common rigging point for mics and external monitors (although the rear LCD is wonderfully large and mitigates the need for an external monitor in many cases). x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3840 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080 HD video standards: 1080p/23.98 / 1080p/24 / 1080p/25 / 1080p/29.97 / 1080p/30 / 1080p/50 / 1080p/59.94 / 1080p/60

Pocket Cinema Camera – Tech Specs | Blackmagic Design

Submit a valuation request and we'll provide guide prices with no delay. Plus, we'll collect your gear from your home or work for FREE. Two of the biggest differences still in place between the 6K G2 and the 6K Pro are that the BMPCC 6K Pro has built-in ND filters and a brighter display – both of which can be quite meaningful to those who do a lot of shooting outdoors. Of course, you can always add ND filters to your lenses or get a brighter external monitor if these are issues for you – but they’ll add additional cost and bulk to your kit.The Panasonic mentioned above S5 II also has a much less rolling shutter, which I found to be a major issue on the BMPCC 6K G2. Many hybrid cameras with full-frame sensors have less rolling shutter than this camera does. The 6K features built-in LUTs such as Extended Video, Film to Video, Film to REC.2020 and works with industry-standard 17 and 33-point 3D LUT files. The updates to the 6K G2 are pretty modest. At the core of the camera is the same 6,144×4,456 Super35 sensor and EF lens mount found on the original Cinema Camera 6K and the 6K Pro, but doesn’t bring the motorized ND filters found on the latter.”

Blackmagic Pocket Cinema Camera 6K G2 Review - PetaPixel

Automatically populated lens data from electronic EF, B4 and i/Technology compatible PL lenses. Automatic recording of camera settings and slate data such as project, scene number, take and specialnotes. Controls The URSA Mini Pro F Mount lets you use your favorite Nikon stills lenses with smooth high precision mechanical iris control. Nowyou can pair digital film quality with classic Nikon AF‑SG andAF‑D serieslenses. Clifton Cameras is a credit broker, not a lender and is authorised and regulated by the Financial Conduct Authority (FRN728300). We do not charge you for credit broking services. We will introduce you to Finance available from a number of our partner lenders.Iris wheel and touchscreen slider for manual aperture adjustments of electronically controllable lenses / Iris button for instant automatic aperture adjustments of compatible lenses Please complete the form below for a quote - Please be as accurate as possible to help us give an accurate quote. The camera also features an adjustable tilt 5” touchscreen LCD with 1500 nits of brightness, as well as a mini XLR audio input so that you can record with a professional microphone for the best audio possible.

Blackmagic Pocket Six things you need to know about the Blackmagic Pocket

x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatiblelenses. Computer Interface Every mirrorless camera on the market offers continual autofocus in video mode. While some systems are more successful than others at pulling off fast video focus, they all do surprisingly well, especially with human subjects. The BMPCC is still in the manual-focus-pull era of cinematography. A lot of video and cinema content is still created using manual focusing lenses, but having autofocus you rarely use is better than having none. Optional B4 lens mount with precision optics and spherical aberration correction specifically designed to match the camera’s sensor so you can use your existing B4 HD broadcastlenses. The ND filters in the 6K Pro are motorized, although not variable. That’s not uncommon, and the ND filters in the Sony FX series of cameras function similarly. But the fact they exist is really nice, as the mechanized ND filter makes on-the-fly adjustments easy and having the filter in the body means you can adjust incoming light for any lens mounted to the camera. Infamously, the Achilles heel of this camera series is poor battery life. The battery grip allows three batteries to be loaded which is a big help, although still not likely enough to get through a day of shooting. You are therefore faced with purchasing an ample supply of the petite standard batteries and chargers or adding something big and chunky like a battery base or v-mount solution.Battery operating time: approx. 60 min (recording of 6K RAW at 24 fps onto a CFast 2.0 card with 50% screen brightness)