Blade Runner [Blu-ray]

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Richtig: Indiana Jones und die verschlafene Schwarzhaarige, die nicht für Einhörner bremst, dürfen nicht im Cabrio in die untergehende Sonne surfen. but the part was eventually cut before shooting began), and both actress appear to recount their experiences. Casting director Mike Fenton also contributes a new introduction. As I said above, I think it's easily Harrison Ford's best role. I love him as Indiana Jones and Han Solo, like every other nerd out there. But there's just something in Blade Runner that puts him above those other films. The same can be said for Rutger Hauer. I've seen him do some interesting movies and others that were down right terrible. But here, the man shines so bright that he actually steals the show from every other actor in the film. The other roles played by Sean Young, Edward James Olmos, Daryl Hannah etc are all very fascinating. It's like we're seeing only just a glimpse of what could have been so much more. But that's a part of the appeal of this film. It's not all what it seems. That's not to say that 'The Final Cut' is not a landmark event. It most certainly is, if only because Scott's definitive vision at last closes the book on the film's epic twenty-five year saga. 'The Final Cut' finally corrects all of the messed-up details and other imperfections that have so bothered Scott (and many fans) over the years. It also allows him to tweak some of the editing and effects that he was unable to complete to his satisfaction at the time of the film's original 1982 theatrical release. (Forget that 1992 "Director's Cut," which Scott now admits was only marketing and not his approved version.) However, unlike many other extended or unexpurgated versions of films that routinely hit disc these days, 'The Final Cut' of Blade Runner' does not incorporate any substantial new footage (there are not, in fact, any new scenes inserted), so aside from the surface changes, there is really nothing "undiscovered" to be discovered here at all.

Scott found time in mid-2000 to help put together a final and definitive version of the film with restoration producer Charles de Lauzirika, which was only partially completed in mid-2001 before legal and financial issues forced a halt to the work. [21] Note that "Dangerous Days" features Dolby 2.0 Stereo audio, and subtitle options in English, French and Spanish. The same is true of all of the video-based extras on the rest of the set.) I have seen the original Ridley Scott film many times. As a stand-alone film, the sequel is reasonably entertaining. As a sequel, however, it is entirely predictable. So schreibt der Falschaccount ("Fake") MM2k11 stolz: "Diese Box ist der absolute Nepp" - und beweist damit vor allem eines: wer etwas kauft, was ihm nicht zusagt, ist der absolute Depp. Noch schwachsinniger sind Leute, die sich heute noch von einem solchen Film eine DVD kaufen. Aber absolut hirnfrei ist das, was manche über den Film selbst schreiben... Tyrell Corp. after the death of its founder (and a few other unfortunate incidents), replicants have

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There also exists the San Diego Sneak Preview Cut, which was only shown once at a preview screening and the US Broadcast Cut, which was edited for television broadcast. In the 2007 documentary Dangerous Days: The Making of Blade Runner, there is a reference to director Ridley Scott presenting an eighth version, a nearly four-hour-long "early cut", that was shown only to studio personnel. The following is a timeline of these various versions.

Runner 2007 edition, i.e., three separate commentaries and an introduction to the Final Cut (in 1080p) This last disc includes the "Workprint Version" of the film previously only seen on bootlegs. As previously mentioned, the quality isn't up to par with the restored versions of the film, but it is in HD, and it's certainly a great supplement. As if that wasn't enough, Warner has also produced some bonus features specifically

Kaplan, Fred (September 30, 2007). "A Cult Classic, Restored Again". New York Times . Retrieved January 21, 2008. The 1982 US theatrical version released by the studio included the "happy ending" as well as the addition of Harrison Ford's voiceover. [1] even if its individual changes are minor in the grand scheme of things. ('The Final Cut' runs 117 minutes, only one more than the original 1982 domestic cut.) It looks and sounds fantastic, and the minor editing and cosmetic tweaks finally eradicate any lingering memory of the dreadful narration and happy ending. The unicorn scene is also better integrated, and the digital tweaks (including the Zhora scene) never stand out as unnecessary or obnoxious additions, a la the "Greedo shoots first" nonsense that George Lucas foisted on 'Star Wars' fans. Even though nothing in 'The Final Cut' is radically different in terms of context and theme versus the now-disowned "Director's Cut," it is nevertheless the version of the film to see. It's a film that Fabrication (Sign of the times: Graphic Design, Fashion Forward: Wardrobe and Styling, Screen Tests: Racheal and Pris, The light that burns: Remembering Jordan Cronenweth, Deleted and Alternate Scenes) The film's narration was captioned as an internal monologue in the 1982 comic adaptation written by Archie Goodwin and published by Marvel Comics. [10] International theatrical release (1982) [ edit ]