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Posted 20 hours ago

Art Pro Audio P16 - XLR Balanced Patch Bay

£59.995£119.99Clearance
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The DBX PB-48 is a 48-point patch bay that offers half-normalled and de-normalled operation. It has a simple and straightforward design, this budget-priced patch bay is reminiscent of classic DBX pieces that have been studio mainstays for years. However, although the generally acceptable performance places it in the category of other patch bays costing many times as much, some corners have obviously been cut in the design and construction of the PB-48, as we will explain below. Specs and useful features Most modern patchbays use tiny telephone (TT), or bantam connectors on the front. Although, some patchbays use 1/4” TRS or even XLR connectors. The rear typically uses DB-25 connectors to save space, but some units use 1/4” TRS or XLR. Even in today’s computer‑based studios, a patchbay can change your life. We help you choose the right one.

ART TPatch’s is the perfect compact patchbay for home studios. Rugged and simple, its straightforward design can even be used as additional inputs or outputs.When choosing a patch bay, the most important consideration is the number of inputs and outputs available. Even if you only have a handful of equipment that you want to patch in, it’s a good idea to invest in a patch bay that has more I/O than you need right now. Sometimes spelled “ patch bay” or “patch panel ,” (Wiki links) it’s an electronic device that allows you to rout incoming audio signals to any one of several physical outputs. The ART P48 is a TRS-equipped 48-point balanced patchbay that’s been said to have reliable performance in a rugged steel chassis. Switchable between normal and half-normal modes, it does away with the “thru” setting found on most other units. Nevertheless, the P48’s combination of flexibility, performance, and the trademark ART durability makes it a worthy contender in the affordably-priced patch bay category. Specs and useful features Nonetheless, some users might find the placement of the mode selection switches on the unit's rear inconvenient. It's difficult to toggle the switches once you've plugged in all your music production gear.

With its low noise and robust construction, S-patch Plus could very well be one of the best patch bays in this price range. Specs and useful features DB25 or DSUB—DB25 connectors look like the kind that connect to an old school desktop computer—because they are. Normalling comes in three different forms. Essentially, it controls how the patchbay reacts when a cable is plugged in. Full-Normal If you value looks as well as functionality, you will find the ART P48 a worthy addition to your studio. The switch that toggles between normal and half-normal settings is a definite plus, even without the inclusion of a “thru” setting. For instance, there’s no point in connecting every studio mic line output to every channel mic input. You could normal these connections, so the signal flows without having to make a patch.With so much of what we do today carried out ‘in the box’, the humble patchbay is growing rarer outside of professional studios. It’s understandable: many of us now don’t use mixing desks, we use a fraction of the outboard gear we once did, and audio interfaces can now offer enough connectivity that dedicating inputs and outputs to different hardware devices — so they can be accessed directly from your DAW — is possible for all of us. This patch bay offers simplicity. The push-button switches between normal and half-normal mode are situated on the rear, keeping them out of the way. Its design is durable and simple, and it performs well, making these characteristics its standout pros. The Behringer Ultrapatch Pro PX3000 is a straightforward device with a high-quality build. The three switchable modes also make it versatile. Some of the small but practical design choices such as the top-side switches endear this tool to many users. Typically, patchbays have 24 channels per unit. They handle both input and output for each channel, which makes 48 “points” or connections. TRS—1/4″ TRS patch bays are the type most commonly seen in home studios. TRS stands for tip ring sleeve.

Some users, however, found the activation of the de-normalling function a bit of an issue since users have to take it all apart to reverse the normalling route. Bottom-line And before someone writes in to ‘correct’ me, yes, I know it’s possible to patch mics on standard patchbays, and that there are countless examples of studios where that is done. But it is only a safe practice if phantom power is turned off at the time, or if other technical arrangements are made to isolate phantom power completely from the patchbay. The problems are that the latter is prohibitively expensive and potentially degrades the mic signal quality, while the former is a tragedy waiting to happen; sooner or later someone will inevitably forget to switch phantom off before patching. Full normalling, on the other hand, is only normally used in specific situations, such as when patching gear that’s particularly fussy about impedances.

That may sound confusing but most patchbays can be configured in either style, so you don’t worry if you’re not ready to decide upfront. How to use a patchbay

Signal passes from the outputs to the inputs, without the need for a cable. The signal is broken when a cable is plugged into either the top or bottom row. Half-Normal Neutrik’s NYS-SPP-L1 is an affordably-priced “modular patch panel” with 48 points. Housed in a rugged metal chassis, it’s robust enough to hold up to live use, although its feature set suggests that its true potential lies in a studio setting. Like the company’s famous connectors found in audio equipment the world over, the NYS-SPP-L1 combines rugged reliability with the ease of use of a well thought out piece of equipment. Specs and useful features The Switchcraft StudioPatch 9625 is a versatile bantam patch bay. It is designed to integrate into both analog and digital patch bay environments. It is simple to use and adaptable for any recording environment.

But when used for audio, these connectors can carry up to 8 balanced signals each. They’re often used on TT patchbays to get the maximum number of connections in the smallest space. However, the open construction of the chassis casts some doubt as to whether or not this patch bay will be able to go the distance without breaking down. Concerns have also been raised with regard to the attachment of the circuit boards to the frame via a single plastic nut. For many users, this design seriously compromises the durability of the DBX PB-48. Bottom-line

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