Laura Poitras Collection [Blu-ray]

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In 2012, Poitras took an active part in the three-month exposition of Whitney Biennial exhibition of contemporary American art. [29] Government surveillance [ edit ]

‘All the Beauty and the Bloodshed’ Is So Much More Than a

Ellison, Sarah (January 14, 2021). "Laura Poitras says she's been fired by First Look Media over Reality Winner controversy. Now she's questioning the watchdog's integrity". The Washington Post . Retrieved January 15, 2021.Glenn Greenwald Reacts To Pulitzer Prize". The Huffington Post. April 20, 2014 . Retrieved October 22, 2014.

Laura Poitras on Nan Goldin and their film taking on the Laura Poitras on Nan Goldin and their film taking on the

Her most recent film, All the Beauty and the Bloodshed, premiered at the 2022 Venice Film Festival where it won the Golden Lion, only the second documentary to win the top prize in the festival’s history. The film was nominated for an Academy Award, won an Independent Spirit Award, and was named best documentary of the year by New York Film Critics Circle, Los Angeles Film Critics Association, and the National Society of Film Critics. For the exhibition, Poitras is creating an interrelated series of installations in the Whitney’s eighth-floor Hurst Family Galleries. The exhibition expands on her project to document post–9/11 America, engaging visitors in formats outside her non-fiction filmmaking. Instead she will create immersive environments that incorporate documentary footage, architectural interventions, primary documents, and narrative structures to invite visitors to interact with the material in strikingly intimate and direct ways. Her other films include Risk, Flag Wars, Project X, Death of a Prisoner, The Program, Triple-Chaser, and Terror Contagion. Change the plan you will roll onto at any time during your trial by visiting the “Settings & Account” section. What happens at the end of my trial?Poitras] treads new territory, presenting work that breaks away from the format of documentary filmmaking and moves into the realm of immersive art installations.” Poitras smartly includes President Obama condemning Snowden as unpatriotic and a danger to the American people, an argument going on even as you read this review. Curiously, the documentary makes no argument and goes easy on the suspense, making significant historical cinema but not gripping drama. It is this scene that led to Poitras and Assange’s falling out. She promised him she would show him the film when it was ready. And shortly before an early version of Risk premiered at Cannes, he did see it – and blew a gasket. “His lawyers demanded we took this scene out, and another one where he talks about the investigation and the women involved. We didn’t, and then he sent a text saying the film is a threat to his freedom and he is forced to treat it accordingly.” What right did he have to make that demand? “He had no right. He had no editorial control over the film.” Die Preisträger des deutschen Filmpreises 2015 (German)" (PDF). deutscher-filmpreis.de. Archived from the original (PDF) on June 20, 2015 . Retrieved June 20, 2015.