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FGVBC 16:9 Anti-light ALR Screen|Projector Screen for Ultra Short Throw Projector|Reflective Screen for 4K 1080P DLP/LED Projector (Size : 120 inch)

£9.9£99Clearance
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Using a projector even at night requires a pitch dark room so that no other source of light interferes with the light from the projector. For comparative purposes only. These ratios show how the screens responded to this particular ambient light condition with this particular projector. They may or may not match official screen specifications. Vertical Half Gain Angles

Moderate visible texture. The Draper TecVision MS1000X has some attractive advantages, but low visible texture is not one of them. Within this group of eleven products, it stands out as having more noticeable graininess than the others. I'm in no way sponsored by them or their products, but I have several samples from several different manufacturers at home, the french material performs way better than Stewart Filmscreens Phantom HALR for example, on pretty much every front, contrast, viewing angle, peak white, all very important factors when it comes to HDR, contrast probably being the most important, Xtrem Screen also has less surface texture out of the two, it's also 3-4 times cheaper depending on size. Ambient light has a hugely negative impact on the image quality of standard front projected displays, causing images to appear weak and washed out. If you are using a UST Projector without a UST Screen specially designed for UST projectors you will not enjoy the best image quality the projector has to offer (the same goes for using just a wall, which is usually even worse). Unlike most other screens, this screen works exceptionally well for the passive 3D projection of images. This is an added perk and a really important one for people who intend to use their ALR screen for watching 3D videos. So, if you are a moviegoer who is fond of 3D movies, and you are trying to bring the cinema home, the VIVIDSTORM 8K UHD is an excellent investment to make.The ALR (Ambient Light Rejecting) screen material gives a more room-friendly image than most projector screens. Designed for watching at any time of the day, the screen is anti-reflective and ambient light rejecting. This gives a crisper, more detailed image, even during brighter conditions. This gives you projector screen size, but the convenience of a TV. This electric floor rising screen is controlled wirelessly by remote control or via it’s USB wireless trigger which is inserted into the projector for an automatic switch when the projector is turned on. A free-standing projector screen is an ideal solution when wall or ceiling installations are impractical. This makes it perfect for commercial environments, large living and family rooms, and everything in between. In the first contrast test with side illumination only, it did not do quite as well, but it measured a very respectable 27:1 against a maximum of 36:1 and a minimum of 16:1. So overall, it is one of the stronger ALR screens as far as defeating ambient light from multiple directions is concerned. The screens in this review measured the following vertical half gain angles under the ambient light conditions used for the Contrast Test 1: Wireless trigger compatibility is not guaranteed for all projectors. In addition, the trigger is a gift, it is not covered by the screen’s manufacture warranty.

For comparative purposes only. These ratios show how the screens responded to this particular ambient light condition with this particular projector. They are not official screen specifications. Akia screens don’t need an introduction because of their durability and innovation. I am reviewing a floor-motorized tab-tension projector screen with a 4D ALR (Ambient Light Projection) feature. The MS1000X falls sort of middle of the road compared to the other ALR materials in this group. At 1.0 gain it is not the brightest of the group at center viewing position. And we measured its effective viewing angle in our ambient light environment at 64 degrees. That is about double what you get from the screen with the narrowest angle, but it does not have the advantage of maintaining brightness across a extremely wide viewing angle as the Da-Lite Parallax and DNP Supernova screens do.Throughout these tests we used an Epson Home Cinema 1440, a native 1080p projector designed for ambient light use. We set it to Bright Cinema mode so it was putting out 2800 ANSI lumens. The throw distance was 10 feet, and the image width was 80", so the throw distance ratio was 1.5x the screen width. This is the minimum throw distance required to get the best performance from an ALR screen. Projectors usually only provide a great picture in a darkened room but a specialised UST projector screen also enables great image quality in a lit room (and even better dark room performance too). With a 100 inch or more UST screen your friends will think you have a giant TV. The Zero Edge Slate also gave us the second narrowest viewing angle of the eleven, at 46 degrees. Only the Seymour's extremely tight 32 degree viewing angle was more restricted. This means that as you move away from the center viewing position the Slate will lose its luminance and uniformity fairly rapidly in comparison to most of its competitors. However, when viewed at center position it tied for first as the brightest image.

Considering that ALR screen materials’ quality does not vary significantly, the factors that truly affect an ALR screen price are usually size and brand.

Like the Parallax, the DNP Supernova offers a trade-off that some buyers will find attractive and others will not -- it gives you the benefits of a clean picture with zero texture artifacts and an extremely wide viewing angle, in exchange for lower contrast and saturation. The good news is that in relatively low ambient light environments, you may be able to offset the contrast and saturation limitations on these screens by using a high contrast projector, thereby ending up with the best overall solution for your particular needs.

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