The Word Is Murder: The bestselling mystery from the author of Magpie Murders – you've never read a crime novel quite like this

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A total joy. Anthony is a master entertainer, the genius twists and turns of his writing and plot keep me on the edge of my seat.' Rory Kinnear

The Word Is Murder: The bestselling mystery from the author

At first glance Alex Rider is a normal schoolboy who seems to be having a fairly straightforward uneventful upbringing. That is until one day as a teenager he finally realizes his true calling and that everything has been leading up to the moment where he’s to become a super-spy. After his uncle and adoptive parent, Ian Rider, mysteriously dies he’s led to discover more about what happened and the true nature of what he’s to become. Forced to attend a training program, he reluctantly goes to a special camp for spies where he learns more about what he’s to become. That’s when he realizes there’s more to things than initially meets the eye, as he discovers a plot set-up by the people he’s now entrusted with. Not knowing where to turn he has to decipher the clues left to him by his uncle and prevent a catastrophe from taking place. Will Alex be able to save the day and those around him, whilst saving himself in the process staying out of harm’s way? Can he become what he was always destined to be and fully realize his true potential as a secret-agent for the government? What will become of Alex Rider in his first mission as he goes head-to-head with none other than the ‘Stormbreaker’? Raven’s Gate Although still a work of fiction, “The Word Is Murder” is written in first person, and the narrator is Horowitz himself. He stays true to the facts about himself, detailing his work as a creator on the show “Foyle’s War” and his successful “Alex Rider” children’s book series. Horowitz takes the first person to the next level, explaining throughout the narration how he decided what details from this “real life” investigation to include and exclude in the novel while discussing how certain aspects of writing this story gave him difficulty like starting the writing process before even knowing if the detective, Hawthorne, would ever be able to solve the case. This adds another mystery to the novel: How much of what is written is real and how much is fake? The facts of Horowitz’s life are true, but the famous actor Damian Cowper, whose mother is murdered in the first chapter of the novel, is fictional. Yet again, Horowitz has stuffed one mystery inside another. It’s been two years since Injustice aired and Detective Daniel Hawthorne needs cash. Having gotten himself fired from his job at the Metropolitan police, Hawthorne decides to approach Anthony Horowitz. He’s investigating a bizarre and complex murder and he wants Anthony to write a book about it, a bestselling book of course, with a 50/50 split. Such an interactive narrator is helpful at times in the mystery, as Horowitz gives vague clues that hint at the novel’s twist. For instance, Horowitz writes, “As for Chapter One, forget the bell and the Mont Blanc pen…[b]ut be assured that the rest of it, including a clue which would indicate, quite clearly, the identity of the killer, is spot on.” It is this narration that allows “The Word Is Murder” to be more than the average detective novel. What’s more, the detective in question does not fall into the usual character trope, although he possesses the uncanny ability to derive information from the simplest clues much like most detectives in such novels. Hawthorne is ex-police (due to a mysterious, years old incident that got him fired) and he is wholly unlikeable and a raging homophobe. Beyond these basic facts, Horowitz seems to know little else about Hawthorne, making the detective of the story a bit of a mystery himself. A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be welcome to return and tie up the gaping loose end Box leaves. The unrelenting cold makes this the perfect beach read.Anthony, the narrator (a fictionalized version of the author), is approached by ex-Detective Inspector Hawthorne, with whom he worked on a television series. Hawthorne, who is in need of money, proposes that Anthony write a book about him and one of the cases he is working on in exchange for a 50/50 split of the advance and royalties. The case involves a woman who, six hours after planning her own funeral, is found murdered. Initially reluctant, Anthony agrees and proceeds to document Hawthorne’s solution of the case. A perfect detective novel in a unique style complete with an excellent twist!" ( Life Has a Funny Way of Sneaking Up On You) Drawn in against his will, Horowitz soon finds himself a the center of a story he cannot control. Hawthorne is brusque, temperamental and annoying but even so his latest case with its many twists and turns proves irresistible. The writer and the detective form an unusual partnership. At the same time, it soon becomes clear that Hawthorne is hiding some dark secrets of his own.

THE WORD IS MURDER | Kirkus Reviews THE WORD IS MURDER | Kirkus Reviews

The next morning she is found dead, stabbed in the heart with an ornamental dagger that has only one set of finger prints on it. Anthony's. Robin Of Sherwood: Sanctuary (By: Michael Praed,Paul Birch,Richard Carpenter,Barnaby Eaton-Jones,Andy Secombe,Nikolas Grace) On its face, this blend of details about Horowitz’s life, work, and personality, with the creation of the fictional detective and murder is at risk of being unbearably self-centred. It’s a pleasant surprise that it is not. Horowitz does mention points of his career and projects that he has worked on as a means of entry to some parts of the story (and occasionally anecdotally), but it comes in the form of interesting tidbits, rather than bragging. There’s even a scene including a few famous directors that is quite hilarious. Café Mortel, an opportunity to discuss one’s mortality over tea and cake. ― Anthony Horowitz, The Word Is Murder Clash of Reality and Fiction in The Word is MurderDuring the 1980’s Anthony Horowitz started creating work for film as well as television, as he begun to expand upon his output. Writing for children’s shows such as ‘Dramarama’ and ‘Robin of Sherwood’ he started to create a name for himself within the field. It was then later on that he wrote the screenplay for the 2006 film ‘Stormbreaker’, whilst he’s also set to write the new Tintin film coming out too. Winning a number of awards throughout the years, Horowitz is not without his fair share of critical acclaim either. Expanding upon the mediums and formats he writes within, such as comic-books as well, this looks set to continue in the years to come. Creating more work all the time, his appeal is growing both critically as well as commercially, as he gains more success.

The Word Is Murder - Penguin Books UK

The latest book in the Lincoln Lawyer series comes out this month. This will be the 7th book in that series, and the 41st book in the Bosch Universe. Harry Bosch also plays a big part in this book.The distinction between fiction and non-fiction, I’d like to believe, is clear enough where I don’t need to explain it. When we read fictional novels, we do so to distance ourselves from reality, to entertain ourselves with hypothetical scenarios which happen to people who aren’t real. However, we can never help but imagine how we ourselves would fare in those stories, and Anthony Horowitz set out to find out just this in The Word is Murder, the first novel in the Detective Hawthorne Series. While I can’t pretend to know the author or what he is like, there’s a feeling of him trying to explore his own inner world by laying it all out on paper, and ultimately for the reader, this ends up making for quite a few interesting interactions between the two, some amusing, others thought-provoking. In the end, I think few can mix reality and fiction in as appealing a manner as Horowitz did here. One of the most entertaining mysteries of the year. It’s also one of the most stimulating, as it ponders such questions as: Which is of greater interest to the reader, the crime or the detective? And: Is the pencil truly mightier than the butcher knife?” — Wall Street Journal He doesn’t just plop himself down in the middle of it, but rather establishes himself and even a certain past he already had with Hawthorne. This goes a real long way in helping us forget who Horowitz is in reality and to simply accept him as the Watson of this duo. The twists, despite being numerous, are still spaced out well enough to give you some time to reflect and absorb what you’ve been reading. It might not be the most original or groundbreaking mystery I’ve ever read, but I would certainly classify highly among its kind. There is an additional mystery which, if I understand correctly, will be eventually developed upon over the course of the series: the darkness within Hawthorne himself.