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Posted 20 hours ago

Batman: Reptilian

£9.9£99Clearance
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His style, unfortunately, is an acquired taste, at times painting (yes, the whole story is painted) some depressingly gorgeous panels, but at other times portraying characters in odd and absurd designs or with comical expressions that seem incredibly out of place.

Ennis' first work on an American comic came in 1991 when he took over DC Comics's horror title Hellblazer, which he wrote until 1994, and for which he currently holds the title for most issues written. If you don’t take Batman or your capeshit stories in general too seriously, you’ll probably like this, and if you are just a Garth Ennis fan or his take on capeshit like I am, you’ll probably love this. There's a crime wave in Gotham, and several of the city's most notorious criminals have been turning up.

Batman samozřejmě je tímto ihned uhranut a snaží se to vyřešit, jen nečeká do čeho se to vlastně nachomítne. His attitude towards criminals comes off the same as a rich person who is inconvenienced by someone less fortunate. Ennis and Sharp have to work together again eventually because this has just about everything I love in my comics. Needs Batman to cut off the excess of skin left after giving birth, as Batman makes a fat joke at the expense of his current situation. Killer Croc's child may count too— its victims, though horribly injured, survive its attacks, because it loses interest and doesn't finish the job.

It isn't his normal straight pencils and inks it looks digitally painted, with inspiration possibly from Sienkiewicz, McKean and even Powell. Ennis, mostly doing this as a favor to get a friend back into the swing of things after he had been sick, just forgot about the script. Instead of largely comical tone of these issues, he decided to make a much more serious series, re-launched under Marvel's MAX imprint. Including The Phantasm, who at the time of publication had recently turned into a Canon Immigrant in the comics.Loved this even more on reread, and I can totally see myself coming back to this book a bunch of times in the future. He combines a bold, graphic style that uses heavy black silhouettes with an obsessive attention to detail that really suits the mania of the story. It's intriguing and has it's own style but it is visually very dark, to where you can't always make out what is happening in the panel.

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