Ariadne: The Mesmerising Sunday Times Bestselling Retelling of Ancient Greek Myth

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Though the ending fell extremely flat to me and was ultimately disappointing, the writing itself wasn’t completely terrible, (it certainly wasn’t great, and to compare this book to Madeline Miller is hubris and punishable by the gods) and the first half as it followed the myth was alright. Ariadne’s viewpoints of how unfair it is that gods always target women for the acts of men are really the only thing that would be considered “feminist.” So that saves this book from having a one star rating, but it’s still a 1.5, and because it has been my most disappointing read of the year, and still inspires rage whenever I think about this book, I’m rounding it down to one star, as it deserves. In a world where women are nothing more than the pawns of powerful men, will Ariadne’s decision to risk everything for love ensure her happy ending? Or will she find herself sacrificed for her lover’s ambition? I had thought he brought salvation with him. Instead he had traded my existing bondage for another.I just cannot pass up a Greek mythology retelling, and the story of Ariadne is an undeniably fascinating one. Growing up in Crete as the daughter of King Minos, she sees how her mother suffers at the hands of the gods as retribution for their anger towards the king. Ariadne vows to never be a pawn for the gods or for mortal men. When she is faced with the terrible atrocities happening under King Minos, will she have the courage to do the right thing and finally accept her destiny? Three woman who join together to rent a large space along the beach in Los Angeles for their stores—a gift shop, a bakery, and a bookstore—become fast friends as they each experience the highs, and lows, of love. Ariadne makes one affirmative decision to help Theseus at the start of the story and then is just blown in the wind for the rest of the book. Even when she does stand up to others it amounts to nothing more than her own crippling self-doubt. Now it's true that Saint must follow quite closely the original source material but the internal life of Ariadne is all her own and that is unfortunately the weakest part of the story.

The atmosphere of the book was beautiful and I'll give it some extra points because even though it had all the rights to be a heavy one, it wasn't. Everything felt natural, very Greek if you want, and the story fell nicely into a fluid pace. When Theseus, Prince of Athens, arrives in Crete as a sacrifice to the beast, Ariadne falls in love with him. But helping Theseus kill the monster means betraying her family and country, and Ariadne knows only too well that in a world ruled by mercurial gods - drawing their attention can cost you everything. I absolutely adored this book and am encouraging everyone I know to buy a copy.’⭐⭐⭐⭐⭐ READER REVIEW One year Theseus, Prince of Athens, offers himself as a sacrifice to the beast and Ariadne is instantly infatuated with him. She decides to help Theseus kill the Minotaur, betraying her family and country. This monster, also known as the Minotaur, demands blood and every year 14 innocent young men and women from Athens are given as a sacrifice. Despite being horrified by the brutality and loss of life, Ariadne does nothing.

Media Reviews

Jennifer Saint’s beautiful debut is the reimagining of the Greek mythological story of Ariadne, Princess of Crete, daughter of King Minos and his queen Pasiphae. As a young girl, she is fond of dance, loves her younger sister Phaedra and even helps to take care of her brother Asterion (the Minotaur) when he was a baby, but unable to bear his bestiality as he grows. She grows up listening to her nursemaid’s stories about the gods, goddesses and mortal heroes whose lives have become legends. She is particularly moved by the story of Perseus and Medusa and the story behind how Medusa became a Gorgon. She is witness to her mother’s suffering brought upon by the birth of the Minotaur conceived as an act of revenge exacted by the gods against her father. She ponders over her own fate in a world where gods and men rule and women have no say in the decisions crucial to their lives and are but pawns in the hands of the men who control their fate. The author did a great job of introducing other tales within the main story. We learn about how Medusa became a monster and what drove Icarus to fly too close to the sun. I really enjoyed the opening chapters about the Minotaur and how he came to be the monstrous beast he was known to be. Ariadne throws herself into domestic life on Naxos and seems to love being a mother to her sons, while Phaedra has a much more difficult time with childbirth and raising her children. Discuss the different experiences of motherhood we see in the novel, including Pasiphae's relationship with her children. I also felt that Hera's presence in the novel was in some ways a missed opportunity. She's always there as Araidne's enemy by proxy but we never really explore how the white-armed goddess (not the greatest of epithets) of marriage and birth, the protector of women, and the queen of all gods could have it in for these poor women, exploited by her King of the Gods husband, her Olympian brothers and their children. Instead as Ariadne points out.

As a lover of Greek Mythology, I thought Ariadne was such a compelling story that lives up to all the expectations of Greek tragedy but also delivers a story of hope, optimism and determination as it follows the story and intriguing lives, loves and losses of Ariadne the daughter of King Minos, her sister Phaedra, Theseus a prince of Athens and Dionysus, the god of wine.In following Ariadne, Saint can both build a narrative that can rival any modern novel and play with the different versions of myths and how each telling is always an interpretation, which must decide which characters are to be celebrated and which are to be demoted to insignificance, or blamed for their own fates. Alexiou, Stylianos (1969). Minoan Civilization. Translated by Ridley, Cressida (6th reviseded.). Heraklion, Greece . Retrieved May 8, 2020. {{ cite book}}: CS1 maint: location missing publisher ( link) Landon, Letitia Elizabeth (1838). "poem". The New Monthly Magazine, 1838, Volume 52. Henry Colburn. p.79. Kerenyi, Karl. Dionysos: Archetypal Image of Indestructible Life, part I.iii "The Cretan core of the Dionysos myth" Princeton: Princeton University Press, 1976. It was good to see the other sides of Dionysus as well. I liked both Phaedra’s and Ariadne’s point of views.