Good Behaviour (New York Review Books Classics)

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In her teenage years she spent much of her time in the Perry household in Woodruff, County Tipperary. Here she befriended the two children of the house, Sylvia and John Perry. She later collaborated with John in writing a number of plays. Among them was Spring Meeting, directed by John Gielgud in 1938, and one of the hits of the West End that year. She and Gielgud became lifelong friends. [2] Career [ edit ] Virtually uneducated, and by her own account ignored at home, as a young woman Molly effectively found herself a second family with the Perrys of County Tipperary. Their son, John Perry, was subsequently to co-author with her four plays that ran in the West End, with varying success, for over a decade. At the Perrys’, Molly met Bobby Keane, four years her junior and with whom she lived, unconventionally, for five years before they married. Her husband’s premature death in 1946 left her a penurious mother of two. It is widely believed that she fell silent for the following thirty years. In fact, Loving without Tears was published in 1951 and offers a full flavour of Molly Keane. So there is sex, murder, suicide, pregnancy, masturbation, nannies, class, queer characters and much more. But nothing is directly named. The satire is sharp as is the dissection of emotional relationships: A person who refuses to face reality and face life does not just make himself unhappy. It also puts people around it in suffering. Either we, out of love, feel obliged to help her manage her life, or the way she manages her life has a negative impact on those around her. Molly Keane’s literary career followed an unusual trajectory. She was born, in County Kildare, into a prelapsarian, Anglo-Irish idyll in which beautiful houses and riding to hounds through the bogs of southern Ireland featured large. She recalled ‘a society in which I wanted to get on jolly well. I know that sounds awful but it wasn’t a snob thing at all. To belong to and be accepted in such a society mattered greatly in one’s life.’ At 17, she wrote her first novel, The Knight of Cheerful Countenance (1921), published by Mills & Boon, to supplement her insufficient dress allowance.

There is a family likeness (though she is never slavishly imitative) between Phipps’s writing and her mother’s. Keane’s writing was sensual and Phipps’s is too: she gives us the texture of the past. She describes Molly as “a child of nature and of the drawing room”, and revisits the rooms that now survive only in her mother’s novels, where “sun still bleaches a hall table and silk curtains rot slowly in the windows, or a master cook lifts a perfectly risen soufflé from her sulky kitchen range”. Good Behaviour takes us to familiar Molly Keane territory – among the impoverished Anglo-Irish aristocracy of the 1920’s and 30’s. However the story starts many years later – as our narrator Aroon St. Charles is making lunch for her difficult, ageing mother, watched over by their cook/housekeeper Rose – with whom Aroon does not get on well. I won’t say too much – although it is only the opening, short chapter, but it is a brilliant opening. We feel acutely the years of resentment of a disappointed life. But Keane could also be wounding. An unnamed friend remembers “darts thrown with extraordinary lethal accuracy like the banderoles of a skilled picador”. And Phipps does not omit the darts aimed in her direction: her mother need not have worried that she would be too nice – this biography is animated by kindness, but never at the expense of truth.She must have noticed my bosoms, swinging like jelly bags, bouncing from side to side; without words she conveyed the impression of what she had seen as unseemly- the Fat Lady in the peepshow. Setting is described incredibly well, without laying on excessive detail. My favorite was the night Aroon met a funeral guest at the station. In true farce style, Aroon never actually got to attend the funeral. Interestingly, she does mention that manor's Anglican chapel is only used for christenings, weddings and funerals; no call for services. Kierstead, Mary D. (13 October 1986). "Profiles: A great old breakerawayer". The New Yorker. Vol.62, no.34. pp.97–112. This novel at its heart has conflict between mother and daughter and starts with murder by rabbit mousse! It concerns the St Charles family and particularly the daughter Aroon. This is the 1920s and Aroon is tall, clumsy and by societal norms unlovely. It is narrated by Aroon and has one reviewer has said: I stood about, smiling, compressed, submerged in politeness; aching in my isolation; longing to be alone; to be away; to be tomorrow's person

Diana Athill: Bad Behaviour is so clever, it’s mind-blowing…There are moments when the reader pauses to congratulate him or herself for being astute enough to twig what is really going on…It is as though we are seeing events unfold which we can then interpret for ourselves, and the effect of this is much more poignant than explication would be. Athill, Diana (21 January 2017). "Diana Athill on Molly Keane: 'I admired many authors. But Molly, I loved' ". The Guardian. London . Retrieved 2 February 2023.

Impossible not to feel sympathy at moments like this for a girl who has only wanted ever to love and to be loved but whose soul has been suppressed through neglect and a lifetime of required good behaviour. Is she really that limited in understanding that she doesn’t see her mother’s behaviour for what it is: cruelty. It’s hard not to feel sympathy for this girl whose life has been blighted and who seems not to understand how this has happened. I have read and re-read Molly Keane more, I think, than any other writer. Nobody else can touch her as a satirist, tragedian, and dissector of human behaviour. I love all her books, but Good Behaviour and Loving and Giving are the ones I return to most. Reviewers were generally appreciative of Keane's novels. Her mix of comic wit and poetic sensibility was called delightful. Some reviewers recoiled at the "indecent" subject of Devoted Ladies, which was a lesbian relationship between Jessica and Jane. Homosexuality was also a topic in Good Behaviour.