Kodak Portra 400 35m 36exp Film Professional 5 Pack

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Aside from the T-grain one, I have no idea what those things are and will definitely forget them once I’ve finished writing this. The bottom line here is that Portra 400 is a fantastic film and one that’s great for seasoned shooters as well as newcomers to analogue photography. I’m a huge fan of average metering and use a small mirrorless camera as a light meter and exposure preview. To check exposure I have done a test shot on the digital camera and it’s obvious that a single exposure has no chance of handling the bright neon lights when the building is a middle tone, but Portra does this with ease.

The Fujicolor 200 described in this article (the one made in Japan) cannot be bought in retail anymore. All I am saying is, as you have done, to experiment and find what works best for you with the equipment and film you use. You might think a film designed for shooting portraits and weddings and the like would be a bit sterile for street photography. I’m not going to say any of the above films are better than the others because it’s all down to personal taste and how you like the representation of the specific scenes you shot with each. non-art) did a great job here when blending the ambient light and the daylight output of the flash being bounced off of a ceiling.

Chris's editorial work includes not only editing and scheduling articles but also writing them himself. It is a part of the Kodak Portra range of professional quality, daylight-balanced, colour-negative films.

With work focusing on fashion, portrait and lifestyle content creation, he has developed a range of skills covering everything from editorial shoots to social media videos. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. The only issue I ever have is the pro lab who always like to warn me pushing 3 stops doesnt “create for optimal results” (bloody Germans!In that same tradition, the new Portra 400 Film is the ideal choice for portrait and fashion photography, as well as for nature, travel and outdoor photography, where the action is fast or the lighting can’t be controlled. So far as the advice claimed, if you have high-speed film that’s more likely to be negatively affected by. It’s important to still make the image look like it was taken at night, so remember that shadows and unlit parts of the frame should still appear properly dark.