Lament of the Dead: Psychology After Jung's Red Book

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Claus Westermann, Praise and Lament in the Psalms. Westminster: John Knox Press, 1981. ISBN 0-8042-1792-0.

Why would a "Terror Knight" need "INT" you ask? It has one offensive oriented spell and that's "Drain Heart". This is almost the main reason why this class can solo pretty well. Stealing "HP" from the enemy while healing your own self is BOSS! You want to make this ability as powerful as you can get it. So beef up "Augment Darkness", max that "INT" stat, grab "Spellcraft II", and you should be sitting pretty. Austin, Linda M. (December 1998). "The Lament and the Rhetoric of the Sublime". Nineteenth-Century Literature. 53 (3): 279–306. doi: 10.2307/2903041. JSTOR 2903041, traces the literary rhetoric evoking a voice crying. Gail Holst-Warhaft, Dangerous Voices: Women's Laments and Greek Literature. London: Routledge, 1992. ISBN 0-415-12165-5. You can Chariot Tarot around trying to get it to trigger, though you might need to make the last of your characters that had a turn do something else to change the outcome of the next character.In many oral traditions, both early and modern, the lament has been a genre usually performed by women: [4] Batya Weinbaum made a case for the spontaneous lament of women chanters in the creation of the oral tradition that resulted in the Iliad [5] The material of lament, the "sound of trauma" is as much an element in the Book of Job as in the genre of pastoral elegy, such as Shelley's "Adonais" or Matthew Arnold's "Thyrsis". [6] For other uses, see Lament (disambiguation) and Lamentation (disambiguation). Jan Kochanowski with dead daughter in painting inspired by the poet's Laments Batya Weinbaum, "Lament Ritual Transformed into Literature: Positing Women's Prayer as Cornerstone in Western Classical Literature" Journal of American Folklore 114 No. 451 (Winter 2001:20–39). In modernity, discourses about melancholia and trauma take the functional place ritual laments hold in premodern societies. This entails a shift from a focus on community and convention to individuality and authenticity. [13] Scottish laments [ edit ]

Alexiou 1974; Angela Bourke, "More in anger than in sorrow: Irish women's lament poetry", in Joan Newlon Radnor, ed., Feminist Messages: Coding in Women's Folk Culture (Urbana: Illinois University Press) 1993:160–182.Piotr Michalowski, trans., Lamentation over the Destruction of Sumer and Ur (Winona Lake, Ind.: Eisenbrauns, 1989), 39–62; cited in Nancy Lee, Lyrics of Lament: From Tragedy to Transformation (Minneapolis: Augsburg Fortress, 2009) Andrea Fishman, "Thrênoi to Moirológia: Female Voices of Solitude, Resistance, and Solidarity" Oral Tradition, 23/2 (2008): 267–295 The purely instrumental lament is a common form in piobaireachd music for the Scottish bagpipes. "MacCrimmon's Lament" dates to the Jacobite uprising of 1745. The tune is held to have been written by Donald Ban MacCrimmon, piper to the MacLeods of Dunvegan, who supported the Hanoverians. It is said that Donald Ban, who was killed at Moy in 1746, had an intimation that he would not return. [ clarification needed] [14]