The Magic Box: Poems For Children

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The Poem “Sea in the Trees” describes an old man sitting in the shade of a large ash tree, dreaming of the sea. I enjoyed reading this poem because of its strong connection to nature making it very soothing and relaxing. There are some good uses of rhyme with ‘made’ and ‘shade’, and ‘tree’ and ‘sea’. The poem very cleverly links the tree to the sea, harbor and a ship through various literary devices such as imagery and personification. This poem is suitable for KS2, not so much KS1. Children could be asked try and identify any literary devices, they can perform the poem themselves or make their own poem based on the main theme from Wright’s poem. Rhyming words can be analyzed, words that may be unknown could be explored. Children can review the poem saying why they liked it or not. The meaning of the poem: what the poet is trying to do, can be explored. I have also provided a simple comprehension task which can be used to aid comprehension of the model poem if required. There are many opportunities for incidental learning e.g. grammar and word choice particularly adjectives, powerful verbs, similes and alliteration. Other witty examples included: It’s Spring, It’s Spring and It’s Winter, It’s Winter, these poems are a bit different than what you expect and would be an excellent fun poem to present in class and get the children to figure out what has gone wrong. I have provided opportunities for children to work with their talking partners to support their composition.

This book has a vast collection of poems, in a variety of shapes, sizes and styles, rhyming and non-rhyming suitable for different age groups. The book would be an excellent addition to support the subjects across the National Curriculum, particularly to stimulate the children’s imagination and also boost literacy and children’s comprehension of abstract words and settings. Kit’s other poem ‘Watch Your French’ is very amusing and I am sure children would love it. The structure of the poem is clever starting with the narrator’s mother pouring fat on her foot and the using direct speech saying what she didn’t say in quite a sarcastic manner. Children could explore using speech marks in their poem and look at the position of the author and how that impacts the poem. Children could think of similar incidents and attempt to make their own poems with humor. This poem could be used for KS1 and early KS2 as the language is less complicated. The poem could be read as a whole class focusing on syllables or expression. A great poem to read aloud and perfect for children to use as a starting point for their own poetry. The fate of the Supermarket Market Manager; I thought this was a fun description of an overly generous Shop Manager that ends up getting fired because of his good nature, it encompasses very good examples of rhyming prose for students learning the nature of poems. Following this you could get students to write a poem about their own quirky character in a similar style to this example. My favourite poem was “The Magic Box” the book is named after. This is a imaginative abstract that describes a variety of beautiful, strange and wonderful things the narrator would put into their magic box. This would be a very effective at stimulating pupils’ imagination, and would be a good compliment to an English or Art lesson as you could get the children to describe what they would put in their magic box or get them to draw a picture of the magic box and all the wonderful things that were inside.It leads the learners through each verse and encourages them to appreciate the rich language of the poet. A web link is provided for learners to see and hear the original poet perform the poem.

Kit uses rhythm and rhyme as well as assonance and alliteration to create poems that sound pleasing to the ear. Some use repetition and refrain and sound almost like a song. Some are quite twisting for the tongue! You can put anything in the box – a snowman, dragon’s fire, even the first smile of a baby. The box can be made of anything you want – stars, secrets, or dinosaur toes. In the box, you can do anything – even surf! – no matter how strange or impossible it might seem. Kit Wright (b.1944) is an award-winning English author, who writes for both children and adults. Following a scholarship to Oxford, Wright became a lecturer in Canada, before returning the England to work as a full-time writer with a position in the Poetry Society. Prior to writing The Magic Box he had already won many awards, including the Faber Memorial Prize (1978), the Arts Council Writers Award (1985), the Heinemann Award (1990) and the Hawthornden Prize (1991). Presentation B provides an opportunity to concentrate on the final 3 verses of the model poem - the ‘impossible things’ verse, what their box is made of and where they will travel in their box.Wright’s reading voice is an example of what “well-spoken” refers to. He is clearly aware of the assumptions this can lead to, teasing himself for it in ‘How the Wild South-East Was Lost’, which he introduces as an attempt “to describe my upbringing as though it had been other than soft.” Other introductions include explanations of references, inspirations, and allusions to other poems – or songs. One of the high points, ‘The Orbison Consolations’, suggests to the singer of ‘Only the Lonely’ that he should restrain his hyperbole, giving a list of other types of people who, right up to “lastly the ghastly / Know the way you feel tonight.”

The Magic Box is Wright’s best-known poem for children. It is often read in schools, and Wright himself often does readings of the poem. His poems for children are much beloved, by turns comic, silly, sad, and magical.Kit Wright (b. 1944) is the author of more than twenty-five books, for both adults and children, and the winner of awards including an Arts Council Writers’ Award, the Geoffrey Faber Memorial Prize, the Hawthornden Prize, the Alice Hunt Bartlett Award and (jointly) the Heinemann Award. After a scholarship to Oxford, he worked as a lecturer in Canada, then returned to England and a position in the Poetry Society. He is currently a full-time writer. I have looked at three poems from Kit Wright to explore his style: 'The Sea in the Trees, Watch your French', Heads or Tails