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Citadel

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Alas, it’s fair to say that Citadel and I did not hit it off. Ours was a date best described by words like “tepid” and “mediocre”. Citadel likes to talk about itself, and boy, it had certainly had its share of adventure sto relate. But I kept wondering when the real story would start and when I would actually learn something about what kind of book this was. Instead, it kept referencing new people and events in its life. And the worst, by far, was Arinius. Citadel is the final instalment in the Languedoc trilogy. I haven’t read Labyrinth and Sepulchre, and after struggling through Citadel I have no intention of doing so. In short, making it to the end, felt like a Herculanean struggle and one which I would not inflict on anyone. Moreover, I have no intention to attempt another Mosse novel again - my Year 11 narrative writings were more interesting and original! Kate Mosse has been on the periphery of my literary radar for a while now. Hers were books that would show up on recommendation lists based on books I had like. They would appear at my friends’ houses, imposing yet reassuring with their bulk and sleek, simple cover art. I was vaguely aware that she wrote historical fiction, and that was it. In Nazi occupied France the Citadel are a group of all-women freedom fighters - part of the Resistance, and determined to outwit both the Germans and the evil French collaborators. Led by 18 year old Sandrine Vidal, her sister and their friends, these woman show courage and daring, never knowing who is watching them or who will betray them to the authorities.

As in the first two books, Mosse sets up two narrative threads progressing in parallel, though the difference here is that neither concerns the present day. Although the principal story follows Sandrine and her friends as they attempt to find the codex, while evading capture and throwing Authié and his collaborators off the scent, we also glimpse the far distant history of the region in the subplot of the codex's original journey into the mountains, in the hands of a young, fourth-century monk risking death to save the heretical text from the flames. I never felt invested in the story of Arinius and wife Lupa. I was given a brief introduction to each of them, but never felt an attachment. Citadel is a deeply satisfying literary adventure, brimming with all the romance, treachery and cliffhangers you would expect from the genre. It is also steeped in a passion for the region, its history and legends, and that magical shadow world where the two meet. . . “ It’s one thing to take a lovely great fat book away with you on vacation, but quite another to cruise into the city which inspired it on a luxury barge, tie it up for the night and set off on the lookout for literary associations. The book I’m thinking of is Citadel, the third in a trilogy inspired by the Languedoc ( Labyrinth and Sepulchre are the best-selling first two volumes) and the writer in question is Kate Mosse. This Nazi connection provides a richly dramatic setting for Citadel. The novel takes place largely between 1942 and 1944, between the occupation and liberation of southern France.

Publication Order of Standalone Novels

From the internationally bestselling author of Labyrinth and Sepulchre comes a thrilling novel, set in the South of France during World War II, that interweaves history and legend, love and conflict, passion and adventure, bringing to life brave women of the French Resistance and a secret they must protect from the Nazis. In Carcassonne, a colorful historic village nestled deep in the Pyrenees, a group of courageous and determined operatives are engaged in a lethal battle. Like their ancestors who fought to protect their land from Northern invaders seven hundred years before, these women—code-named Citadel—fight to liberate their home from the Germans. Towards the end of the book when it's building to a crescendo I found it odd that there was a change in the emotion of the plot. After the protagonist is tortured, there is repeated reference to how she'll never have children as a result. It's a small point but it was jarringly emotional, a different style to the rest of the book. Also, Lucie's style of calling Sandrine 'kid' was irritating. Het heeft niet teveel personages die ook goed zijn uitgewerkt. Je leeft mee met de hoofdpersonen en je wint je bijvoorbeeld op over verraad.

Kate Mosse got married to Greg, her old school friend. Currently, she lives with her husband and family in Chichester and Carcassonne. Now you, too, can be part of the history of CFT. The international bestselling novelist and playwright, Kate Mosse – a Chichester girl, born and bred – is writing the anniversary book for CFT’s first half century. Chichester Festival Theatre at Fifty is a decade-by-decade celebration, a love letter in words and pictures, based on interviews by many of those who’ve played their part in the enduring success of one of Britain’s most important and best loved theatres. Beautifully designed, it’s the perfect gift book for anyone interested in theatre, film, television. A one-off chance to celebrate the first fifty years of CFT and to look forward to the future.Then we meet a Dark Ages monk who is protecting a scroll known as the Codex. This secondary plot should have been left out of the book. It distracted me. It takes too much away from what could have been a great story of courageous female resistance fighters. Apparently Kate Mosse always includes a supernatural twist to her novels and this is why she had to force this storyline in for the trilogy to make sense. It’s a pity because it ruins the novel. Overall, I did get enjoyment out of the novel and the character development was done very well. I enjoyed reading about Carcassonne and greatly enjoyed the history involved in the creation of the novel.

In the fourth century a monk, Arinius, has been taxed with saving a document that the Christian leaders have decided is heretical. Like a few others, he disagrees and has accepted the task of taking the Codex to another land and hiding it safely away for a better time. Seventeen-year-old Léonie Vernier and her brother abandon Paris for the sanctuary of their aunt's isolated country house near Carcassonne, the Domaine de la Cade. But Léonie stumbles across a ruined sepulchre - and a timeless mystery whose traces are written in blood. I did not like the Epilogue. I felt that it took away the impact of the last chapter (mainly that last paragraph) and seemed rather unnecessary; however, it may have done something to tie in the rest of the books in this series.So for its depiction of the struggles of occupied Languedoc, Citadel earns some respect. Mosse evinces both passion and planning in her presentation of this story, enough that I can understand what makes her so beloved of some readers. Yet if the Languedoc people managed to rise up and drive out the Nazis anyway, why did they need ghost soldiers? For this reason, I found Citadel’s eleventh hour dip into the realm of fantasy perplexing more than anything else. Up until that point, the hunt for Arinius’ Codex had been pleasantly archaeological, reminding me of the conspiratorial tones of Eco and Ruiz Zafón. The actual resolution after all that feels more deflating than rewarding.

Fabrissa is also mourning from the losses of World War 1. One night, Freddie and Fabrissa share their stories and this is when Freddie knows his role in the life of this remote town. Lucie stapt eveneens uit en omhelst haar. "Weet je zeker dat je het verder wel red?" "Ja echt. Maak je geen zorgen."-Mosse is the queen of historical mystery. She understands more than most historical writers how to weave the past with the present. In fact, she's more than adept at writing two parallel tales with hundreds of years between the two. As the stories unfold, it becomes more evident how Mosse intends to connect the parallel tales. Because I haven't read Sepulchre, I can't comment on how that book fits into the trilogy, but there are references to the two previous books that lead up to Citadel. The time frame of Citadel is the 1940's while France was in the midst of Nazi occupation. This story is one of bravery as a group of women partake in the French resistance. The characters are well developed and pull the reader into their worlds easily. At last, I got my mitts on a copy of the final part of Kate Mosse's Languedoc trilogy. Citadel was published by Orion in October, it's been a long 5 year wait for this one. Historical fiction has never been my first love, and I'll admit that the first of the series; Labyrinth, sat on my shelf for a long time before I actually read it. I was amazed by the writing, by the story and how Mosse manages to captivate the reader with her complex plots and engaging characters. Labyrinth was followed by Sepulchre in 2007, and again, I loved it and have anticipated the release of Citadel for such a long time.

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