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Digital Approx. 4x (with Digital Tele-Converter Approx. 1.6x or 2.0x and Safety Zoom¹). Combined Approx. 120x The SX500’s 30x optical zoom offers the 35mm focal range equivalent of between 24-720mm, which is plenty wide enough to take large group shots at the wideangle end or to fill the frame with faraway objects at the telephoto end. Maximum aperture at 24mm is f/3.4 rising incrementally to f/5.8 at 720mm. Neither is particularly fast, although given the engineering constraints incurred by cramming such a large focal range into such a small optic, this isn’t wholly unexpected.
Delving into the menu, it's simple enough to follow. All features have been put on one screen with just only a print menu as an addition. You can do some basic editing here, erase pictures, protect and rotate them. Emphasis isn't so much on sharing pictures as it is on some other cameras. There's a slide-show option but that's pretty much it. In the print menu, you can preset pictures that you want printing if you use the Pictbridge facility. Pictbridge is a universal connection for printers and cameras. It means that if you have a Canon printer, you don't necessarily need a Canon camera to direct print. In terms of video capture, the SX500 does offer the ability to record 720p HD video capture, although there’s no option to record 1080p Full HD movies, which is a little unusual – not to mention disappointing – for a camera of this type and price. Several cameras in this class use AA-size batteries for power; the SX500 IS does not. Instead you get a small rechargeable lithium ion battery, which saves on space and weight and gives you good, if not great, battery life. Although it's rated for 190 shots, keep in mind that using the zoom lens a lot, raising the screen brightness, continuously shooting, or recording movies, among other things, will eat into that battery life. The Canon PowerShot SX500 IS represents something of an anomaly in that it straddles the gap somewhere between ultracompact and superzoom. The first thing that strikes you about it is the size; it’s a very small camera, and yet within its diminutive body Canon has somehow managed to engineer a 30x optical zoom. In terms of focal range this pushes the SX500 beyond the traditional 16-20x reach common to many travel compacts and well into superzoom territory. With the flash off, the Canon PowerShot SX500 IS does suffer from some vignetting at wide-angle. This all but disappears as the camera is zoomed in. Using flash at wide-angle exacerbates the vignette but eradicates it at full zoom.
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In addition, the SX500 also offers a range of Creative Filters with which it’s possible to add digital effects to your images in-camera without the need for a computer or any specialist software. There’s no Raw image capture though, which means the SX500 is strictly JPEG only – you do get a choice of resolution settings, however, should you be looking to conserve space on your memory card, or if you’re just shooting non-critical snapshots destined solely for the internet. And here are some portrait shots. As you can see, neither the Flash On or the Red-eye-Reduction settings caused any red-eye.
Speaking of things that use up your battery, the camera's flash does not pop up on its own, you have to lift it. That's probably not a big deal for many people, but if you're used to a camera that does everything for you, this might result in some missed shots. On the upside, the camera at least warns you to raise the flash when it's needed. All these features are found on other digital bridge type cameras such as this Canon PowerShot SX500 IS. There is a mode of note that really helps with framing and composition. On the left of the lens barrel is a button with a square that has four arrows shooting out of each corner on it. If you want to zoom out a little just to miss out a bit of overhanging building or crop a person out, you can hold this button and zoom as normal. The Zoom Framing Assist will retain the wide-angle screen but show a virtual zoomed in square on the screen. You can then decide what to zoom in and crop out before releasing the button. Upon releasing, the camera will zoom to the point that you decided on. At full 16 megapixel resolution, there are two JPEG quality settings available - SuperFine and Fine. With general use, the Canon PowerShot SX500 IS' pictures are good. They're sharp and well exposed. Colours could be better but they're close enough to realistic so we don't really have anything to complain about. The lab test shots, however, left a lot to be desired. We found noise at low ISO settings where there really shouldn't be any and chromatic aberrations that we didn't expect from a Canon. Yes, our expectations are high but they are one of the biggest manufacturers in the world and have a reputation to uphold, not to mention stiff competition to beat. Images are sharp enough on the Canon PowerShot SX500 IS without needing a boost in an editing suite. You can do it if that's what you prefer but if there's any noise in the image (which there generally is), it will boost it.English, German, French, Dutch, Danish, Finnish, Italian, Greek, Norwegian, Portuguese, Russian, Swedish, Spanish, Ukrainian, Polish, Czech, Hungarian, Turkish, Simplified Chinese, Chinese (traditional), Japanese, Korean, Thai, Arabic, Romanian, Farsi, Hindi, Malay, Indonesian, Vietnamese Smart Auto (21 scenes detected), Standard, iFrame Movie, Program AE, Portrait, Snow, Fireworks, Miniature Effect, Monochrome, Super Vivid, Poster Effect The SX500 comes equipped with a good range of exposure modes. Those who prefer to let the camera do all the work can take advantage of the Smart Auto mode and let the camera choose a suitable setting from over 30 pre-programmed scenes. Those who want to take more direct control over the camera will find the full range of PASM modes to hand as well.
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