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As for the writing itself. There were parts where it felt clunky and off from the rest of the story. The characters while well flushed out had relationships that were either hastily developed or just not there except I will say that the relationship Zillah had with the Leopard Lady and Barky was really well fleshed out and I loved it. I also think the ending was rushed and could have been longer to truly get some messages across. While I admire the character development here, and it covering some important topics, the plot fell just a little flat for me. The pacing works well, and it does everything it sets out to achieve, I just wish it had aimed a little higher. The writing felt a little too simple for my tastes, but if that's what you're looking for, then this is a solid option.
Theatre of Marvels Introducing | Theatre of Marvels
Loved Lianne Dillsworth's Theatre of Marvels. A gripping story about identity and belonging with a strong sense of place. Can't wait for everybody to meet Zillah who is such strong and nuanced heroine. - Laure Van RensburgThis deliciously detailed, richly atmospheric and empowering tale of identity and morality is utterly unforgettable—Lianne Dillsworth expertly highlights issues of race and class, shedding light on the hardships women faced in 19th C England, particularly women of colour. It’s honestly breathtaking. Caught in a labyrinth of dangerous truths, will Zillah face ruin - or will she be the maker of her fate? Lianne Dillsworth has MAs in Creative Writing and Victorian Studies and won a place on the London Library Emerging Writers Programme.
Theatre of Marvels - Penguin Books UK
Theatre of Marvels from debut author Lianne Dillsworth promises Historical Fiction, Victorian London and a theatrical variety show... what's not to love? While Dillsworth does a decent job of evoking Victorian London and her pacing isn't terrible, readers will see the plot twists, such as they are, coming a mile (kilometre?) away. Dillsworth shows some promise, but this novel never manages to rise above the level of unremarkable.This was absolutely incredible! It’s richly detailed, emotionally thought provoking and utterly addictive, I literally sped through most of it in a single evening, a true testament to Dillsworth’s exceptional writing skills. New Sports Biographies and Autobiographies: Gift a Book for the Sports Fan In Your Life this Christmas The group's initial, self-titled "working" occurred in 1994. It was released on CD in 1996 on the Cleopatra label, (just a week after Birth Caul), and re-released in limited form in 1999/2000. [2] The "most overtly occult," it was an exploration of magic, Glycon (a Roman snake deity) and "a tour of the wild magic of the London area the piece was being performed in." [1] I absolutely adored reading Theatre Of Marvels... The story was fun and pacey and the writing rich and accessible. In short, I can't wait to see what Dillsworth writes next.' Bad Form
Theatre of Marvels | Goldsboro Books Theatre of Marvels | Goldsboro Books
The novel is effectively evocative of the Victorian era and rich in period detail. Despite this, it always remains pacey, keeping readers on their toes with a good dose of intrigue and plenty of twists. A few threads feel somewhat rushed towards the end, as the narrative skirts on the edge of melodrama, but on the whole, Dillsworth balances the various characters and plot points well by always keeping her spirited heroine at the story's heart... continued Starting with the CD release of The Highbury Working, the Moon & Serpent group (Moore & Perkins)'s CDs were released on ex- Siouxsie and the Banshees songwriter and co-former Steven Severin's record label RE: (1998–2003). [2] [7] Founded in 1998, RE: was Severin's independent label created primarily to "release 3 solo albums of commissioned music" [7] Having released three albums (1998–2000), Severin "concentrated on developing the label by bringing on board the inestimable talents of comics legend, Alan Moore... [releasing] 3 spoken word albums by Alan Moore in collaboration with his musical partner, Tim Perkins." [7] Different acts were described and certain characters have a lingering effect on Zillah. This story is character driven and has a steady pace. It's easy to be swept up in Victorian London and hear the chime of Big Ben or smell the different foods described. Dillsworth did a wonderful job to make this story come to life and captivating the reader. possibly the most affecting thing Alan's yet written. It fulfils the promise of his novel, Voice of the Fire, and of BIG NUMBERS and the best bits of From Hell. This is Alan Moore summoning his powers and finally delivering a pure burst of the way he sees things, divorced from genre and obsession and postmodern gameplay and any of those other touchstones by which we habitually identify Alan Moore's work. It is very simply an examination of death, life and birth as we understand them today, explored by agency of the birth caul itself, the membrane over the face with which some children are born. The caul becomes a talisman, an instrument of divination leading us up and down the years of our lives." [1] History Makers: Female Writers Dominate the 2023 William Hill Sports Book of the Year Award Shortlist
Media Reviews
The trio's second performance (and technically their first CD release) was The Birth Caul (A Shamanism of Childhood), a spoken word piece by Moore with music by David J and Tim Perkins. The performance took place at the Old County Court in Newcastle-upon-Tyne, on 18 November 1995, and was released on 5 March 1996 by Charrm (CHARRMCD22). [2] A limited-edition print of the CD cover by John Coulthart was also sold. [6] Snakes and Ladders [ edit ] The really enjoyed the Victorian London setting which was spectacularly atmospheric and unapologetically gritty, there’s absolutely no sugar coating the life experiences and prejudices faced by the working classes (particularly women and people of colour) and though I was absolutely immersed in Zillah’s day to day life, I was also brought to tears by the events she has to witness—she may be fictional but Zillah is a far stronger woman than me, I can guarantee that I couldn’t handle even half of what she has to experience. Our newsletter will gently land in your inbox at random intervals, bearing tidings of comfort and joy about new