The Artist

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One brave little artist goes on one epic adventure to share her art, and in doing so learns that it doesn't matter if you colour outside the lines, that art is full of heart... and that maybe you are an artist too! Vere worked with CLPE to co-create the Power of Pictures, a 12-week scheme in which author/illustrators teach teachers about writing techniques.

Ed worked with CLPE toco-createthe award winning Power of Picturesprogrammewhich encourages visual literacy in primary schooleducation andhas received major funding from the Arts Council, EEF & RSA.You can read an article in The Guardian relating to this work here .Vere describes the book as 'a painted and written travelogue, a journey of discovery, it aims to engender a love of nature in a world increasingly disconnected from it. The book will discuss issues around freedom, conservation and what we can do to create a world in which wildlife thrives, rather than perishes.' The book aims to properly discuss the issues at hand and consequently is aimed at a wide-ranging audience from 8 year-old to adult. Someone who sees beauty... Someone with a mind full of colours, feelings, and ideas... Someone who plays and dreams and makes... As a writer who also draws, I’m interested in how we connect with another person through words and pictures. How we engage, how we animate, how we get an idea to live in another mind. When I read to children, I’m endlessly amazed by the power of a picture book. That a character is grippingly alive for those kids. An inky drawing of an enormous, lonely gorilla playing a piano, transforms in the mind into a living breathing being, deserving of love. It blows my mind. Every time. Bedtime for Monsters' was shortlisted for the Roald Dahl Funny Prize in 2011 and the next year Ed had the honour of being one of the four Roald Dahl Funny Prize judges, along with Michael Rosen.

We understand complex expressions and emotions through drawings from a very early age, in ways we can’t yet do with the written word or spoken language. Vere travelled to Kenya in early 2019 to explore, paint and write about Born Free’s work. Writing about and painting lions, their natural habitats and the local populations they live alongside. Discovering the work Born Free does to ensure that the world's remaining 20000 wild lions have a secure and sustainable future. Ed and Born Free will be publishing a book in 2022. There will also be an exhibition and fund-raising auction. By the time a child arrives at primary school they’re able to use this visual vocabulary creatively when they‘read’pictures and when they draw, yet we don’t harness either. Worse still, most children have given up drawing by the age of 9 or 10 (believing there’s a right and wrong way – there isn’t). In doing so, they lose a vital form of self-expression which they don’t have another outlet for. Careless of us in these times where we’re supposedly more aware than ever of emotional wellbeing.From the moment a child comes into the world they are searching for visual clues. Trying to understand if you are friend or foe, through facial expression and body language. Pictures speak this language fluently. Pictures intimate emotions, feelings and nuances that words cannot because of this sophisticated visual vocabulary (which we are constantly building). Pictures are open to interpretation – there’s nothing concrete to get right or wrong - which means they’re open to discussion. A fable celebrating ingenuity, teamwork, and asking for help from the New York Times-bestselling author of Max the Brave and How to Be a Lion. A piece written for 'Teach Primary' magazine about my 'Power of Pictures'visual literacy work with CLPE)