The Tastemaker: My Life with the Legends and Geniuses of Rock Music

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The Tastemaker charts the singular life of a man who has been at the beating heart of music’s most iconic moments for over sixty years and features stories of his time working with everyone from the Beatles to the Ronettes and Elton John to the Rolling Stones. Living in an era of seismic social, technological and cultural transformation, King experienced these defining moments as an influential figure in London and New York’s gay scenes. Despite his heady life in showbusiness, however, he would soon learn that a glittering career couldn’t shield him from heartbreak – witness to the AIDS crisis and the devastating consequences, his personal life was intermittently marked by tumult and turmoil. This included spending time with with his friend Freddie Mercury in the Queen frontman’s final days.

This is a brilliant book by a brilliant man. A magician with perfect taste. Thank God I met him. He is gold dust!' Meanwhile, Ono emerges from The Tastemaker as an absolute hoot, a hilarious eccentric who encourages King to take magic mushrooms before a business meeting with a music industry executive. “Oh my God, I took off halfway through lunch,” he laughs. “I was flying. And Yoko leans across the table and says” – his voice drops to a conspiratorial whisper – ‘Good, aren’t they?’”

Leaving school at the age of sixteen to start his career in the music industry at Decca Records, Tony King would soon find himself becoming a close friend and confidante to some of the world’s biggest artists – a far cry from his childhood days in Eastbourne.

By the time King discovered he had contracted HIV himself, drugs were available that meant the disease was no longer a death sentence. Nevertheless, he ended up in rehab after a breakdown that seems to have been brought about by seeing so many friends die: “I’d just suffered so much grief. Survivor’s guilt.” Living in an era of seismic social, technological and cultural transformation, King experienced these defining moments as an influential figure in London and New York's gay scenes. Despite his heady life in showbusiness, however, he would soon learn that a glittering career couldn't shield him from heartbreak - witness to the AIDS crisis and the devastating consequences, his personal life was intermittently marked by tumult and turmoil. This included spending time with with his friend Freddie Mercury in the Queen frontman's final days. Tony King (standing, third left) with the Ronettes, Phil Spector (seated) and George Harrison in 1964. Photograph: From the author’s collection An out gay man before the 1967 Sexual Offences Act decriminalised homosexuality – “I knew no other way, to be honest” – it was King who encouraged his friend Freddie Mercury to tell his partner, Mary Austin, that he was gay. Meanwhile, King’s unabashed flamboyance had a profound effect on Elton John, who, when they first met, was a struggling singer-songwriter given to dressing down: “Tony would have attracted attention in the middle of a Martian invasion,” John subsequently recalled. “I wanted to be that stylish and exotic and outrageous.”He spent more than sixty years in the music industry working as promotion man, creative director, label chief and personal manager to some of the biggest stars out of the UK. Tony eventually repairs to America where he works with John Lennon and Ringo Starr on their solo work.

Leaving school at the age of sixteen to start his career in the music industry at Decca Records, Tony King would soon find himself becoming a close friend and confidante to some of the world's biggest artists - a far cry from his childhood days in Eastbourne. By the last 1970s he is in New York. A gay man living in Greenwich Village, he is at ground zero for the AIDS crisis. The telling of living through that is the best and most touching section of the book. The Tastemaker charts the singular life of a man who has been at the beating heart of music's most iconic moments for over sixty years and features stories of his time working with everyone from the Beatles to the Ronettes and Elton John to the Rolling Stones. The Tastemaker has a nice conversational tone. It is warm, full of good humor and insight like the man himself.

He recovered and ended his career working with Elton John, overseeing his album sleeves and working on the staging of his Las Vegas show and ongoing farewell tour. Now retired, he says that writing The Tastemaker was a strange experience, tinged with sadness and regret: many of the characters in it are gone; it ends with the death of Charlie Watts. Then again, King achieved what he set out to do. I suppose I was always very straightforward, a straight speaker,” King says. “I wasn’t an artist but I understood the artists, I was in their camp. I think I had an innate understanding of what artists needed, and I didn’t put up with bullshit.” This is a brilliant book by a brilliant man. A magician with perfect taste. Thank God I met him. He is gold dust!’