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Shapley, Fern Rusk. Later Italian Painting in the National Gallery of Art. Washington, D.C., 1960 (Booklet Number Six in Ten Schools of Painting in the National Gallery of Art, Washington, D.C.): 14, color repro. Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 163, no. 26.
Brown, David Alan. "Saint George in Raphael's Washington Painting." Studies in the History of Art 17 (1986):37-44, repro.
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Where Donatello's style was groundbreaking and based on reality, Ghiberti adhered to the International Gothic style, which dictated highly stylized and "perfect" versions of flesh-and-blood individuals. Sergey Chekhonin, Sergey Vasilyevich Gerasimov, Central maiolica panel about the battle of St. George the Victorious with the Serpent 1911–1913, Moscow, Russia.
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 280, repro.
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Graf, Arturo, ed. (1878), Auberon (I complementi della Chanson d'Huon de Bordeaux I), Archivio per lo studio delle tradizioni popolari (10) (in Italian), Halle: M. Niemeyer, p.261 Reggio Calabria used Saint George and the dragon in its coat of arms since at least 1757, derived from earlier (15th-century) iconography used on the city seal.