beyerdynamic DT 100 Studio Headset - 400 Ohm - Black

Product Information

The Mids. is very defined and is the star or highlight of the DT100, vocals shines, in detail and clarity. This is really the real selling point for this i.e.m. Thanks to the soft circumaural ear pads and padded headband, the DT100's offer incredible levels of comfort. Overall: The T180 Pro is very different from the DT100. While the DT100 is a warm bass-boosted neutral iem that sounds closer to a DD iem rather than BA. The T180 Pro is a n-shaped iem with more vocal focused sound. Although they both have a single BA, the DT100 is more technical and higher resolution. Overall: The FH3 has better resolution, technicalities and much better bass. But the DT100 is a better tuned iem, considering that it only has 1 BA and that timbre makes it overall a more natural sounding iem. Both are great though.

Us musicians are an aesthetically-conscious bunch, so as I’m sure you appreciate, that was half of it! Technicalities: Shiro Sagisu – Hundred years war (02:24-02:57), similar soundstage, but a bit better instrument separation, imaging and details on the DT100. Timbre is much better on the DT100. Metallica – fight fire with fire (01:11-01:52), speed, tightness and texture are much better on the FH3. Quantity is similar. The treble of DT100 is more on a relaxed and smoother in delivery, It still has sufficient detail retrieval on its definition and harmonics value.Hiroyuki Sawano – Scapegoat (00:57-01:17), much more natural on the DT100 due to the tonality and timbre, cleaner and more detailed as well. Setup: Ibasso DX160 (low gain, volume around 31), Final Audio Type E L tips, Tri Through cable 4.4mm Substantially, it has an above average dimension in width, a more emphasis on depth reach and a decent height on its perceived sound field , think of a medium size bar room. The Beyerdynamic DT 100-series striking industrial design merges both form and function with ease. These headphones are a professional audio staple in studios globally due to their excellent isolation, earpieces that confer comfort and accurate reproduction of sound. They are perfect for studio audio recording and monitoring, gathering news, production of film and TV, as well as live events.

Hiroyuki Sawano – Scapegoat (00:57-01:17), very good instrument/vocal tonality and with a very natural timbre. Although clarity and details could be better.This i.e.m. is a neutral sounding i.e.m. If you like an accurate, defined and well detailed sound, this might be what you are looking for. Conclusion: The DT100 is a great iem if you just want to enjoy listening to music with as much isolation as possible. While its technicalities aren’t really impressive, it makes up for it with that bass and timbre which are the best I have heard up to this point from a BA only iem. IF this was a DD (or more than 1 BA) it would have gotten a 4/5 instead as the technicalities are definitely below average for something at this price, but I believe this truly deserves a 4.5/5 based on its driver type/count as it is doing a better job at the factors (bass and timbre) that multi-BA iems usually struggles a lot with even at 3 times the price. Out of the box, and they definitely felt like a whole different level of headphones compared to my last ones – just from holding them in my hand, not even having gotten as far as plugging it in yet!

The worldwide standard closed headphones for intercom, film & tv production, studio recording and monitoring, and live events Treble: Linkin Park – Shadow of the Day (03:24-03:42), very similar tonality but a bit cleaner on the DT200. Alas, they only lasted a few years. As ever, you get what you pay for, and they didn’t survive the multiple accommodation moves that one goes through in their early twenties. Featuring a detachable, proprietary cable, every element of the Beyerdynamic DT 100 is replaceable, right down to the earpads. This design makes it ideal for the kind of work they are put to, and moreover, this makes it cheaper in the long run, as you won’t have to ditch it once it gets faulty. The DT 100s are indeed rugged and durable, ensuring many years of use. Technicalities: Shiro Sagisu – Hundred years war (02:24-02:57), Similar soundstage but details, instrument separation and imaging are better on the DT200. Timbre is better on the DT100.Hiroyuki Sawano &Z (02:18-02:57), better tonality, details and clarity on the FH3 but better timbre (mids/treble) on the DT100. You should get an instant answer on whether your application has been successful, though in some rare cases Klarna or V12 may need to look at the application in more detail.

Here are some sound characteristics based on my observation on Audiosense DT100 in each segment of audio frequency spectrum. Hiroyuki Sawano – Lose (string version) (01:22-01:59), Cello/Violin tonality, texture, details and timbre are better on the DT100. Overall, the blending of instruments and vocals are harmoniously stellar to sound more in natural and musical side rather than to be more analytical.Bass: Djuro – Drop that bass (01:15-01:30), extension, rumble and texture are all better on the DT100 but similar punch quantity, speed and tightness.