A Grand Don't Come For Free

Product Information

Dimery, Robert (2009). 1001 Albums You Must Hear Before You Die. Octopus Publishing Group, London. p.920. ISBN 9781844036240 . Retrieved 23 September 2012.

Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. Plagenhoef, Scott (17 May 2004). "The Streets: A Grand Don't Come for Free". Pitchfork . Retrieved 4 February 2014.

Companies, etc.

fit but you know it suffers badly from clipping but to be fair, if it was skinners own decision to employ such a sound, (I conject it was to bring out the "snap" in the drums, often to disturbing levels) i'll respect that and quit moaning, because this album is essentially storytelling, an audiobook if you like. and it was a story showing that, no matter how hard things get, there is always more than one way to go about something. and that is a timeless moral. a b Blashill, Pat (27 May 2004). "Streetwise!". Rolling Stone. No.949. p.80. Archived from the original on 8 July 2009 . Retrieved 15 September 2015. Moves into Simone's house and finds himself comfortable smoking marijuana there, rather than drinking with his friends at the pub. ("Wouldn't Have It Any Other Way") Renshaw, David (24 May 2014). "Anatomy of an Album – The Streets: A Grand Don't Come for Free". NME. p.17. A Grand Don’t Come For Free’ emerged two years after their breakthrough debut album and The Streets had already become an international phenomenon. This time around, Mike Skinner constructed an album with an on-going narrative that was by turns hilarious, touching and energising. ‘Dry Your Eyes’ became The Streets’ first #1 single, while ‘Fit But You Know It’ and ‘Blinded By The Lights’ both hit the Top 10.

Simon Rogers (19 November 2009). "NME's top 50 albums of the noughties revealed". The Guardian. London. Kuipers, Dean (23 May 2004). "A striking kind of storytelling". Los Angeles Times . Retrieved 5 December 2015.

Critical response for the album, like for his previous album, was near universally positive. It currently scores 91/100 on Metacritic, [5] slightly higher than his previous album, which scored 90/100. [16] Rough minimalism would be best to describe the music. clanging drums, atari-ish bleeps and samples snatched from records you've not heard of. a bit like what UNKLE was doing at that time, but mike does it more effectively... cleaner. Is stood up at a nightclub by Simone, but passes the time drinking alcohol and taking ecstasy. He thinks he sees Simone kissing Dan but the drug-induced high distracts him before he can think about it properly. ("Blinded By the Lights")

Suspects his mate Scott of stealing his coat, money, and girlfriend but discovers that Simone is actually having an affair with Dan. ("What is He Thinking?") The front cover of the album features Skinner posing in a bus shelter at night, taken by British photographer Ewen Spencer. [4] Singles [ edit ] ARIA End of Year Albums Chart 2004". Australian Recording Industry Association . Retrieved 17 July 2020.

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But comparisons with drama aren’t too far off the mark. ‘Get Out Of My House’ is as much an audio drama as it is a song. A thrilling argument between girlfriend and boyfriend, Skinner reveals with a dramatist’s cunning that Mike’s contentious stash of pills isn’t ecstasy but medication for his epilepsy. On first listen, ‘Fit But You Know It’ is the obvious single. Nothing else is as immediate as ‘Don’t Mug Yourself’ or ‘Weak Become Heroes’ from his debut. A great first single, it takes a guitar chug and a boozy rant and combines them to joyous effect. Close your eyes, put four moptops in suits in the picture, and you could easily imagine it as an early Beatles song. It captures the naivety of tunes like ‘She Loves You’ or ‘I Want To Hold Your Hand’ but transplants it to an era when ‘innocent’ means not yet having your brown wings.

Repeated listens reap rewards. Skinner’s vocals are so high up in the mix that it’s easy to forget there’s some music underneath. And he certainly hides his thingy under a whatsit. He plays with a broader musical palette than the just-thrown-together feel suggests: from the Hammer horror strings and brass stabs of ‘What Is He Thinking’ and the acoustic guitar on the beautiful heartbreak-balm of ‘Dry Your Eyes’ to the sweet soul vocals that punctuate the tale of sofa-bound inertia that is ‘I Wouldn’t Have It Any Other Way’, where the lyric “The ashtray needs emptying and the Clipper needs a shake” is delivered with the kind of heartfelt conviction usually reserved for love songs. Adrien Begrand (14 May 2004). "The Streets: A Grand Don't come For Free Popmatters Music Review". Popmatters . Retrieved 10 March 2010. Poses to impress a girl in a take away restaurant during a heavy night drinking on holiday. (" Fit But You Know It")

Versions

Pitchfork staff (28 September 2009). "The Top 200 Albums of the 2000s: 200–151". Pitchfork. Archived from the original on 16 October 2009 . Retrieved 1 October 2009.