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Violin and Lute Makers of Venice 1640–1760, by Stefano Pio (2004), Venezia Ed. Venice research, ISBN 978-88-907252-2-7 While manufacturing of all sizes of instruments increased as a result of the Suzuki Method, 32nd and 64th size instruments were notably invented solely for use with the method. Modern Artisan Makers Commonly referred to as viols or gambas, instruments from this family feature frets and double-bass-like shapes. The violin was first known in 16th-century Italy, with some further modifications occurring in the 18th and 19th centuries to give the instrument a more powerful sound and projection. In Europe, it served as the basis for the development of other stringed instruments used in Western classical music, such as the viola. [1] [2] [3]
Probably the best known of the antiquated bowed instruments, the Viola da Gamba is instrument of the baroque period that is often still played in Baroque ensembles, and was the inspiration for many pieces now performed by other instruments. Unfortunately, while he did make a masterpiece series of instruments of his own, the vast majority of violins with the name John Juzek were made in his workshop by other luthiers, some even after his death in 1965. Small Instruments for Students
The word "violin" was first used in English in the 1570s. [6] The word "violin" comes from "Italian violino, [a] diminutive of viola. The term "viola" comes from the expression for "tenor violin" in 1797, from Italian and Old Provençal viola, [which came from] Medieval Latin vitula as a term which means ' stringed instrument ', perhaps [coming] from Vitula, Roman goddess of joy..., or from related Latin verb vitulari, "to cry out in joy or exaltation." [7] The related term Viola da gamba meaning ' bass viol ' (1724) is from Italian, literally "a viola for the leg" (i.e. to hold between the legs)." [7] A violin is the "modern form of the smaller, medieval viola da braccio." ("arm viola") [6]
Principles of Violin Playing and Teaching, by Ivan Galamian (1999), Shar Products Co. ISBN 0-9621416-3-1 During the Baroque era, five string cellos were not altogether rare, and even informed some of the compositional choices in Bach’s Cello Suites. 8. The Stroh Violin The St r oh Violin ( CC BY-SA 3.0) The resulting sound has the volume of a trumpet’s blast, perfect for street performers or anyone who wants a volume edge in a large space.The viola is similar to the violin in every essential, but, owing to its larger size, it has never been completely standardized in its main dimensions, since, whatever these are, they are bound to tax the human frame and fingers when the instrument is played. A compromise has to be effected between what is the ideal size for the best tonal results and what is practicable to the player in handling. Too large an instrument is simply unplayable; too small an instrument is weakest where it is most wanted—on the lower strings. The problem has never been solved to complete satisfaction, but a characteristic viola tone has been produced that is darker, more weighty, and more sombre than the violin. Most violas have been made at various times with a body length (the most convenient measure of their maneuverability) of 15–18 inches (38–46 cm); probably the majority of the most manageable and successful instruments are midway between these extremes. Cello, or violoncello
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