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Each of the DM-50D-BT speakers contains a 5-inch fibreglass cone woofer, a ¾-inch soft dome tweeter, a new Class D amplifier and redesigned DECO convex diffusers. The woofer can provide an extra increase in power when the volume is turned up. Precise frequencies are produced thanks to the expertly positioned tweeters—the Class D amplifier assists with producing balanced natural bass sound. Additionally, the diffusers provide a broader sweet spot and 3D stereo sound, all thanks to their inbuilt structure and ability to produce super-clear high frequencies in all directions. 2-way Sound Mode Each DM-50D speaker produces pure, balanced bass sound, thanks to a new Class D amplifier with 96 kHz sampling DSP. Another advancement from the DM-40 model comes in the updated design of the DECO convex diffusers which help deliver crystal-clear high frequencies in every direction, so you can enjoy a wide sweet spot and 3D stereo sound wherever you are in the room. When you need to turn up the volume, the new 5-inch woofer creates extra power and it’s perfectly aligned with the tweeter so you’ll hear all sound frequencies clearly. The grooves on the ducts reduce air friction so that the bass is tight and punchy, even if you position the speakers against a wall. Plus, the curved front edges provide maximum rigidity and minimum resonance for clean audio at any volume level. Optimised performance modes Each VM-50 monitor includes a standard three-prong AC power cable. For connecting audio sources, you have a balanced combo input for either XLR or TRS (¼-inch) cables and an unbalanced input for RCA cables. Having inputs for all three of those cable types should be a standard monitor feature, yet a surprising number of studio monitors leave out either the RCA or the TRS connectivity, so that’s a plus for the VM-50. On that point, you may reasonably ask yourself why DJs and producers need slightly different types of sound from their speakers. It might seem like the ideal sound for both would be similar, especially if you plan to mix and produce similar types of music, but consider for a moment the difference in sound between a club system and a pro studio. A club system should be loud, punchy, engaging and vibey; perfect accuracy isn’t necessarily the point. On the other hand, pro studio monitors don’t necessarily sound fun to listen to, but they’re analytical, precise and revealing when making music.
Both modes sound very good, with the DJ mode producing a convincing stereo image that’s spacious, detailed and with good depth. The DM-50D live up to Pioneer DJ’s claims of tight but weighty bass; the low-end of the frequency is provided good detail and clarity, while at the other end the speakers deliver bright and expressive treble reproduction. Before we discuss how the speakers sound, we first must explain Pioneer's so-called digital sound processing (DSP) modes. The phrase DSP rightly strikes fear in the hearts of most sound engineers—you want to mix on a transparent system that doesn’t include any dynamic compression or signal chain limitations. It's perhaps better to think of the two modes here (Production and DJ) as "voicing options.” The Production setting adds a bit more emphasis to the human voice frequency range, and slightly rolls off some of the lower frequencies; this is technically not a flat response, but it does result in better clarity. The DJ mode, by comparison, has a slightly fuller response in the bass frequencies and a bit less crispness in the high-mids and highs. The difference, however, isn't obvious.Each VM series monitor has the same features except for size and audio output wattage. The VM-50, also available in white, offers 60W of total power from its bi-amped configuration: 30W for the low-frequency driver (woofer) and 30W for the high-frequency driver (tweeter). It also has a maximum peak output of 107 dB. By comparison, the VM-70 has an output of 100W and 112 dB, while the VM-80 delivers 120W and 115 dB.
The DM-50Ds – which are also available in white– slot into the brand’s DM range above the existing DM-40s and the Bluetooth-equipped DM-40BTs. All three models are supplied as pairs, meaning you get everything you need in one box, ready to plug into a suitable mixer, controller, computer/mobile device or audio interface, depending on what you’re looking to achieve. The unique selling point of the DM-50D is that they feature what Pioneer call a two-way sound mode, allowing you to switch between settings for DJing and production use; the speakers include digital sound processing hardware which alters the frequency response and overall sound accordingly.Deliveries will be made subject to the terms and conditions of the courier company. djkit.com will not be held responsible for late deliveries.
Compared to the smaller DM-40BT monitors, the VM-50 has a very similar sound but puts out much higher relative volumes. With 107 dB of peak sound, the VM-50s can get plenty loud for your ears to handle; however, somewhere in the upper end of its volume range some distortion creeps in when you crank them way up, so extreme volume levels aren’t ideal for when accuracy is of the utmost importance. Again, if you really need to monitor music at high levels for extended periods (if your monitors are in a DJ Booth actively competing with a PA system, for instance), go for a larger-sized monitor, which should be more capable of producing those volumes with the full clarity of sound. Markkus Rovito So, who should buy the Pioneer DJ VM-50?If an item can not be repaired, a similar alternative product or cash discount (as defined in this policy) will be offered One last VM-50 distinction is also unusual among studio monitors. The edges of the soft dome tweeter’s “constant directivity horn” and the Aramid fiber woofer cone are equal width. Pioneer DJ claims this shaped design will “enable smooth frequency crossover and a natural sound.” The results of my listening tests did find a flat frequency response and broad soundfield falling in line with that statement, whether or not it has anything to do with that particular design element. The VM-50’s rear panel includes a bass port, connections, and DSP controls. Markkus Rovito Setting up the Pioneer DJ VM-50 However, the Gear4music extended warranty scheme provides an enhanced service, and is designed to offer a higher level of protection than many 'free' warranties offered by some retailers and manufacturers. Please note that this extended warranty is currently only available on products sold within the UK, EU or EEA, and is subject to the terms and conditions as detailed on the extended warranty certificate provided.
Once everything is connected and powered, the VM-50 offers internal 96kHz digital signal processing for low and high frequencies. These EQ settings are meant to compensate for the speakers’ placement in a room, the room’s reverberation, or personal preference. The Low EQ settings are Room 1, Flat, Room 2, and Club Bass (offering a bump at 50Hz), while the similar High EQ settings include Room 1, Flat, Room 2, and Bright Treble (nudging the 4kHz and 8kHz regions). These settings apply different frequency boost, or gain settings, and both the Low and High settings include one attenuation curve, one neutral setting, one heavy boost curve, and one more subtle boost curve. Purists beware, the digital filters can’t be bypassed, but there isn’t limiting in the signal chain, and the Flat settings aren’t overly sculpted—plus, the tone control flexibility is nice because no rooms or ears are the same. The VM-50 manual offers more information on determining which settings best suit your setup. Can these monitors keep the beat? Most studio monitors have some sort of tube for air flow that assists in reproducing the low bass frequencies. Some popular monitor lines, like the KRK Rokit and the Kali Audio LP, have front-facing ports. In contrast, many others, including the VM-50, have rear-facing ports (in this case, located above the connection and control panels). Pioneer DJ calls its variation of this port the Vortex Bass Accelerator and claims that its free-flowing air keeps the bass punchy and free from unwanted vibrations and distortion. It’s important to remember when you’ve got a speaker with a rear port, you don’t want to place the speakers too close to a wall, or you’ll experience boominess. Those differences in power come with corresponding differences in physical size, so the VM-50 is significantly smaller and lighter than the other VM series monitors. The VM-50 weighs just over 12 pounds, measuring approximately 12H x 8W x 10D inches. Meanwhile, the VM-70 weighs about 17 pounds with approximate dimensions of 13H x 9W x 12D inches, and the VM-80 weighs over 22 pounds with approximate dimensions of 16H x 11W x 13D inches. The Pioneer DJ VM-50’s design That said, over the three weeks I auditioned these, I used them a lot. I can report that they are punchy and full sounding, have great bass, have a decent “sweet spot” where audio is optimum, and frankly they go far too loud for what I needed.Collection and delivery costs are included for the first 2 years in the event of an item becoming faulty
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