Blow By Blow

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Vote up content that is on-topic, within the rules/guidelines, and will likely stay relevant long-term. One of the best albums of the best guiratist alive IMO. This guy just turns any genre he touches in some outstanding performance. His latest electronic work is exceptional too. It was getting very stodgy. I was getting so depressed by ’65 because I was 10 years too late to be around the Gene Vincent, Cliff Gallup thing, and I bitterly resent that. People forget that great rhythm guitar will help make your solo sound better”: YouTube guitar guru Marty Schwartz on the biggest mistakes aspiring guitarists make – and how to fix them

Bernie had completely forgotten he had this. He said, ‘Oh, I looked in one of my old storage spaces today and I found another four guitars’”: Up close and personal with some of late guitar hero Bernie Marsden’s rarest vintage instruments Boss has delivered the RE-201 Space Echo and BOSS CE-1 Chorus Ensemble preamps in a single pedal for the BP-1W booster Do you dislike being perceived as a fusion player because you don’t feel you really are one, or because you don’t like the implication the label carries?

Track listing

No. He didn’t know I existed. The awe I would have been in of him, and he would have been sitting there, wishing he was fishing. The guitars have a vagueness and messiness – there’s a certain cloudiness that creates our perfect environment. That's our sound”: Blonde Redhead might not be the best of friends, but their otherworldly guitar textures are a match made in heaven I didn’t like the ’60s and ’70s basically. I hated them. The mid ’60s were okay, because every day was a hurricane in the Yardbirds and I could afford to look at it with contempt; around me were a lot of things I had nothing to do with, like flower power and awful things like flared trousers. It was a really dark time for Ronnie and for the band": Vivian Campbell on why Ronnie James Dio had no interest in doing the Hear 'n Aid project featuring Yngwie Malmsteen, Neal Schon, George Lynch and Iron Maiden

I was determined not to bore anybody with any jazz. Things like Blow By Blow were just unadulterated jazz, but I didn’t think so at the time.Even when I once watched him play Savoy on an unplugged 1956 Gretsch Duo-Jet with heavy flatwound strings, it still sounded uncannily like what he recorded on Guitar Shop.

John Lee Hooker: "Out of the Younger Generation of the Blues Singers, Who Was My Pride and Joy? Stevie Ray Vaughan... He Could Do Anybody – Albert King, Jimi Hendrix, George Benson – Anybody's Thing. I'd Sit Down and Watch Him Do That"Lukid: “Dance music can be a bit snobbish about melody - but for me, the marriage of rhythmic and melodic elements is where the magic happens” Sound Particles, the maker of the world's first spatial audio synthesizer, on SkyDust 3D: "The future is spatial" This Was the Secret We’d All Been Searching for!" Discover the Key to Peter Green's “Magic” 1959 'Burst Les Paul Tone First of All, There Was No Guitar Player Who Had Ever Played Like That”: Van Halen Producer Ted Templeman Tells ‘GP’ How It All Began As producers, you struggle to get inspired if you're using the same thing. A lot of times, a piece of analogue gear can break you out of that rut" – Shaun Lopez on crafting synth sounds for the long-awaited second album from Crosses