PRS Guitars SE A40E Paul Reed Smith SE Angelus A40E Full Size Single Cutaway Acoustic/Electric Guitar with Hard-Shell Case, Natural

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At the base of the T40E, just below the strap button, is the housing for the nine-volt battery, which will need changing every 100 hours or so. Should that moment arrive while on stage, the battery compartment’s location means changing can take place while standing with a strap. It’s a pet hate of ours when guitars need to be taken off, and the strap removed, just to change a battery. Overall, the A40E was really impressive. As lower-cost import lines go, PRS’ SE brand has always been a little different in that it has its own identify, instead of simply serving as a platform for entry-level versions of U.S.-made instruments. The guitar I tested was a fine example. Every detail, line, joint, fret end, and nut edge was right. Impressions—Second and Beyond

Anything that touches the string has the ability to subtract more sustain or tone from your guitar so they have made sure that these guitars are fitted with Bone saddles and nuts for the best possible sound. You won’t find this on many instruments at this kind of price. It’s obvious from the off that these are excellently made guitars. The design, construction and inlay work are all high-level, regardless of price, and the guitars all ship with hard shell cases, adding confidence to the integrity of the instrument. The A40E has this bracing, and is made with a layered Ovangkol body. Ovangkol is similar to Rosewood but with slightly more in the mids and a brighter top end. As a result, this guitar really sparkles and cuts through a mix!

The Angelus is PRS’s more modern style cutaway acoustic guitar body that has been part of the SE line for a few years now. Refined over years of making these guitars this is the best the Angelus has ever looked or sounded for this price. In interviews, Mr PRS speaks of putting 6.0 in with the goal of getting 5.8 out. To that end, PRS guitars are fitted with high-quality, tonally responsive materials for the best possible sound. We’d suggest that, even at this modest price point, the SE T40E adheres to that ethos, and is well worth a test drive soon. For those familiar with the way Paul Reed Smith approaches guitar making, you’ll be aware that his philosophy is all about the instrument being ‘subtractive’, meaning that everything on the guitar isn’t adding more tone, or sustain, it is just subtracting less. In essence, that means that anything that touches the strings has the ability to subtract more sustain or tone from your guitar. Credit subject to status and affordability. Terms & Conditions Apply. Guitar Guitar Limited is a credit broker and is Authorised

Anything that touches the string has the ability to subtract more sustain or tone from your guitar so they have made sure that these guitars are fitted with bone saddles and nuts for the best possible sound. You won’t find this on many instruments at this kind of price. PRS AcousticsThese wonderful acoustic guitars are part of PRS’s SE range. These are made out in China to exacting standards by a carefully chosen factory. Paul Reed Smith and his team have taken decades to build up their reputation for quality, so instruments bearing his initials, even those made outside the USA ( especially those, to be fair), need to come up to scratch. The SE AE40E’s top features PRS’ hybrid X/classical bracing. According to the company, this design uses a traditional X at the soundhole “with classical fan bracing across the belly.” The goal is to let the top vibrate more freely for enhanced sound projection and a warmer tone. Sonically, we are relatively different ground here: the layered flame Maple adds a brightness and zing that really characterises the instrument. This is met by the hybrid bracing and body shape to provide a sound that is clear and crisp but still balanced. This may seem an odd statement about a guitar as nice looking as the SE A40E Angelus, especially from a brand with the bona fides of PRS Guitars, but it took me a week or so to realize that my generally favorable first impression of this Chinese-built acoustic-electric was actually giving it short shrift. Probably more than any instrument I’ve tested in years, the SE A40E revealed its true potential gradually.

Today we are going to have a little look at PRS’s wonderful SE acoustics, in particular, the Angelus and Tonare Grand models... Premium Features - Topped off with a sleek ebony fretboard and bridge, alongside a bone nut and bridge AND PRS trademark bird inlays, this guitar looks as good as it sounds!

In the early 1990s, Paul Reed Smith teamed up with luthier Dana Bourgeois to work on acoustic guitar designs. The effort resulted in a handful of new steel-strings, but these instruments apparently didn’t satisfy what Smith wanted from an acoustic guitar, and they never went into production. Without thinking about why at the time, I found the part quite easy to execute on the PRS. Same goes for arpeggios with fingers surrounding open drone strings. It’s a subtle thing and may be very particular to both the part and my weaknesses as a player, but it’s a good illustration of how small design choices can make a big difference when you’re trying to get the job done. The SE A20E is noticeably resonant, with a strong midrange and clear highs. And although the low end is slightly less audible, you can still sense its presence underneath the more impressive mid-to-high frequency ranges. As would be expected for an instrument of its size, the guitar has good projection and volume. It rings out enthusiastically when strummed; the notes are clear and pronounced, with good string separation in chords, giving way to satisfying overtones. Under the hood, the A40E, like all PRS acoustics, deviates from traditional steel-string bracing. Instead of common X-bracing, the top is supported by hybrid pattern bracing which fuses X-bracing and classical-inspired fan-bracing concepts. It’s a system that PRS says was partly inspired by a particularly robust-sounding Torres guitar from the late 19 th century.

The Flame Maple adds lots of presence to the slightly larger Tonare Grand style, making the T50E model a wonderfully percussive, satisfying instrument to write songs on. A55E & T55E Of course, we ( and probably yourselves too) think of gorgeously finished electric guitars with spectacular exotic woods when we visualise PRS. This makes, sense, since it’s what they are world renowned for! But there’s more to it, and today we want to guide you down a slightly different path. PRS have evolved the traditional "X" design and incorporated a fan style bracing behind the bridge, this creates a round sweet tone that projects beautifully from the guitar.It might be relatively affordable, but the A40E is not dressed down in the slightest. The fretboard is decorated with PRS’ trademark bird inlays, and the purfling and rosette are made with an eye-catching copper-like acrylic, which contrasts nicely with the cream-colored body binding. These are the first two words we’d associate with PRS acoustic guitars, followed closely by ‘beauty’. First off, the Angelus, which is a medium-sized Grand Concert model with a Venetian-style ‘Angelus’ cutaway. The mid-sized body should work perfectly for most players: it’s big enough to move some air and produce a mature tone, yet not so big that it’s a chore to get the right arm around. By contrast, the Tonare Grand has a larger, non-cutaway body tha tis designed for an altogether bigger sound. Singer-songwriters and fans of strumming will certainly enjoy the deep, loud, projecting voice of the Tonare Grand! PRS Hybrid 'X'/Classical Bracing - Utilizing an innovative design that allows the top to vibrate freely, this hybrid bracing system ensures detailed clarity and acoustic projection.